I am persuaded, so thoroughly did they all enjoy their own carolling, that the singing of noels would have gone on until broad daylight had it not been for the intervention of the midnight ma.s.s. But the ma.s.s of Christmas Eve--or, rather, of Christmas morning--is a matter not only of pleasure but of obligation. Even those upon whom churchly requirements at other times rest lightly rarely fail to attend it; and to the faithful it is the most touchingly beautiful--as Easter is the most joyous--church festival of the year.
By eleven o"clock, therefore, we were under way for our walk of a mile or so down the long slope of the hill side to the village: a little clump of houses threaded by narrow crooked streets and still in part surrounded by the crusty remnant of a battlemented wall--that had its uses in the days when robber barons took their airings and when pillaging Saracens came sailing up the slack-water lower reaches of the Rhone. Down the white road in the moonlight we went in a straggling company, while more and more loudly came to us through the crisp night air the sound of the Christmas bells.
Presently some one started a very sweet and plaintive noel: fairly heart-wringing in its tender beseeching and soft lament, yet with a consoling under-note to which it constantly returned. I think, but I am not sure, that it was Roumanille"s noel telling of the widowed mother who carried the cradle of her own baby to the Virgin, that the Christ-Child might not lie on straw. One by one the other voices took up the strain, until in a full chorus the sorrowingly compa.s.sionate melody went thrilling through the moonlit silence of the night.
And so, singing, we walked by the white way onward; hearing as we neared the town the songs of other companies coming up, as ours was, from outlying farms. And when they and we had pa.s.sed in through the gateways--where the townsfolk of old lashed out against their robber Infidel and robber Christian enemies--all the black little narrow streets were filled with an undertone of murmuring voices and an overtone of clear sweet song.
XVI
On the little Grande Place the crowd was packed densely. There the several streams of humanity pouring into the town met and mingled; and thence in a strong current flowed onward into the church. Coming from the blackness without--for the tall houses surrounding the Grande Place cut off the moonlight and made it a little pocket of darkness--it was with a shock of splendour that we encountered the brightness within. All the side-altars were blazing with candles; and as the service went on, and the high-altar also flamed up, the whole building was filled with a soft radiance--save that strange luminous shadows lingered in the lofty vaulting of the nave.
After the high-altar, the most brilliant spot was the altar of Saint Joseph, in the west transept; beside which was a magnificent creche--the figures half life-size, beautifully modelled, and richly clothed. But there was nothing whimsical about this creche: the group might have been, and very possibly had been, composed after a well-painted "Nativity" by some artist of the late Renaissance.
The ma.s.s was the customary office; but at the Offertory it was interrupted by a ceremony that gave it suddenly an entirely Mediaeval cast: of which I felt more fully the beauty, and the strangeness in our time, because the Vidame sedulously had guarded against my having knowledge of it in advance. This was nothing less than a living rendering of the Adoration of the Shepherds: done with a simplicity to make one fancy the figures in Ghirlandojo"s picture were alive again and stirred by the very spirit that animated them when they were set on canvas four hundred years ago.
By some means only a little short of a miracle, a way was opened through the dense crowd along the centre of the nave from the door to the altar, and up this way with their offerings real shepherds came--the quaintest procession that anywhere I have ever seen. In the lead were four musicians--playing upon the _tambourin_, the _galoubet_, the very small cymbals called _palets_, and the bagpipe-like _carlamuso_--and then, two by two, came ten shepherds: wearing the long brown full cloaks, weather-stained and patched and mended, which seem always to have come down through many generations and which never by any chance are new; carrying tucked beneath their arms their battered felt hats browned, like their cloaks, by long warfare with sun and rain; holding in one hand a lighted candle and in the other a staff. The two leaders dispensing with staves and candles, bore garlanded baskets; one filled with fruit--melons, pears, apples, and grapes--and in the other a pair of doves: which with sharp quick motions turned their heads from side to side as they gazed wonderingly on their strange surroundings with their bright beautiful eyes.
