Diana went up again without another word. Her room was on the first story, and looked only into a courtyard. The furniture was somber, but rich, the hangings, in Arras tapestry, represented the death of our Saviour, a prie-Dieu and stool in carved oak, a bed with twisted columns, and tapestries like the walls, were the sole ornaments of the room. Not a flower, no gilding, but in a frame of black was contained a portrait of a man, before which the lady now knelt down, with dry eyes, but a sad heart. She fixed on this picture a long look of indescribable love. It represented a young man about twenty-eight, lying half naked on a bed; from his wounded breast the blood still flowed, his right hand hung mutilated, and yet it still held a broken sword. His eyes were closed as though he were about to die, paleness and suffering gave to his face that divine character which the faces of mortals a.s.sume only at the moment of quitting life for eternity. Under the portrait, in letters red as blood, was written, "Aut Caesar aut nihil." The lady extended her arm, and spoke as though it could hear her.
"I had begged thee to wait, although thy soul must have thirsted for vengeance; and as the dead see all, thou hast seen, my love, that I lived only not to kill my father, else I would have died after you; and then, you know, on your bleeding corpse I uttered a vow to give death for death, blood for blood, but I would not do it while the old man called me his innocent child. Thou hast waited, beloved, and now I am free: the last tie which bound me to earth is broken. I am all yours, and now I am free to come to you."
She rose on one knee, kissed the hand, and then went on: "I can weep no more--my tears have dried up in weeping over your tomb. In a few months I shall rejoin you, and you then will reply to me, dear shade, to whom I have spoken so often without reply." Diana then rose, and seating herself in her chair, muttered, "Poor father!" and then fell into a profound reverie. At last she called Remy.
The faithful servant soon appeared.
"Here I am, madame."
"My worthy friend, my brother--you, the last person who knows me on this earth--say adieu to me."
"Why so, madame?"
"Because the time has come for us to separate."
"Separate!" cried the young man. "What do you mean, madame?"
"Yes, Remy. My project of vengeance seemed to me n.o.ble and pure while there remained an obstacle between me and it, and I only contemplated it from afar off; but now that I approach the execution of it--now that the obstacle has disappeared--I do not draw back, but I do not wish to drag with me into crime a generous and pure soul like yours; therefore you must quit me, my friend."
Remy listened to the words of Diana with a somber look.
"Madame," replied he, "do you think you are speaking to a trembling old man? Madame, I am but twenty-six; and s.n.a.t.c.hed as I was from the tomb, if I still live, it is for the accomplishment of some terrible action--to play an active part in the work of Providence. Never, then, separate your thoughts from mine, since we both have the same thoughts, sinister as they may be. Where you go, I will go; what you do I will aid in; or if, in spite of my prayers, you persist in dismissing me--"
"Oh!" murmured she, "dismiss you! What a word, Remy!"
"If you persist in that resolution," continued the young man, "I know what I have to do, and all for me will end with two blows from a poniard--one in the heart of him whom you know, and the other in your own."
"Remy! Remy!" cried Diana, "do not say that. The life of him you threaten does not belong to you--it is mine--I have paid for it dearly enough. I swear to you, Remy, that on the day on which I knelt beside the dead body of him"--and she pointed to the portrait--"on that day I approached my lips to that open wound, and the trembling lips seemed to say to me, "Avenge me, Diana!--avenge me!""
"Madame--"
"Therefore, I repeat, vengeance is for me, and not for you; besides, for whom and through whom did he die? By me and through me."
"I must obey you, madame, for I also was left for dead. Who carried me away from the middle of the corpses with which that room was filled?--You. Who cured me of my wounds?--You. Who concealed me?--You always. Order, then, and I will obey, provided that you do not order me to leave you."
"So be it, Remy; you are right; nothing ought to separate us more."
Remy pointed to the portrait.
"Now, madame," said he, "he was killed by treason--it is by treason that he must be revenged. Ah! you do not know one thing--the hand of G.o.d is with us, for to-night I have found the secret of the "Aqua tofana," that poison of the Medicis and of Rene the Florentine."
"Really?"
"Come and see, madame."
"But where is Grandchamp?"
"The poor old man has come sixty leagues on horseback; he is tired out, and has fallen asleep on my bed."
"Come, then," said Diana; and she followed Remy.
CHAPTER LX.
THE LABORATORY.
Remy led the lady into a neighboring room; and pushing a spring which was hidden under a board in the floor, and which, opening, disclosed a straight dark staircase, gave his hand to Diana to help her to descend.
Twenty steps of this staircase, or rather ladder, led into a dark and circular cave, whose only furniture was a stove with an immense hearth, a square table, two rush chairs, and a quant.i.ty of phials and iron boxes. In the stove a dying fire still gleamed, while a thick black smoke escaped through a pipe fastened into the wall. From a still placed on the hearth a few drops of a liquid, yellow as gold, was dropping into a thick white phial. Diana looked round her without astonishment or terror; the ordinary feelings of life seemed to be unknown to her who lived only in the tomb. Remy lighted a lamp, and then approached a well hollowed out in the cave, attached a bucket to a long cord, let it down into the well, and then drew it up full of a water as cold as ice and as clear as crystal.
"Approach, madame," said he.
Diana drew near. In the bucket he let fall a single drop of the liquid contained in the phial, and the entire ma.s.s of the water became instantaneously yellow; then the color evaporated, and the water in ten minutes became as clear as before.
Remy looked at her.
"Well?" said she.
"Well, madame," said he, "now dip in that water, which has neither smell nor color, a glove or a handkerchief; soak it in scented soap, pour some of it into the basin where you are about to wash your hands or face, and you will see, as was seen at the court of Charles IX., the flower kill by its perfume, the glove poison by its contact, the soap kill by its introduction into the pores of the skin. Pour a single drop of this pure oil on the wick of a lamp or candle, and for an hour the candle or lamp will exhale death, and burn at the same time like any other."
"You are sure of what you say, Remy?"
"All this I have tried. See these birds who can now neither drink nor eat; they have drunk of water like this. See this goat who has browsed on gra.s.s watered with this same water; he moves and totters; vainly now should we restore him to life and liberty; his life is forfeited, unless, indeed, nature should reveal to his instinct some of those antidotes to poison which animals know, although men do not."--"Can I see this phial, Remy?"
"Yes, madame, presently."
Remy then separated it from the still with infinite care, then corked it with soft wax, tied the top up in cloth, and then presented it to Diana.
She took it, held it up to the light, and, after looking at it, said:
"It will do; when the time arrives we will choose gloves, lamp, soap, or flowers, as convenient. Will the liquor keep in metal?"--"It eats it away."
"But then, perhaps, the bottle will break?"
"I think not--see the thickness of the crystal; besides, we can shut it up in a covering of gold."
"Listen, Remy! I hear horses; I think ours have arrived."
"Probably, madame, it is about the time; but I will go and send them away."
"Why so?"
"Are they not useless?"
"Instead of going to Meridor, we will go into Flanders. Keep the horses."
"Ah! I understand!" and Remy"s eyes gave forth a flash of sinister joy.