40. Rule a Wife and Have a Wife, a Comedy.
41. The Scornful Lady, a Comedy; acted with great applause.
42. The Sea Voyage, a Comedy; revived by Mr. Durfey, who calls it The Commonwealth of Women. It would appear by the lines we have quoted p.
141, life of Shakespear, that it was taken from Shakespear"s Tempest.
43. The Spanish Curate, a Comedy, several times revived with applause; the plot from Gerardo"s History of Don John, p. 202, and his Spanish Curate, p. 214.
44. Thiery and Theodoret, a Tragedy; the plot taken from the French Chronicles, in the reign of Colsair II.
45. Two n.o.ble Kinsmen, a Tragi-comedy; Shakespear a.s.sisted Fletcher in composing this play.
46. Valentinian, a Tragedy; afterwards revived and altered by the Earl of Rochester.
47. A Wife for a Month, a Tragedy; for the plot see Mariana and Louis de Mayerne Turquet, History of Sancho, the eighth King of Leon.
48. The Wild-Goose Chace, a Comedy, formerly acted with applause.
49. Wit at Several Weapons, a Comedy.
50. Wit without Money, a Comedy, revived at the Old House in Lincolns Inn Fields, immediately after the burning of the Theatre in Drury Lane, with a new Prologue by Mr. Dryden.
51. The Woman Hater, a Comedy, revived by Sir William Davenant, with a new Prologue in prose. This play was writ by Fletcher alone.
52. Women pleased, a Comedy; the plot from Boccace"s Novels,
53. Woman"s Prize, or the Tanner Tann"d, a Comedy, built on the same foundation with Shakespear"s Taming of a Shrew; writ by Fletcher without Beaumont.
Mr. Beaumont writ besides his dramatic pieces, a volume of poems, elegies, sonnets, &c.
THOMAS LODGE
Was descended from a family of his name living in Lincolnshire, but whether born there, is not ascertained. He made his first appearance at the university of Oxford about the year 1573, and was afterwards a scholar under the learned Mr. Edward Hobye of Trinity College; where, says Wood, making very early advances, his ingenuity began first to be observed, in several of his poetical compositions. After he had taken one degree in arts, and dedicated some time to reading the bards of antiquity, he gained some reputation in poetry, particularly of the satiric species; but being convinced how barren a foil poetry is, and how unlikely to yield a competent provision for its professors, he studied physic, for the improvement of which he went beyond sea, took the degree of Dr. of that faculty at Avignon, returned and was incorporated in the university in the latter end of Queen Elizabeth"s reign: Afterwards settling in London, he practised physic with great success, and was particularly encouraged by the Roman Catholics, of which persuasion it is said he was.
Our author hath written
Alarm against Usurers, containing tried experiences against worldly abuses, London 1584.
History of Forbonius and Prisaeria, with Truth"s Complaint over England.
Euphue"s Golden Legacy.
The Wounds of a Civil War livelily set forth, in the true Tragedies of Marius and Sylla, London 1594.
Looking Gla.s.s for London and England, a Tragi-Comedy printed in 4to.
London 1598, in an old black letter. In this play our author was a.s.sisted by Mr. Robert Green. The drama is founded upon holy writ, being the History of Jonah and the Ninevites, formed into a play. Mr.
Langbain supposes they chose this subject, in imitation of others who had writ dramas on sacred themes long before them; as Ezekiel, a Jewish dramatic poet, writ the Deliverance of the Israelites out of Egypt: Gregory n.a.z.ianzen, or as some say, Apollinarius of Laodicea, writ the Tragedy of Christ"s Pa.s.sion; to these may be added
Hugo Grotius, Theodore Beza, Petavius, all of whom have built upon the foundation of sacred history.
Treatise on the Plague, containing the nature, signs, and accidents of the same, London 1603.
Treatise in Defence of Plays. This (says Wood) I have not yet seen, nor his pastoral songs and madrigals, of which he writ a considerable number.
He also translated into English, Josephus"s History of the Antiquity of the Jews, London 1602. The works both moral and natural of Seneca, London 1614. This learned gentleman died in the year 1625, and had tributes paid to his memory by many of his cotemporary poets, who characterised him as a man of very considerable genius. Winstanley has preserved an amorous sonnet of his, which we shall here insert.
If I must die, O let me chuse my death: Suck out my soul with kisses, cruel maid!
In thy b.r.e.a.s.t.s crystal b.a.l.l.s, embalm my breath, Dole it all out in sighs, when I am laid; Thy lips on mine like cupping gla.s.ses clasp; Let our tongues meet, and strive as they would sting: Crush out my wind with one straight-girting grasp, Stabs on my heart keep time while thou dost sing.
Thy eyes like searing irons burn out mine; In thy fair tresses stifle me outright: Like Circe, change me to a loathsome swine, So I may live forever in thy sight.
Into heaven"s joys can none profoundly see, Except that first they meditate on thee.
When our author wishes to be changed into a loathsome swine, so he might dwell in sight of his mistress, he should have considered, that however agreeable the metamorphosis might be to him, it could not be so to her, to look upon such a loathsome object.