Following came the main offering: a spotless lamb. Most originally, and in a way poetically, was this offering made. Drawn by a mild-faced ewe, whose fleece had been washed to a wonder of whiteness and who was decked out with bright-coloured ribbons in a way to unhinge with vanity her sheepish mind, was a little two-wheeled cart--all garlanded with laurel and holly, and bedizened with knots of ribbon and pink paper roses and glittering little objects such as are hung on Christmas-trees in other lands. Lying in the cart placidly, not bound and not in the least frightened, was the dazzlingly-white lamb, decked like the ewe with knots of ribbon and wearing about its neck a red collar brilliant to behold. Now and then the ewe would turn to look at it, and in response to one of those wistful maternal glances the little creature stood up shakily on its unduly long legs and gave an anxious baa! But when a shepherd bent over and stroked it gently, it was rea.s.sured; lying down contentedly again in its queer little car of triumph, and thereafter through the ceremony remaining still. Behind the car came ten more shepherds; and in their wake a long double line of country-folk, each with a lighted candle in hand. There is difficulty, indeed, in keeping that part of the demonstration within bounds, because it is esteemed an honour and a privilege to walk in the procession of the offered lamb.
Slowly that strange company moved toward the altar, where the ministering priest awaited its coming; and at the altar steps the bearers of the fruit and the doves separated, so that the little cart might come between them and their offering be made complete, while the other shepherds formed a semi-circle in the rear. The music was stilled, and the priest accepted and set upon the altar the baskets; and then extended the paten that the shepherds, kneeling, might kiss it in token of their offering of the lamb. This completed the ceremony. The _tambourin_ and _galoubet_ and _palets_ and _carlamuso_ all together struck up again; and the shepherds and the lamb"s car pa.s.sed down the nave between the files of candle-bearers and so out through the door.
Within the past sixty years or so this nave ceremony has fallen more and more into disuse. But it still occasionally is revived--as at Barbentane in 1868, and Rognonas in 1894, and repeatedly within the past decade in the sheep-raising parish of Maussane--by a cure who is at one with his flock in a love for the customs of ancient times. Its origin a.s.suredly goes back far into antiquity; so very far, indeed, that the airs played by the musicians in the procession seem by comparison quite of our own time: yet tradition ascribes the composition of those airs to the good King Rene, whose happy rule over Provence ended more than four centuries ago.
Another custom of a somewhat similar character, observed formerly in many of the Provencal churches, was the grouping before the altar at the ma.s.s on Christmas Day of a young girl, a choir-boy, and a dove: in allegorical representation of the Virgin Mary, the Angel Gabriel, and the Holy Ghost. But the a.s.sembly of this quaint little company long since ceased to be a part of the Christmas rite.
XVII
When the stir caused by the coming and the going of the shepherds had subsided, the ma.s.s went on; with no change from the usual observance, until the Sacrament was administered, save that there was a vigorous singing of noels. It was congregational singing of a very enthusiastic sort--indeed, nothing short of gagging every one of them could have kept those song-loving Provencaux still--but it was led by the choir, and choristers took the solo parts. The most notable number was the famous noel in which the crowing of a c.o.c.k alternates with the note of a nightingale; each verse beginning with a prodigious c.o.c.k-a-doodle-d-o-o!
and then rattling along to the gayest of gay airs. The nightingale was not a brilliant success; but the c.o.c.k-crowing was so realistic that at its first outburst I thought that a genuine barn-yard gallant was up in the organ-loft. I learned later that this was a musical _tour-de-force_ for which the organist was famed. A buzz of delight filled the church after each c.o.c.k-crowing volley; and I fancy that I was alone in finding anything odd in so jaunty a performance within church walls. The viewpoint in regard to such matters is of race and education. The Provencaux, who are born laughing, are not necessarily irreverent because even in sacred places they sometimes are frankly gay.
a.s.suredly, there was no lack of seemly decorum when the moment came for the administration of the Sacrament; which rite on Christmas Eve is reserved to the women, the men communing on Christmas Day. The women who were to partake--nearly all who were present--wore the Provencal costume, but of dark colour. Most of them were in black, save for the white chapelle, or kerchief, and the sc.r.a.p of white which shows above the ribbon confining the knotted hair. But before going up to the altar each placed upon her head a white gauze veil, so long and so ample that her whole person was enveloped in its soft folds; and the women were so many, and their action was with such sudden unanimity, that in a moment a delicate mist seemed to have fallen and spread its silvery whiteness over all the throng.
