There was once upon a time a poor mason, or bricklayer, in Granada, who kept all the saints" days and holidays, and Saint Monday into the bargain, and yet with all his devotion he grew poorer and poorer and could scarcely earn bread for his numerous family. One night he was roused from his first sleep by a knocking at his door. He opened it and beheld before him a tall stranger.
"Hark ye, honest friend!" said the stranger; "I have observed that you are a good Christian and one to be trusted. Will you undertake a job this very night?"
"With all my heart, Senor, on condition that I am paid accordingly."
"That you shall be; but you must suffer yourself to be blindfolded."
To this the mason made no objection. So, being hoodwinked, he was led by the stranger through various rough lanes and winding pa.s.sages until they stopped before the portal of a house. The stranger then applied a key, turned a creaking lock, and opened what sounded like a ponderous door. They entered; the door was closed and bolted, and the mason was conducted through an echoing corridor and a s.p.a.cious hall to an interior part of the building. Here the bandage was removed from his eyes, and he found himself in a court dimly lighted by a single lamp.
In the center was the dry basin of an old fountain, under which the stranger requested him to form a small vault, bricks and mortar being at hand for the purpose. He worked all night, but without finishing the job. Just before daybreak the stranger put a piece of gold into his hand, and having again blindfolded him, conducted him back to his dwelling.
"Are you willing," said he, "to return and complete your work?"
"Gladly, Senor, provided I am so well paid."
"Well then, tomorrow at midnight I will call again."
He did so, and the vault was completed.
"Now," said the stranger, "you must help me to bring forth the bodies that are to be buried in this vault."
The poor mason"s hair rose on his head at these words; he followed the stranger with trembling steps into a retired chamber of the mansion, expecting to behold some ghastly spectacle of death, but was relieved on seeing three or four jars standing in one corner. They were full of money, and it was with great labor that he and the stranger carried them forth and consigned them to their tomb.
The vault was then closed, the pavement replaced, and all traces of the work were obliterated. The mason was again hoodwinked and led forth by a route different from that by which he had come. After they had wandered for a long time through a maze of lanes and alleys, they halted.
The stranger then put two pieces of gold into his hand. "Wait here,"
said he, "until you hear the cathedral bell toll. If you uncover your eyes before that time, evil will befall you." So saying, he departed.
The mason waited faithfully, amusing himself by weighing the gold pieces in his hand and clinking them against each other. The moment the cathedral bell rang its peals he uncovered his eyes and found himself on the banks of the Xenil; whence he made the best of his way home and reveled with his family for a whole fortnight on the profits of his two nights" work; after which he was as poor as ever.
He continued to work a little and pray a good deal and keep saints"
days and holidays from year to year, while his family grew up gaunt and ragged as a crew of gypsies. As he was seated one evening at the door of his hovel, he was accosted by a rich old curmudgeon who was noted for owning many houses and being a griping landlord. The man of money eyed him for a moment from beneath a pair of anxious, s.h.a.ggy eyes.
"I am told, friend, that you are very poor."
"There is no denying the fact, Senor--it speaks for itself."
"I presume then that you will be glad of a job and will work cheap?"
"As cheap, my master, as any mason in Granada."
"That"s what I want. I have an old house fallen into decay, which costs me more money than it is worth to keep in repair, for n.o.body will live in it. So I must patch it up and keep it together at as small expense as possible."
The mason was accordingly conducted to a large deserted house that seemed going to ruin. Pa.s.sing through several empty halls and chambers, he entered an inner court, where his eye was caught by an old fountain. He paused for a moment, for a dreamy recollection of the place came over him. "Pray," said he, "who occupied this house formerly?"
"A pest upon him!" cried the landlord; "it was an old miserly fellow who cared for n.o.body but himself. He was said to be immensely rich.
He died suddenly, and nothing could they find but a few ducats in a leathern purse. The worst luck has fallen on me, for since his death the old fellow continues to occupy my house without paying rent. The people pretend to hear the clinking of gold all night in the chamber where the old fellow slept, as if he were counting over his money, and sometimes a groaning and moaning about the court. Whether true or false, these stories have brought a bad name on my house, and not a tenant will remain in it."
"Enough," said the mason st.u.r.dily; "let me live in your house rent-free until some better tenant appears, and I will put it in repair and quiet the troubled spirit that disturbs it. I am a good Christian and a poor man and am not to be daunted by the Devil himself, even though he should come in the shape of a big bag of money!"
The offer of the mason was gladly accepted. He moved with his family into the house, and fulfilled all of his engagements. By little and little he restored it to its former state; the clinking of gold was no more heard at night in the chamber of the defunct tenant, but began to be heard by day in the pocket of the living mason. In a word, he increased rapidly in wealth, to the admiration of all his neighbors, and became one of the richest men in Granada. He gave large sums to the Church--by way, no doubt, of satisfying his conscience--and never revealed the secret of the vault until on his deathbed to his son and heir.
NOTES AND QUESTIONS
Discussion. 1. What condition led the mason to undertake the stranger"s task? 2. Why was the mason blindfolded? 3. How long did it take him to complete the vault? 4. What was buried in it? 5. How did the mason find his way home? 6. Was the mason"s poverty relieved by the pay he received from the stranger? 7. What work did the grasping landlord propose to the mason? 8. What stories had brought a bad name upon the landlord"s house? 9. What was the "dreamy recollection"? 10.