[Footnote 1: Langbaine"s Lives of the Poets.]
[Footnote 2: There is a coa.r.s.eness of dialogue, even in their genteelest characters, in comedy, that appears now almost unpardonable; one is almost inclined to think the language and manners of those times were not over-polite, this fault appears so frequent; nor is the great Shakespear entirely to be acquitted hereof.]
[Footnote 3: May not this be owing to envy? are not most wits jealous of their cotemporaries? how readily do we pay adoration to the dead?
how slowly do we give even faint praise to the living? is it a wonder Beaumont and Fletcher were more praised and versified than Shakespear?
were not inferior wits opposed, nay preferred, to Dryden while living?
was not this the case of Addison and Pope, whose works (those authors being no more) will be read with admiration, and allowed the just pre-eminence, while the English tongue is understood.]
[Footnote 4: Preface to Fletcher"s plays.]
Sir JOHN DAVIES
Was born at Chisgrove, in the parish of Tysbury in Wiltshire, being the son of a wealthy tanner of that place. At fifteen years of age he became a Commoner in Queen"s-college, Oxford 1585, where having made great progress in academical learning, and taken the degree of Batchelor of arts, he removed to the Middle-Temple, and applying himself to the study of the common law, was called to the bar; but having a quarrel with one Richard Martyn, (afterwards recorder of London) he bastinadoed him in the Temple-hall at dinner-time, in presence of the whole a.s.sembly, for which contempt, he was immediately expelled, and retired again to Oxford to prosecute his studies, but did not resume the scholar"s-gown. Upon this occasion he composed that excellent poem called Nosce Teipsum[1]. Afterwards by the favour of Thomas lord Ellesmere, keeper of the Great Seal, being reinstated in the Temple, he practised as a counsellor, and became a burgess in the Parliament held at Westminster 1601. Upon the death of Queen Elizabeth our author, with Lord Hunsdon, went into Scotland to congratulate King James on his succession to the English throne. Being introduced into his Majesty"s presence, the King enquired of Lord Hunsdon, the names of the gentlemen who accompanied him, and when his lordship mentioned John Davies, the King presently asked whether he was Nosce Teipsum, and being answered he was, embraced him, and a.s.sured him of his favour. He was accordingly made Sollicitor, and a little after Attorney-general in Ireland, where in the year 1606, he was made one of his Majesty"s serjeants at law, and Speaker of the House of Commons for that kingdom. In the year following, he received the honour of knighthood from the King at Whitehall. In 1612 he quitted the post of Attorney-general in Ireland, and was made one of his Majesty"s English serjeants at law. He married Eleanor Touchet, youngest daughter of George lord Audley, by whom he had a son, an idiot who died young, and a daughter named Lucy, married to Ferdinand lord Hastings, and afterwards Earl of Huntingdon. His lady was a woman of very extraordinary character; she had, or rather pretended to have a spirit of prophecy, and her predictions received from a voice which she often heard, were generally wrapped up in dark and obscure expressions. It was commonly reported, that on the sunday before her husband"s death, she was sitting at dinner with him, she suddenly burst into tears, whereupon he asking her the occasion, she answered, "Husband, these are your funeral tears," to which he replied, "Pray therefore spare your tears now, and I will be content that you shall laugh when I am dead." After Sir John"s death she lived privately at Parston in Hertfordshire, and an account was published of her strange and wonderful prophecies in 1609. In 1626 Sir John was appointed lord chief justice of the King"s-bench, but before the ceremony of his installation could be performed he died suddenly of an apoplexy in the fifty-seventh year of his age, and was buried in the church of St.
Martin"s in the Fields. He enjoyed the joint applauses of Camden, Ben Johnson, Sir John Harrington, Selden, Donne, and Corbet; these are great authorities in our author"s favour, and I may fairly a.s.sert that no philosophical writers ever explained their ideas more clearly and familiarly in prose, or more harmoniously and beautifully in verse.
There is a peculiar happiness in his similies being introduced more to ill.u.s.trate than adorn, which renders them as useful as entertaining, and distinguishes them from any other author.
In quality of a lawyer Sir John produced the following pieces:
1. A discovery of the true causes why Ireland was never entirely subdued until his Majesty"s happy reign; printed in 4to. London 1612, dedicated to the King with this Latin verse only.
Principis est virtus maxima nosse suos.
2. A declaration of our sovereign lord the King, concerning the t.i.tle of his Majesty"s son Charles, the prince and duke of Cornwall; London 1614.
His princ.i.p.al performance as a poet, is a Poem on the Original, Nature, and Immortality of the Soul, dedicated to Queen Elizabeth. It was republished by Nahum Tate, 1714, addressed to the Earl of Dorset and Middles.e.x, who was a great admirer of our poet, and the editor gives it a very just and advantageous character. Without doubt it is the Nosce Teipsum so much admired by King James, printed 1519, and 1622, mentioned by Wood; to which were added by the same hand:
Hymns of Astrea in acrostic verse; and Orchestra, or a poem expressing the antiquity and excellency of dancing, in a dialogue between Penelope and one of her Woers, containing 131 stanzas unfinished. Mr.