The Die Varieties of the Nesbitt Series of United States Envelopes.
by Victor M. Berthold.
INTRODUCTION
"Variety is the spice of Life". This aphorism, if applied to collectors of the dies of the early United States envelopes, changes with kaleidoscopic rapidity into: "Varieties are the bane of collectors".
The truth of this statement is borne out by the fact that, though the die varieties of the Nesbitt issues are one of the most interesting phases of American philately, the amount of our knowledge concerning them is surprisingly small.
If we recall that many of these dies have been in existence for half a century, embracing all issues prior to 1870, and thus, in comparison with modern issues, are h.o.a.ry with age, that they have been collected for decades by ardent lovers of United States envelopes, our surprise is heightened.
The honor of the first attempt at describing the various Nesbitt die varieties and making this knowledge public property belongs to an English philatelist of rare ability, the late Gilbert Harrison. While this confers great credit upon the latter, it is an humiliation to American philatelists that this page of our own history was left to be written by an English student. Even so, this work[A] did not appear until fully forty years after the Nesbitt dies were first issued.
It is, likewise, true that Messrs. Tiffany, Bogert and Rechert in their "Historical Notes"[B] undertook to rescue the Nesbitt die varieties from an ignominious oblivion, and for this they are also ent.i.tled to praise, but up to the most recent time, the great body of collectors did not possess a guide-book, a "Philatelic Baedeker," which would enable the timorous traveler to proceed into the unknown country with a feeling of perfect safety.
Naturally the question arises: What is the reason for this state of affairs? Why have the Nesbitt die varieties been relegated to an entirely unmerited obscurity?
Unless I am greatly mistaken the answer is that the large majority of collectors believed the subject to be fraught with difficulties. Add to this both the lack of a catalogue and of any systematic exposition of the early die varieties, and it is easy to comprehend why the bugbear has continued to the detriment of United States philately.
However, thanks to the good services of the Scott Stamp & Coin Co., and the J. M. Bartels Co., this wrong impression has been largely removed and the future collector of the Nesbitt dies has a rich and inviting field now open for his favorite pursuit. Moreover, henceforth no collection lacking these important die varieties can lay a claim to a full degree of completeness, and this remark refers equally to those who collect entire envelopes or cut square specimens. Indeed, of the two the latter is by far the larger gainer, because these varieties appear on comparatively few "knives" or shapes of envelopes.
a.s.suming that not many collectors, either young or old, have busied themselves with die varieties a few remarks about the method or way of studying them, gained from practical experience, may not be out of place.
Of course, I do not intend to give specific rules here. These will be in order as soon as we take up a special issue.
It is true that die varieties may be found in half a dozen different ways, but it is equally plain that if we can use a uniform method, applicable to all, we shall be far better off. Although this fact is self evident, such a method was unknown when the writer commenced the study of the Nesbitt die varieties. Recognizing, however, the value of some simple means, various methods were pursued until, after numerous disappointing failures, the solution of the problem was found by means of line prolongation and the use of a unit distance measurement.
As in redrawing a die the engravers of the Nesbitt envelopes have endeavored merely to reproduce the stamp in its general features, the result is that the s.p.a.cings between the letters, the form of the letters, their size, and the size of the entire stamp may all be subject to many changes. Owing to this nonchalant procedure, and referring now to the very first issue, the engravers have left to posterity not less than ten different heads of the "Father of our Country" which can readily be seen on fine specimens. For the same reason there are ten dies of the 3 cent red, commonly known as Die 5 or E, which are further characterized by the "T" of "THREE" having a long cross stroke. This die was redrawn and the long cross stroke of "T"
changed into a short line. The alteration added twenty varieties, among which are some highly interesting and valuable specimens.
Suppose we select the "T" of "THREE" for our starting point and, noting that that letter is found in various positions, slanting to the right or left, or standing nearly vertically, we lay the edge of a fine piece of paper along the outside of the downstroke and thus virtually prolong the "T" line downward. Next we carefully note where that prolongation touches a letter in the lower label. If we find that in a number of dies the line touches the "N" of "CENTS", we have probably established a general cla.s.s. Continuing our inquiry we may note that the "T" line falls outside of the "N", perhaps touches the "T" or may even cut the "S" of "CENTS"; a clear indication that we have other die varieties.
The above, I believe, ill.u.s.trates sufficiently what is meant by a system of line prolongation.
Another great help is furnished by the use of a uniform distance measurement. For convenience take ten millimetres and, setting a divider at that distance, commence with the "T" of "THREE", selecting as our starting point the left end of the horizontal cross stroke of "T". a.s.sume that, in our first specimen, the end of the ten millimetre line touches the end of the first "E", in the second it may fall between the two "E"s, while in a third the same distance reaches outside the final "E". In this simple and comparatively easy manner, we have ascertained three important cla.s.ses.
Knowing our main cla.s.ses, the next step is to study a number of dies of the same general cla.s.s for sub-varieties, using again one or both of the methods with which we are now well acquainted.
In this manner order is brought out of apparent confusion, and if we work carefully, and are willing to have a little patience, the final success will pay well for all our trouble. Indeed the mental training gained by this work is very valuable and will a.s.sist us greatly in the knowledge of other stamps or dies.
