Like the nave, therefore, though for very different reasons, the transept should be examined bay by bay if the beauties of plan and of detail are to be appreciated, and these beauties, at least those of detail, are abundant.
There are some differences of detail between the east and west sides of the south transept, and also between the south and north transepts. The east and west sides of the north transept are practically identical, except for the fact that a Decorated pillar without Purbeck marble shafts has replaced an original Early English pillar on the west side of the north transept. This was probably made necessary by the height of the tower.
The differences between the east and west sides of the south transept are as follow:--
The windows in the southern bay of the west aisle are blank. They are pierced on the eastern aisle.
The vaulting ribs of the western aisle are plain. They are elaborately moulded in the eastern aisle.
The arcade in the eastern aisle is shorter than in the western, and does not reach to the ground.
There is a niche against the north-west pier of the tower, but none on the north-east.
There is a leaf moulding above the clerestory on the eastern side. The same moulding on the west is plain.
The eastern moulding of the main arches on the eastern side is dog-tooth. It is plain on the west. The other mouldings of the main arches are also differently arranged.
The spandrels of the triforium are decorated with circles of carved foliage, five to each bay, on the west side. These are absent on the east.
The north transept differs from the south in the following respects:--
The arches of the arcade at the north end of the north transept are trefoiled. They are plain at the south end of the south.
The main piers of the north transept have a ridge running down their alternate stone shafts. This ridge is wanting in the south.
Their capitals are richer, and, curiously enough, apparently later in detail.
In the clerestory of the north transept there are large dog-tooth mouldings between the Purbeck marble shafts wanting in the south transept. There is also more dog-tooth in the arch mouldings of the clerestory of the north transept than of the south.
In the north transept the moulding between the clerestory and triforium is dog-tooth. It is plain in the south transept.
The arcades of the aisles are practically the same in both aisles, except for the differences noted between the east and west aisle of the south transepts.
There are two rows of dog-tooth moulding round the windows in the aisles of the north transept, but only one in the south.
The clerestory shafts in the aisle of the north transept are bolder than in the south, and the capitals, especially on the east side, are more elaborate and beautiful.
The extra Decorated pillar on the west side of the north transept has already been noted.
The ends of the transepts are, of course, entirely different in arrangement. Purbeck marble is used lavishly all over the transepts; as, for example, alternately with stone in the main piers, on the shafts of the aisles, and in the triforium and clerestory. The main vaulting shafts are altogether of Purbeck.
The arcade at both ends of the transepts is entirely without Purbeck marble.
In the south front the shafts of the lowest row of windows are alternately of Purbeck and stone. The arcading above the door is wholly Purbeck, with dog-tooth mouldings of stone. The shafts of the central windows are Purbeck with alternate dog-tooth mouldings, and there are Purbeck shafts at the side of the rose window.
There are also Purbeck shafts on each side of the door, beginning above the arcade below.
In the north front, the shafts of the five sisters and of the five lancets above them are alternately marble and stone.
As has been said, the proportions of the bays in the transepts are very different to those of the nave. The triforium is much larger, and the clerestory much smaller. The main arches, slightly smaller in proportion than those of the nave, are extraordinarily rich and beautiful in detail. Their mouldings are very complex and deep, and are varied with dog-tooth and billet ornament.
The piers are perhaps too thin, though beautiful enough in themselves.
They are made up of alternate shafts of Purbeck marble and stone. Those of Purbeck are ringed half-way up. The Decorated piers are altogether of stone, and not ringed at all. The arrangement of the shafts is not quite so bold and various as in some other Early English work--the choirs of Ely and Worcester, for example.
The capitals are finely carved, though small. Those in the north transept are rather richer than those in the south.
[Ill.u.s.tration: South Transept, Triforium, and Clerestory.]
The corbels of the vaulting shafts, which are placed just above the capitals of the piers, are very large and richly decorated with four rows of foliage.
They support three shafts each, one large and two very slender, as in the nave. On each side of the larger shaft is a dog-tooth moulding.
The main arches, especially on the east side of the south transept, are considerably out of plumb, owing to the great weight of the lantern, and perhaps to the inferior material used in the transepts.
The triforium consists of a single great circular arch in each bay. It is divided by a thick central cl.u.s.ter of shafts into two smaller arches, and these in turn are divided by slenderer piers into two smaller arches still. In the head of the largest arch is a cinquefoil opening ornamented with cusps and dog-tooth moulding.
In the heads of the smaller arches are quatrefoil openings decorated in the same way. The mouldings of the large arches are very bold, and ornamented with dog-tooth; those of the lesser arches are less bold and plainer.
The shafts of the triforium run down on to a gabled sill which cuts into their bases. There is the same arrangement in the choir.
The clerestory consists of an arcade of five divisions, the three middle being windows, the outer ones blind. The cl.u.s.ters of shafts dividing them are very rich and thick.
The mouldings of the arches are broad and deep, the dog-tooth ornament being profusely used. Above the arches is a cornice decorated with foliage.
The vaulting shafts terminate in the wooden ribs of the roof, without the division of a capital, about two feet above the string course.
The aisles are vaulted, as in the rest of the minster, with stone.
The shafts supporting the vault are very richly cl.u.s.tered and varied.
The mouldings also are broad and deep; in fact, some of the finest work in the whole of the minster is to be found in these aisles. Below the aisle windows runs an arcade with trefoiled arches, which is very plain and simple in its details.
The ends of the transepts, as has been said, are altogether different.
The arrangement of the windows of the south front is described in the account of the interior. That arrangement is not particularly happy on the outside. It is even less so when seen from within. This is partly the result of the stained gla.s.s of different periods now in the windows, and partly of the scattered and confused s.p.a.cing of the windows themselves. Inside, as well as outside, the great rose window appears much too large for its position, and the vaulting, raised to allow the whole of it to be seen, fits awkwardly round it.
The north end of the transept, however, is one of the most triumphant successes in the whole minster. Its plan is magnificently simple. It is almost entirely filled by two rows of lancet windows, the five sisters, and five much smaller windows of graduated sizes above them.
The five sisters are, no doubt, the largest lancet windows in England, and it was a bold idea to fill almost the whole of that great front with them, but the boldness was entirely justified by the result.
It might perhaps have been expected that, like other gigantic openings, they would dwarf the frame surrounding them. But this is not the case.
They are enormous, and they appear enormous. They have an effect of gigantic and aspiring simplicity and vigour both inside and outside.
They fill a given s.p.a.ce in so obvious and efficient a manner, that it might seem that no other way of filling it could have occurred to the architect: that he was forced by a lucky chance to place them there.
That, of course, is the greatest triumph of genius. It is a piece of luck however that they still retain their ancient gla.s.s--Early English gla.s.s of the simplest design, and of a beautiful silvery greyish green tint. Without it, no doubt, their effect would be entirely different.
The great size and height of the lantern has already been mentioned.
The wooden vault is covered with ribs elaborately reticulated.
There are two windows with simple Perpendicular tracery and transoms on each side. A single shaft runs between each window.