How did the mason show his quick wit? 11. Why did he say that he was not afraid of the Devil in the shape of a bag of money? 12. What differences do you notice between this story of how the mason came upon great wealth and the stories of Aladdin and Ali Baba? 13. Read again pages 289-291 and tell what makes Irving a real author. Can you tell why you enjoyed this story? 14. Cla.s.s reading: The second part of the story, page 318, line 20, to the end. 15. Outline for testing silent reading. Tell the story in your own words, using the following topics: (a) how the mason built the vault in the mysterious house; (b) how he unexpectedly came into possession of this vault many years later. 16. Find in the Glossary the meaning of: hoodwinked; vault; maze; cathedral; pest; ducat. 17. p.r.o.nounce: Granada; Senor; ponderous; ghastly; obliterated; route; gaunt; hovel; curmudgeon; daunted.
Phrases for Study
retired chamber, troubled spirit, ghastly spectacle, former state, crew of gypsies, defunct tenant, griping landlord, by way of satisfying.
HENRY WADSWORTH LONGFELLOW
Henry Wadsworth Longfellow (1807-1882) was a native of Maine and a graduate of Bowdoin College, in the same cla.s.s with Nathaniel Hawthorne. Longfellow came of early New England ancestry, his mother being a daughter of General Wadsworth of the Revolutionary War.
After his graduation from college he spent several years abroad and upon his return to America held professorships first in Bowdoin and later in Harvard College. When he moved to Cambridge and began his active work at Harvard, he took up his residence in the historic Craigie House, overlooking the Charles River-a house in which Washington had been quartered for some months when in 1775 he took command of the Continental army.
Longfellow is the poet who has spoken most sincerely and sympathetically to the hearts of the common people and to children.
His style is notable for its simplicity and grace. His Hiawatha is a national poem that records the picturesque traditions of the American Indian. Its charm and melody are the delight of all children, and in years to come, when the race which it describes has utterly disappeared, we shall value at even higher state; the clinking of gold was no more heard at night in the chamber of the defunct tenant, but began to be heard by day in the pocket of the living mason. In a word, he increased rapidly in wealth, to the admiration of all his neighbors, and became one of the richest men in Granada. He gave large sums to the Church--by way, no doubt, of satisfying his conscience--and never revealed the secret of the vault until on his deathbed to his son and heir.
NOTES AND QUESTIONS
Discussion. 1. What condition led the mason to undertake the stranger"s task? 2. Why was the mason blindfolded? 3. How long did it take him to complete the vault? 4. What was buried in it? 5. How did the mason find his way home? 6. Was the mason"s poverty relieved by the pay he received from the stranger? 7. What work did the grasping landlord propose to the mason? 8. What stories had brought a bad name upon the landlord"s house? 9. What was the "dreamy recollection"? 10.
How did the mason show his quick wit? 11. Why did he say that he was not afraid of the Devil in the shape of a bag of money? 12. What differences do you notice between this story of how the mason came upon great wealth and the stories of Aladdin and Ali Baba? 13. Read again pages 289-291 and tell what makes Irving a real author. Can you tell why you enjoyed this story? 14. Cla.s.s reading: The second part of the story, page 318, line 20, to the end. 15. Outline for testing silent reading. Tell the story in your own words, using the following topics: (a) how the mason built the vault in the mysterious house; (b) how he unexpectedly came into possession of this vault many years later. 16. Find in the Glossary the meaning of: hoodwinked; vault; maze; cathedral; pest; ducat. 17. p.r.o.nounce: Granada; Senor; ponderous; ghastly; obliterated; route; gaunt; hovel; curmudgeon; daunted.
Phrases for Study
retired chamber, troubled spirit, ghastly spectacle, former state, crew of gypsies, defunct tenant, griping landlord, by way of satisfying.
HENRY WADSWORTH LONGFELLOW
Henry Wadsworth Longfellow (1807-1882) was a native of Maine and a graduate of Bowdoin College, in the same cla.s.s with Nathaniel Hawthorne. Longfellow came of early New England ancestry, his mother being a daughter of General Wadsworth of the Revolutionary War.
After his graduation from college he spent several years abroad and upon his return to America held professorships first in Bowdoin and later in Harvard College. When he moved to Cambridge and began his active work at Harvard, he took up his residence in the historic Craigie House, overlooking the Charles River-a house in which Washington had been quartered for some months when in 1775 he took command of the Continental army.
Longfellow is the poet who has spoken most sincerely and sympathetically to the hearts of the common people and to children.
His style is notable for its simplicity and grace. His Hiawatha is a national poem that records the picturesque traditions of the American Indian. Its charm and melody are the delight of all children, and in years to come, when the race which it describes has utterly disappeared, we shall value at even higher worth these stories of the romantic past of America and of the brave people who inhabited these mountains and plains before the white man came.
Besides Indian stories, Longfellow wrote many narratives in verse dealing with old legends of America. "The Skeleton in Armor" is an example of the legends about European explorers who came here before the days of Columbus. Evangehne and The Courtship of Miles Standish are longer poems which find their subjects in early colonial history.