Singly and by twos and threes those palely gleaming figures moved toward the altar, until more than a hundred of them were crowded together before the sanctuary rail. Nearest to the rail, being privileged to partake before the rest, stood a row of black-robed Sisters--teachers in the parish school--whose sombre habits made a vigorous line of black against the dazzle of the altar, everywhere aflame with candles, and by contrast gave to all that sweep of l.u.s.trous misty whiteness a splendour still softer and more strange. And within the rail the rich vestments of the ministering priests, and the rich cloths of the altar, all in a flood of light, added a warm colour-note of gorgeous tones.
Slowly the rite went on. Twenty at a time the women, kneeling, ranged themselves at the rail; rising to give room to others when they had partaken, and so returning to their seats. For a full half hour those pale lambent figures were moving ghost-like about the church, while the white-veiled throng before the altar gradually diminished until at last it disappeared: fading from sight a little at a time, softly--as dream-visions of things beautiful melt away.
Presently came the benediction: and all together we streamed out from the brightness of the church into the wintry darkness--being by that time well into Christmas morning, and the moon gone down. But when we had left behind us the black streets of the little town, and were come out into the open country, the star-haze sufficed to light us as we went onward by the windings of the spectral white road: for the stars shine very gloriously in Provence.
We elders kept together staidly, as became the gravity of our years; but the young people--save two of them--frolicked on ahead and took again with a will to singing noels; and from afar we heard through the night-stillness, sweetly, other home-going companies singing these glad Christmas songs. Lingering behind us, following slowly, came Esperit and Magali--to whom that Christmas-tide had brought a life-time"s happiness.
They did not join in the joy-songs, nor did I hear them talking. The fullest love is still.
And peace and good-will were with us as we went along the white way homeward beneath the Christmas morning stars.
SAINT-REMY-DE-PROVENCE, _September, 1896._
A Feast-Day on the Rhone
I
This water feast-day was a part of the biennial pilgrimage to the Sainte-Estelle of the Felibrige and the Cigaliers: the two Felibrien societies maintained in Paris by the children of the South of France.
Through twenty-three dreary months those expatriated ones exist in the chill North; in the blessed twenty-fourth month--always in burning August, when the melons are luscious ripe and the grapes are ripening, when the sun they love so well is blazing his best and the whole land is a-quiver with a thrilling stimulating heat--they go joyously southward upon an excursion which has for its climax the great Felibrien festival: and then, in their own gloriously hot Midi, they really live!
By a semi-right and by a large courtesy, we of America were of this gay party. Four years earlier, as the official representatives of an American troubadour, we had come upon an emba.s.sy to the troubadours of Provence; and such warm relations had sprung up between ourselves and the poets to whom we were accredited that they had ended by making us members of their own elect body: the Society of the Felibrige--wherein are united the troubadours of these modern times. As Felibres, therefore, it was not merely our right but our duty to attend the festival of the Sainte-Estelle; and our official notification in regard to this meeting--received in New York on a chill day in the early spring-time--announced also that we were privileged to journey on the special steamboat chartered by our brethren of Paris for the run from Lyons to Avignon down the Rhone.
II
We were called at five o"clock in the morning. Even the little birds of Lyons were drowsy at that untoward and melancholy hour. As I slowly roused myself I heard their sleepy twitterings out in the trees on the Cours du Midi--and my sympathies were with them. There are natures which are quickened and strengthened by the early day. Mine is not such. I know of nothing which so numbs what I am pleased to term my faculties as to be _particeps criminis_ in the rising of the sun.
But life was several shades less cheerless by the time that we left the Hotel Univers--which I ever shall remember gratefully because it ministered so well, even in the very midst of the driving bustle of the Lyons Exposition, to our somewhat exacting needs--and went down to the river side. Already the mists of morning had risen, and in their place was the radiant sunshine of the Midi: that penetrating, tingling sunshine which sets the blood to dancing and thence gets into the brain and breeds extravagant fancies there which straightway are uttered as substantial truths--as M. Daudet so often has told us; and also, when writing about this his own dearly-loved birth-land, so often has demonstrated in his own text.
Yet had we come to the boat while still in the lowering mood begotten of our intemperate palterings with the dawn we must have yielded quickly to the infectious cheerfulness which obtained on board the _Gladiateur_.
Even a Grey Penitent would have been moved, coming unawares into that gay company, to throw off his _cagoule_ and to dance a saraband. From end to end the big _Gladiateur_ was bright with bunting--flags set in cl.u.s.ters on the great paddle-boxes, on the bow, on the stern--and the company thronging on board was living up to the brightness of the sunshine and the flags.
