What"s in your mind now, Frederique?
FREDERIQUE
Why resist your fate? Is it so very repulsive after all? What you are to me, n.o.body else has ever been!
AMADEUS
And you want me to believe that?
FREDERIQUE
I shall not insist on it. But it is true nevertheless. Good-by now.
Until to-morrow, Amadeus. Life is really much easier than you think....
It might be so very pleasant--and so it shall be! (_She goes out_)
AMADEUS (_seats himself at the piano again and strikes a few notes_) It is getting serious ... or amusing perhaps...? (_He shakes his head_)
ALBERT RHON (_enters; he is of medium height; his black hair, slightly streaked with gray, is worn long; he is rather carelessly dressed_)
AMADEUS
Oh, is that you, Albert? How are you?
ALBERT
I have come to ask how you are getting along with our opera, Amadeus.
Have you done anything?
AMADEUS
No.
ALBERT
Again nothing?
AMADEUS
I doubt whether I can get a chance here. We"ll have to wait until the season is over. I have too much to do. We are now putting on "Mignon"
with new people in some of the parts....
ALBERT
If I"m not very much mistaken, I saw Philine float by--with a rather intoxicated look in her eyes.... Oh, have I put my foot into it again?
I beg your pardon!
AMADEUS (_turning away from him_)
That"s right. She was here. Oh, that d.a.m.ned business of private rehearsals! But I hope it won"t last much longer. The coming Winter is going to decide my future once for all. I have already got my leave of absence.
ALBERT
So you have made up your mind about that tour?
AMADEUS
Yes, I shall be gone for two months this time.
ALBERT
Within Germany only?
AMADEUS
I"ll probably take in a few Italian cities also. Yes, my dear fellow, they know more about me abroad than here. I shall conduct my Third Symphony, and perhaps also my Fourth.
ALBERT
Have you got that far already?
AMADEUS
No. But I have hopes of the Summer. Once more I mean to do some real work.
ALBERT
Well, it"s about time.--I have made out the schedule for our walking tour, by the by. And I brought along the map. Look here. We start from Niederdorf, and then by way of Platzwiesen to Schluderbach; then to Cortina; then through the Giau Pa.s.s to Caprile; then by way of the Fedaja[2]....
[2] The names used in this pa.s.sage occur a number of times in the various plays, indicating that their author probably has been drawing on experiences obtained during his own walking tours through the Dolomites. As far as Cortina, the route is identical with the one mentioned by _Wegrath_ in "The Lonely Way." The Giau Pa.s.s is a little known footpath across Monte Giau, showing that the intention of _Albert_ is to avoid the routes frequented by tourists.
AMADEUS
I leave all that to you. I rely entirely on you.
ALBERT
Then it"s settled that we"ll don knapsack and alpenstock once more, to wander through the country as we used to do when we were young...?
AMADEUS
Yes, and I am looking forward to it with a great deal of pleasure.
ALBERT
You need simply to pull yourself together--a few weeks of mountain air and quiet will get you out of this.
AMADEUS