I am soaked with blood but I am no longer bleeding.
"I am all right." I put a hand on his chest and feel his erratic pulse. "Can I get you a doctor?" I know that will not help him, and am relieved when he shakes his head.
"I am finished," he says, and his face is so sad. "I never knew."
"I didn"t either."
He is bitter. "Suzama lied to us both."
"No. Most of the scripture was true. James only created the part that dealt with Kalika." I pause.
"She was my daughter."
He is amazed. "Where is she now?"
"On the island. She"s dead." I sigh. "We were fools."
He weeps for my pain. "I was the fool. It was my arrogance that made me believe G.o.d was giving me visions. That I understood the mind of G.o.d." He coughs. "James put those dreams in my mind. He led me to the scripture."
I nod. "He led you to where he buried it."
"But why would he do these things? How could he do them?"
"He was never your son. He only came into your life to use you. He possesses the body of the young man we see. He is neither young nor is he human. Please do not blame yourself, Dr. Seter. I fought with this creature long ago and I did not recognize him. If anyone is to blame it is I."
He stares up at me. "Who are you, Alisa?"
"I am your friend." I hug him. "And I will get the child back."
My words seem to comfort him. He dies a minute later but there is peace written on his face. He was a good man, I know.
Paula stands behind me.
"Sita," she says gently.I turn and look at her. Around her neck she wears a blue scarf with gold threads running through it.
These threads make a wonderful design, but I am in too much of hurry to pay it much heed. Letting go of Dr. Seter, I stand and step to her side.
"I know where the enemy is taking your child," I say.
She nods. She believes me, she always has. Such faith.
"Your friend," she says.
I grab her arms. "Seymour!"
She nods her head to the side. "He is out front. He has been shot."
"Is he dead?" I ask.
She hesitates. "He is close."
I gaze at the small island in the center of Emerald Bay. I had swum back ash.o.r.e. It had not been easy to leave my daughter"s body.
"Find a boat," I say to Paula. "That was my daughter who took your child, but she was only trying to protect him. Her body is on the island, in the house. Please bring her back here and wrap her in a blanket until I return." I turn away. "I will take care of Seymour."
She stops me. "I will help you with your friend first."
I shake my head. "No, Paula. I have to be alone with him to help him."
There are tears in her eyes. "Your daughter gave her life to save John?"
"Yes. She gave more than any of us knew."
Seymour lies on his side in a pool of blood fifty yards up the hill from Paula"s house, wedged cruelly between two large rocks. James had shot him in the stomach. One close-range blast was enough.
He is unconscious and slipping away fast. The child is gone, and this time I do not have the mystery and magic of the universe in a convenient vial in my pocket. The only way I can save him is to grant his oldest wish. That I will do for him because I love him, and I know Krishna will forgive me. Indeed, if I can only find the child again, and give him a chance to grow old enough to understand me, then I can ask him to take away my vow. Leaning over, I open a vein and whisper in Seymour"s ear.
"Now, old buddy, just because you"re going to be a vampire doesn"t mean you automatically get to sleep with me. We"ll have to date first."
I give him my blood. It is all I have to give.
18.
The next evening, at sunset, I arrive at the gruff in the desert where the child was conceived. The tall Joshua trees stand around me like guards that would offer me help if they could. But there is no one to help me. Even my own strength and cunning cannot aid me if I am to believe my daughter and Suzama.
I have brought the dagger James stuck into me.
It is my only weapon, pitiful as it is.
Faith is stronger than stone.
James will not simply murder the child. The divine blood is as important to a demon as it is to a saint. Only the two do not make the same use of it. I know he will have to bring the child to this spot.
He did not locate the Suzama Center in Palm Springs, so close to this place, by coincidence. Plus my old friend has said as much.
Then the place of sanct.i.ty will be defiled by red stars, and only the innocent will see the blue light of heaven.
