The next best thing I loved was to see Blanquette"s eyes glitter when I returned to the platform and poured silver and copper into her lap. She uttered strange little exclamations under her breath, and her fingers played caressingly with the coins.
"We gain more here in a day than Pere Paragot did in a week. It is wonderful. _N"est-ce pas, Maitre?_" she said one morning.
Paragot tuned his violin and looked down on her.
"Money pleases you, Blanquette?"
"Of course."
She counted the takings sou by sou.
"Yet you did not want to accept your just share."
"What you make me take is not just, Master," she said, simply.
Much as she loved money, her sense of justice rebelled against Paragot"s division of the takings--a third for Laripet, a third for Blanquette and a third for himself which he generously shared with me. Pere Paragot used to sweep into his pockets every sou and Blanquette had to subsist on whatever he chose to allow for joint expenses. Her new position of independence was a subject for much inward pride, mingled however with a consciousness of her own unworthiness. Monsieur Laripet, yes; she would grant that he was ent.i.tled to the same as the Master; but herself--no.
Was not the Master the great artist, and she but the clumsy strummer?
Was he not also a man, with more requirements than she--tobacco, absinthe, brandy and the like?
"A third is too much," she added.
"If you argue," said he, "I will divide it in halves for Laripet and yourself, and I won"t touch a penny."
"That would be idiotic," said Blanquette.
"It would be in keeping with life generally," he answered. "In a comic opera one thing is not more idiotic than another. Yes, Monsieur Laripet, we will give them _Funiculi, Funicula_. I once drove in coffin nails to that tune in Verona. Now we will set people eating to it in Aix-les-Bains--we, Monsieur Laripet, you and I, who ought to be the petted minions of great capitals! It is a comic opera."
"One has to get bread or one would starve," said Blanquette pursuing her argument. "And to get bread one must have money. If I had all the money you would not eat bread."
"I should eat _brioches_," laughed Paragot quoting Marie Antoinette.
"You always laugh at me, Master," said Blanquette wistfully.
Paragot drew his bow across the strings.
"There is nothing in this comical universe I don"t laugh at, my little Blanquette," said he. "I am like good old Montaigne--I rather laugh than weep, because to laugh is the more dignified."
Laripet struck a chord on the piano. Paragot joined in and played three bars. Then he stopped short. There was not the vestige of a laugh on his face. It was deadly white, and his eyes were those of a man who sees a ghost.
The four bright happy beings, two ladies and two men who had just entered the garden and at whom his stare was directed, took no notice, but followed a bowing maitre d"hotel to a table that had been reserved for them.
I sprang to the platform, on the edge of which I had been squatting at Blanquette"s feet.
"Are you ill, Master?"
He started. "Ill? Of course not. Pardon, Monsieur Laripet.
_Recommencons._"
He plunged into the merry tune and fiddled with all his might, as if nothing had happened. But I saw his nostrils quivering and the sweat running down his face into his beard.
CHAPTER VIII
WHEN _Funiculi Funicula_ was over he sat on the wooden chair provided for him and wiped his face. His hands shook. He beckoned me to come near.
"Do I look too grotesque a mountebank Tomfool?" he asked in English.
He was wearing the pearl-b.u.t.toned velveteen suit whose magnificence he had enhanced by newly purchased steel-buckled shoes and black stockings, and to a less bigoted wors.h.i.+pper than me I suppose he must have looked a mountebank Tomfool; but I only gaped at his question.
"Do I?" he repeated almost fiercely.
"You look beautiful, Master," said I.
He pa.s.sed his lean fingers wearily over his eyes. "Pardon, my little Asticot. There are things in Heaven and Earth etc. Myriads of Mysteries.
As many in the heart of man as in your Wonder Houses yonder. Get me some brandy. Three _pet.i.ts verres_ poured into a tumbler."
I went off to the restaurant and obtained the drink. When I returned they were playing the mocking chorus that runs through "Orphee aux Enfers."
The number over, Paragot drained the gla.s.s at one gulp. The company broke into unusual applause. Some one shouted "_Bis!_"
"Get me some more," said he. "Do you know why I chose that tune?"
"No, Master."
"Because twenty devils entered into me and played leapfrog over one another."
"I am very fond of that little tune. It is so gay," said Blanquette, as if she were introducing a fresh topic of conversation.
"I detest it," said my master.
The maitre d"hotel came up and asked that the chorus should be played again as an encore. I fetched Paragot"s drink and having set it down beside him on the platform, went round with my tambourine. When I reached the table at which the four new comers were seated I found that they spoke English. They were a young man in a straw hat, a young girl, a forbidding looking man of forty with a beaky nose, and the loveliest lady I have ever seen in my life. She had the complexion of a sea-sh.e.l.l.
Her eyes were the blue of glaciers, and they shone cold and steadfast; but her lips were kind. Her black hair under the large white tulle hat had the rare bluish tinge, looking as if cigarette smoke had been blown through it. Small and exquisitely made she sat the princess of my boyish dreams.
"I call it a ripping tune," cried the young girl.
"I hate it more than any other tune in the world," said the lovely lady with a s.h.i.+ver.
Her voice was like a peal of bells or running water or whatever silvery sounding things you will.
"It is very absurd to have such prejudices," said the beaky-nosed man of forty. He spoke like a Frenchman, and like a very disagreeable Frenchman. How dared he address my princess in that tone?
I extended my tambourine.
"_Qu"est-ce que vous desirez?_" asked the straw-hatted young man in an accent as Britannic as the main deck of the Bellerophon.