So far I have not spoken of the various forms of watermarks employed by Nesbitt, nor of the tresses, or seals, found on the flaps. These are of importance to the collector of entire envelopes, but are a negligible quant.i.ty for those who prefer to get the die varieties as cut square specimens.
As it is evident that the purpose of the present work is to enable the great body of collectors of United States stamps to become well acquainted with the early Nesbitt varieties, hitherto considered the exclusive property of the specialist, I suggest to the powers that supply our need in the way of stamp alb.u.ms to prepare a couple of extra pages, showing the die and its main varieties. A friend of the writer, an enthusiastic collector of cut square specimens, has adopted this plan and it is certain that if any of our readers had an opportunity to see how attractive and interesting these pages appear, they would not hesitate to do likewise.
Perhaps this suggestion will be heeded by the alb.u.m publishers. If so, there will soon spring up special groups of collectors of the early Nesbitt Die Varieties.
In conclusion I desire to express to Messrs. J. M. Bartels, Edward H.
Mason and Geo. Rauh, all of Boston, my sincere thanks for the valuable aid which they have rendered me in preparing this work.
Mr. Bartels has worked with me continuously in my investigations into the intricacies of these dies; Mr. Mason has placed his grand collection of United States envelopes unreservedly at my disposal, besides aiding me in many other ways, and it is to Mr. Rauh that I am indebted for the very fine and conscientiously executed drawings of the various, heads of this series.
VICTOR M. BERTHOLD.
Boston, Ma.s.s.
Feb. 1905.
FOOTNOTES:
[Footnote A: The--Nesbitt Stamped Envelopes--and Wrappers--of the--United States of America,--with descriptions of the varieties of the dies,--and fifteen full-page ill.u.s.trations--by--the late Gilbert Harrison.--Edited and completed--by--E. D. Bacon.--Published as a supplement to the "London Philatelist",--by M. P.
Castle,--Vice-President of the Philatelic Society, London,--1895.]
[Footnote B: The--Stamped Envelopes.--Wrappers and Sheets--of the United States--by John K. Tiffany, R. R. Bogert,--and Joseph Rechert.--A Committee of the National Philatelical Society,--New York--1892.--Published by--The Scott Stamp & Coin Co. Limited.--12 East 23rd St.]
THE 1853-55 SERIES.
It is strange that the Yankee, who is generally so quick witted in all matters pertaining to trade and commerce, has been comparatively slow in recognizing the value of the stamped envelope for business purposes.
As a matter of fact, the famous Mulready and its numerous caricatures had been used in Great Britain for nearly a dozen years when the Thirty-second Congress, on Aug. 31, 1852, authorized the issue of stamped envelopes in the United States.
The next we hear of the matter is a short line in the Report of the Postmaster-General, dated December 4, 1852, which reads: "Such envelopes as are authorized are now in preparation and will soon be issued." And, in February of the following year, the _Scientific American_ mentions the interesting news that "G. F. Nesbitt has shown to the Postmaster-General an embossed stamp for prepaid envelopes which has been accepted, and the manufacture will at once proceed. Such, however, is the labor and care required for their production, that none will be ready for delivery before the middle of next April."
The much heralded novelty of the Post Office finally appeared July 7, 1853. At least, this date is certified to by the National Intelligencer of the _Washington Journal_, which, in describing the envelopes just sent out for distribution, states: "they are as yet but of a single size and of the three cent value." It also adds that the addition of the Nesbitt seal is an outrage.
Without entering into further details, it is of general interest to note that, up to 1869, Geo. F. Nesbitt & Co., of New York, continued to furnish the United States Post Office Department with envelopes.
Recalling the fact that Nesbitt originated the dies; that the machinery for embossing was very crude compared with our modern apparatus, collectors must concede that his work deserves great credit.
The question, however, of superlative interest to philatelists is: why has Nesbitt produced such a large number of dies or die varieties? The answer is simple: Pressed hard by the Department to manufacture several millions of envelopes, a gigantic task in the early days of stamp making, and lacking our present means of reproducing working dies from the matrix, he undoubtedly used his best effort; i.e. he probably ordered a number of engravers to reproduce the original die, and, in the hurry of the work, little attention was paid to exactness. This would seem a very plausible explanation, and in the absence of any official data let us permit the above a.s.sumption to stand.
Whatever may be the facts in the case, one thing is certain; the varieties exist and have been a source of trouble to many collectors of United States envelopes. With wider knowledge and on better acquaintance, it is certain that in future they will prove a most interesting branch of United States philately.
DIE I.
[Ill.u.s.tration]
Short labels with curved ends close to the letters. 10 loops in left side ornament and 9 in right.
TEN HEADS--TWELVE VARIETIES.
In accordance with the instructions of the United States Postal Department, the first issue of United States envelopes was to represent a profile of General Washington after Houdon"s famous bust. No doubt the spirit of the engraver was willing, but the "flesh was woefully weak." Indeed, it is no exaggeration to affirm that the head, or heads, of Die I (or A) are as far from Houdon"s masterpiece as the sun is from our planet. Moreover, on a close inspection we find a lot of curious and noteworthy details which seem to indicate that the artist, or artists, had peculiar ideas of the manly beauty of the "Father of our Country."