For they were going home, home to their dear South, those poet exiles: and their joy was so strong within them that it almost touched the edge of tears. I could understand their feeling because of a talk that I had had three days before, in Paris, with Baptiste Bonnet: up in his little apartment under the mansard, with an outlook over the flowers in the window-garden across roof-tops to Notre Dame. Bonnet could not come upon this expedition--and what love and longing there was in his voice while he talked to us about the radiant land which to him was forbidden but which we so soon were to see! To know that we were going, while he remained behind, made us feel like a brace of Jacobs; and when Madame Bonnet made delicious tea for us--"because the English like tea," as she explained with a clear kindliness that in no wise was lessened by her misty ethnology--we felt that so to prey upon their hospitality in the very moment that we were making off with their birthright was of the blackest of crimes. But because of what our dear Bonnet had said, and of the way in which he had said it, I understood the deep feeling that underlay the exuberant gayety of our boat-mates--and it seemed to me that there was a very tender note of pathos in their joy.
They were of all sorts and conditions, our boat-mates: a few famous throughout the world, as the player Mounet-Sully, the painter Benjamin Constant, the prose poet Paul Arene; many famous throughout France; and even in the rank and file few who had not raised themselves above the mult.i.tude in one or another of the domains of art. And all of them were bound together in a democratic brotherhood, which yet--because the absolute essential to membership in it was genius--was an artistic aristocracy. With their spiritual honours had come to many of them honours temporal; indeed, so plentiful were the purple ribbons of the Palms and the red rosette of the Legion--with here and there even a Legion b.u.t.ton--as to suggest that the entire company had been caught out without umbrellas while a brisk shower of decorations pa.s.sed their way.
A less general, and a far more picturesque, decoration was the enamelled cigale worn by the Cigaliers: at once the emblem of their Society, of the Felibrien movement, and of the glowing South where that gayest of insects is born and sings his life out in the summer days.
Most of the poets came to the boat breakfastless, and their first move on board was toward the little cabin on deck wherein coffee was served.
The headwaiter at the improvised breakfast table--as I inferred not less from his look and manner than from his ostentatiously professed ignorance of his native tongue--was an English duke in reduced circ.u.mstances; and his a.s.sistants, I fancy, were retired French senators. Indeed, those dignified functionaries had about them an air of high comedy so irresistible, and so many of the ladies whom they served were personages of the Odeon or the Comedie Francaise, that only the smell of the coffee saved the scene from lapsing into the unrealism of the realistic stage.
Seven o"clock came, but the _Gladiateur_ remained pa.s.sive. At the gang-plank were a.s.sembled the responsible heads of the expedition--who were anything but pa.s.sive. They all were talking at once, and all were engaged in making gestures expressive of an important member of the party who had been especially charged to be on hand in ample time; who had outraged every moral principle by failing to keep his appointment; whose whereabouts could not be even remotely surmised; whose absence was the equivalent of ruin and despair--a far less complex series of concepts, I may add, than a southern Frenchman is capable of expressing with his head and his body and his hands.
It was the pianist.
A grave Majoral, reaching down to the kernel of the matter, solved the difficulty with the question: "Have we the piano?"
"We have."
"Enough!" cried the Majoral. "Let us go."
In a moment the gang-plank was drawn aboard; the lines were cast off; the great paddle-wheels began to turn; the swift current laid hold upon us--and the _Gladiateur_, slipping away from the bank, headed for the channel-arch of the Pont-du-Midi. The bridge was thronged with our friends of Lyons come down to say good-bye to us. Above the parapet their heads cut sharp against the morning glitter of the sun-bright sky.
All together they cheered us as we, also cheering, shot beneath them: and then the bridge, half hidden in the cloud of smoke from our huge funnel, was behind us--and our voyage was begun.
III
Of all the rivers which, being navigable, do serious work in the world the Rhone is the most devil-may-care and light-hearted. In its five hundred mile dash down hill from the Lake of Geneva to the Mediterraenean its only purpose--other than that of doing all the mischief possible--seems to be frolic fun. And yet for more than two thousand years this apparently frivolous, and frequently malevolent, river has been very usefully employed in the service of mankind.