LIGHT
There are neither better nor worse; each one is as good as the other; and all are good when they suffer or when they love.
TYLTYL
The nuisance is that it seems you mustn"t love more than one.... Tell me, though, is that true, or is it only one of the things people say to children just to keep them quiet?
LIGHT
No, it"s true. When you love many, that merely shows that you haven"t yet found the one whom you were to love.
TYLTYL
But, after all, you, who know everything and see everything, must know better than I and can tell me what I ought to do.
LIGHT
No, dear, that is beyond me, beyond the range of my sight. It is for this very reason that we are going to consult those who do know; and they are near at hand, because it is in you that they live. We seem to be taking a great journey: that is an illusion; we are not going outside yourself and all our adventures are happening within you.... But I hear your little friends. Where is your green hat?
TYLTYL
Here. I took it off because I felt hot.
LIGHT
Put it on again quickly, so that there may be no more misunderstandings, and turn the sapphire.
(_He does so. Forthwith, on every side, all sorts of monsters emerge from the ground and from between the rocks: monsters with more or less human or animal shapes and grotesque, brutish or repulsive faces. They hustle_ TYLTYL, _gather together and dance round him_.)
TYLTYL
(_Terrified_.) Hullo, hullo, what"s all this?...
LIGHT
Nothing. You must have turned the sapphire from left to right.
TYLTYL
So I did, I believe; I forgot.... But what do they want with me? They are pushing up against me and snapping at my feet.
LIGHT
They won"t hurt you; they are merely your own thoughts, which you sometimes secretly think; now you have set them free and they are showing themselves for an instant as they are.
TYLTYL
What!... Are my thoughts as ugly as that?... I should never have believed it!...
LIGHT
Don"t take it so much to heart!... They are not as ugly as some, because you are still innocent and very young.... If you were to see those of other men!... Besides, you have beautiful ones; but they are more reluctant to show themselves.... However, I see the girls coming....
Turn the sapphire from right to left, so that we may get rid of these monsters, whom they must not see....
(_He does so; and the creatures go back into the ground. Enter_ THE SIX GIRLS, _preceded by_ DESTINY _and followed, at a distance, by_ THE WHITE PHANTOM, _who keeps on one side. They surround_ TYLTYL, _overwhelming him with caresses and all speaking at the same time_.)
THE GIRLS
Good-evening, Tyltyl!... We"ve found you again!... We were so anxious about you!... We couldn"t keep up with you.... Aren"t you tired?... May we kiss you?... Destiny held us back.... I wanted to run.... He stood in the way.... Aren"t you too hot?... Mind you don"t catch cold.... Kiss me too!... And me too!... And me too!...
TYLTYL
(_Distributing kisses all round_.) My sweethearts!... What darlings you are, and how happy I feel!... I hope I have not made you walk too fast?... You must forgive me; I am rather in a hurry.... Jalline dear, you haven"t hurt your foot, have you?... And you, Rosarelle? You are not used to climbing rocks.... Aimette"s hands are cold and Roselle has made herself much too hot....
LIGHT
Come, we will talk about all this later. We must now hasten to the Ancestors, who are waiting for us and would be very much annoyed if we arrived late....
DESTINY
(_Who has grown smaller still and is now hardly taller than a man of average height. He seems very tired and sits huddled on a boulder_.) Not a step farther!...
TYLTYL
Hullo! You"ve grown a bit smaller again!...
DESTINY
I? I"ve not changed. I am always the same, I am....
TYLTYL
I know, I know.... It"s Light being so near, perhaps....
DESTINY
Light and I have nothing in common.... In any event, I alone am master and I order a halt....
LIGHT
By all means; there is no need to go any farther. We have arrived; we are here without taking another step, at the abode of the Ancestors....
(_The curtain parts and opens upon the next scene_.)
SCENE VII