Am I the innocent? At the moment I feel far from it. I know Kalika told me that my thoughts blinded me but I still cannot stop thinking how she let James get so close to the child when she clearly knew what he was and where he was. Of course it could be argued that I stopped her from fleeing, yet in the last minutes of her mysterious life she was content to quit running and sit and play with the child to let what was to be be. James clearly used me to defeat Kalika; he could not have done it alone. Yet Kalika let herself be defeated. Was it because she wished to fulfill the ancient prophecy?
There the dark forces will once again converge on him, but a powerful angel of mistaken color will rescue him only to lose him again.
No one mistook Kalika more than her own mother.
But what am I to do now?
The rest is a mystery.
For once, I wish Suzama had hinted a little more.
What am I to have faith in? I do not miss the fact that Suzama placed faith and stone together in the same sentence, since it was Ory"s control of the earth element that allowed him to defeat me the last time.
All right, I have faith in the child. He seems like a cute little guy with incredible vibes and a darling smile. I love him, I really do, and I only got to hold him for a short time. But what am I supposed to do with this faith? It seems I should be able to use it somehow.
The sun slowly sets. The stars come out.
The moon has yet to rise.
I stare at the stars and pray for them to help me.
Then I realize something quite extraordinary.
The last time I went to see Suzama, she was wearing a blue scarf that had gold threads woven in it deputing the constellations in the sky, both the northern and the southern sky. Last night Paula was wearing a blue scarf as well, also woven with a pattern in gold thread. In fact, the more I think about it, the more convinced I am that the scarves are identical.
I am hardly given a chance to wonder how that could be possible.
Because something strange starts to happen.
The more I visualize those hauntingly beautiful star patterns in Suzama"s scarf the brighter the stars above me grow. And what is even stranger is that this experience has already been described to me by Paula.
"The sky was filled with a million stars. They were so bright! I could have been in outer s.p.a.ce....
It was almost as if I had been transported to another world, inside a huge star cl.u.s.ter, and was looking up at its nighttime sky."
The stars grow so bright I can feel their energy on the top of my head, streaming down into my whole body. One star in particular, a bright blue one straight overhead, seems to soar in brilliance as I look up and concentrate on it. It grows in size. It could be a blue saucer racing toward the earth. A high- pitched sound starts to vibrate through the area. Paula"s words are still in my mind.
"The rays of the star pierced my eyelids. The sound pierced my ears. I wanted to scream. Maybe I was screaming. But I don"t think I was in actual physical pain. It was more as if I was being transformed."
I think I am screaming too. This is how it felt when the moon would pour into the top of my head and turn me into a nice friendly ghost that could float off on the desert wind. But this vibration is thousands of times more intense. It feels as if the starlight is irradiating the nerve fibers in my spinal cord, changing them into magnetic circuits on a cosmic grid, a stellar system of communication and propulsion that has been there since the beginning of time, even though no one imagined it existed. I only have to want to plug into it to be able to use it. At the same time, I don"t know if I am in physical distress. Blissful terror is a better expression for it; the entire experience is destroying everything that I thought is me, and yet there is relief in the destruction as well. But just when I think I will either explode or turn into a galactic android, it stops.
Unlike Paula I do not black out.
I am suddenly floating high above the desert.
In a glistening blue body.
It is very nice. This body, this state of being, carries none of the burdens of the physical realm. I am quite content just to float around with the stars. I can still see the desert far below, the rolling hills of sand, the edges of the shadows of the tall Joshuas shimmering under the intoxicating rays of the galaxy"s stars. I realize then how crucial a role the stars play in our lives, their constant subtle influence bubbles on the edges of energy fields we are unaware we possess. Yet I do not think about it too much because I cannot be bothered thinking.
After some time I become aware that there is a highly dense bundle of red energy descending from above. Just the sight of it fills me with revulsion and I want to get out of its way. It is the opposite of what I am; it is neither love nor bliss. I desire to avoid it at all costs and I know that I merely have to will myself to be gone.
It is only then that I fully remember who I am.
The transformation had caused me momentary amnesia.
I remember why I have come to the desert. The child.
