9. The Custom of the Country, a Tragi-Comedy; the plot taken from Malispini"s Novels, Dec. 6. Nov. 6.
10. Double Marriage, a Tragedy.
11. The Elder Brother, a Comedy,
13. The Faithful Shepherdess, a Dramatic Pastoral, first acted on a twelfth-night at Somerset House. This was entirely Mr. Fletcher"s, and instead of a Prologue was sung a Dialogue, between a priest and a nymph, written by Sir William Davenant, and the Epilogue was spoken by the Lady Mordant, but met with no success.
13. The Fair Maid of the Inn, a Comedy; part of this play is taken from Causin"s Holy Court, and Wanley"s History of Man.
14. The False One; a Tragedy, founded on the Adventures of Julius Caesar in Egypt, and his amours with Cleopatra.
15. Four Plays in One, or Moral Representations, containing the triumphs of honour, love, death and time, from Boccace"s Novels.
16. The Honest Man"s Fortune, a Tragi-Comedy; the plot from Heywood"s History of Warner.
17. The Humourous Lieutenant, a Tragi-Comedy, still acted with applause.
18. The Island Princess, a Tragi-Comedy, revived in 1687 by Mr. Tate.
19. A King and No King, a Tragi-Comedy, acted with applause.
20. The Knight of the Burning Pestle, a Comedy, revived also with a Prologue spoken by the famous Nell Gwyn.
21. The Knight of Malta, a Tragi-comedy.
22. The Laws of Candy, a Tragi-Comedy.
23. The Little French Lawyer, a Comedy; the plot from Gusman, or the Spanish Rogue.
24. Love"s Cure, or the Martial Maid, a Comedy.
25. The Lover"s Pilgrimage, a Comedy; the plot is taken from a novel called the Two Damsels, and some incidents from Ben Jonson"s New Inn.
26. The Lovers Progress, a Tragi-Comedy; built on a French romance called Lysander and Calista.
27. The Loyal Subject, a Comedy.
28. The Mad Lover, a Tragi-Comedy.
29. The Maid in the Mill, a Comedy. This was revised and acted on the duke of York"s Theatre.
30. The Maid"s Tragedy; a play always acted with the greatest applause, but some part of it displeasing Charles II, it was for a time forbid to be acted in that reign, till it was revived by Mr. Waller, who entirely altering the last act, it was brought on the stage again with universal applause.
31. A Masque of Grays Inn Gentlemen, presented at the marriage of the Princess Elizabeth and the Prince Palatine of the Rhine, in the Banqueting House at Whitehall. This piece was written by Mr. Beaumont alone.
32. Monsieur Thomas, a Comedy. This play has been since acted on the stage, under the t.i.tle of Trick for Trick.
33. Nice Valour, or the Pa.s.sionate Madman, a Comedy.
34. The Night-walker, or the Little Thief, a Comedy, revived since the Restoration with applause.
35. The n.o.ble Gentleman, a Comedy; this was revived by Mr. Durfey, and by him called The Fool"s Preferment, at the Three Dukes of Dunstable.
36. Philaster, or Love lies a Bleeding, a Tragi-Comedy. This was the first play that brought these fine writers into esteem. It was first represented at the old Theatre in Lincolns Inn Fields, when the women acted by themselves.
37. The Pilgrim, a Comedy; revived and acted with success.
38. The Prophetess, a Tragi-Comedy. This play has been revived by Mr. Betterton, under the t.i.tle of Dioclesian, an Opera.
39. The Queen of Cornish, a Tragi-Comedy.
40. Rule a Wife and Have a Wife, a Comedy.
41. The Scornful Lady, a Comedy; acted with great applause.
42. The Sea Voyage, a Comedy; revived by Mr. Durfey, who calls it The Commonwealth of Women. It would appear by the lines we have quoted p. 141, life of Shakespear, that it was taken from Shakespear"s Tempest.
43. The Spanish Curate, a Comedy, several times revived with applause; the plot from Gerardo"s History of Don John, p. 202, and his Spanish Curate, p. 214.
44. Thiery and Theodoret, a Tragedy; the plot taken from the French Chronicles, in the reign of Colsair II.
45. Two n.o.ble Kinsmen, a Tragi-comedy; Shakespear a.s.sisted Fletcher in composing this play.
46. Valentinian, a Tragedy; afterwards revived and altered by the Earl of Rochester.
47. A Wife for a Month, a Tragedy; for the plot see Mariana and Louis de Mayerne Turquet, History of Sancho, the eighth King of Leon.
48. The Wild-Goose Chace, a Comedy, formerly acted with applause.
49. Wit at Several Weapons, a Comedy.
50. Wit without Money, a Comedy, revived at the Old House in Lincolns Inn Fields, immediately after the burning of the Theatre in Drury Lane, with a new Prologue by Mr. Dryden.
51. The Woman Hater, a Comedy, revived by Sir William Davenant, with a new Prologue in prose. This play was writ by Fletcher alone.
52. Women pleased, a Comedy; the plot from Boccace"s Novels,
53. Woman"s Prize, or the Tanner Tann"d, a Comedy, built on the same foundation with Shakespear"s Taming of a Shrew; writ by Fletcher without Beaumont.
Mr. Beaumont writ besides his dramatic pieces, a volume of poems, elegies, sonnets, &c.
THOMAS LODGE
Was descended from a family of his name living in Lincolnshire, but whether born there, is not ascertained. He made his first appearance at the university of Oxford about the year 1573, and was afterwards a scholar under the learned Mr. Edward Hobye of Trinity College; where, says Wood, making very early advances, his ingenuity began first to be observed, in several of his poetical compositions. After he had taken one degree in arts, and dedicated some time to reading the bards of antiquity, he gained some reputation in poetry, particularly of the satiric species; but being convinced how barren a foil poetry is, and how unlikely to yield a competent provision for its professors, he studied physic, for the improvement of which he went beyond sea, took the degree of Dr. of that faculty at Avignon, returned and was incorporated in the university in the latter end of Queen Elizabeth"s reign: Afterwards settling in London, he practised physic with great success, and was particularly encouraged by the Roman Catholics, of which persuasion it is said he was.
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