Far below me, I see James holding the baby. He is encapsulated in the same red light, but the baby glows in his arms like a tiny blue star. My awareness goes up and down, back and forth between them. As the red energy bundle comes closer I see that it is taking on substance, gaining the vague shape of a flying saucer. It seems as if from an unseen realm I am presented with a choice. I can try to enter this ship, in my blue body, and stop what is being planned by the Setians, or I can simply float away and be happy.
Yet if I choose the former course, there is danger. I can become trapped, I sense. My very soul can be chained in a place of demons.
Because if I go into the ship I will have to go into a demon.
The choice, the universe seems to say, is mine.
I think of Kalika then, of her great sacrifice.
This thought makes the choice for me.
I float into the ship.
It is a vessel of serpents. There are six of them, big ugly brutes with long tails and scaly hides, thick snouts and cold, dead eyes, all sitting around a square viewing port and each manipulating controls of some kind. But one is clearly in charge. Besides being the largest, he has the most highly charged energy field. He is like a swollen red sun from the wrong side of the galaxy. And I know he is the one I have to attack.
In a moment I am inside his body.
His mind. What a pit it is.
This is a true Setian, a genuine demon. His l.u.s.ts and pa.s.sions seem to spin in a vortex, yet he is highly intelligent and has worked long and hard to attain the rank he now holds. He is being sent by his superiors on this important mission to bring back the human avatar, the crowning jewel of all prizes. If he is successful, he will be given an opportunity to consume the energy of the child with his masters. His name is Croka and he lives off the emotions of hate and fear. They are food to him as humans are food to him. He can consume the holy child and be strengthened by him. On his home world, I see that black ceremonies will be performed to prepare the feast.
But Croka is not yet aware that I am in his mind.
The ship lands in the desert and the six Setians climb out into the night air. Still inside Croka I move with them. Yet I know this ship, these creatures even, are not really physical. The average human, if he or she were to pa.s.s this spot, would see nothing, yet he or she would most certainly feel a great dread.
Simply to be inside Croka"s mind is a torture as great as any that I have ever known. It is as bad as seeing my own daughter die. Yet I am now determined that her death will not be in vain.
James can see the Setians. He bows as they sit in a semicircle around him. He stands respectfully, the child in his hands. Little John gazes at them in wonder, the red light cracking and sparking around his blue aura. Clearly the baby can see them, yet he does not cry out. The reptilian Setians are large; even though they are sitting, their ugly heads rise above James"s. The one farthest from Croka bids James bring the child closer. It seems the monster wants to gloat over it, paw it even, and this to me is unbearable. Yet I know the creature will not really harm it. The feast is planned for later, on the Setian h.e.l.l planet.
James brings the child to each beast, and each one pokes at it a bit. The child does not cry out and this seems to annoy both the visitors and James. Finally it is brought to Croka, but before he can touch it my eyes fasten on the child"s eyes, and so, in effect, the Setian commander"s eyes are also focused, against his will actually, on the same spot, on the profound gaze of the infant. It is only then that Croka becomes aware that I am sitting deep within his mind, and I understand that this is the moment of greatest danger. For Croka, like most advanced Setians, is a master of seedling, the manipulation of will, and I feel his furious will suddenly rise up against mine.
He reaches for me too late, because I already have the kavach of the child"s gaze, the armor or protection of the avatar, and seedling loses all power in the presence of a saint. Like Ory of old, Croka carries a dagger in his silver belt, and I reach for it with Croka"s own arm. Before the Setian can stop me, before James even knows what I am up to, I stab the blade in James"s left eye.
Then all at once I am back in my vampiric body.
Back in the desert with only James and the child standing before me. The saucer and the Setians appear to be gone. But James is in pain, and I realize that I have already stabbed his own knife into his eye. Well, I think, this time I must have come out of nowhere on him. Quickly, before he can recover, I withdraw the knife and poke it in his other eye, effectively blinding him. He howls in pain and the blood that pours from his wounds is black and foul smelling.
He drops the child and puts his hands over his torn eyes.
I catch the child before he hits the ground and set him down gently.
Then I turn back to James.