MAR. Farewell, Gros-Rene, my heart"s delight.
GR.-RE. Farewell, my star.
MAR. Farewell, fair fire-brand of my flame.
GR.-RE. Farewell, dear comet, rainbow of my soul. (_Exit Marinette_). Heaven be praised, our affairs go on swimmingly. Albert is not a man to refuse you anything.
ERAS. Valere is coming here.
GR.-RE. I pity the poor wretch, knowing what I do know.
SCENE III.--eRASTE, VALeRE, GROS-RENe.
ERAS. Well, Valere?
VAL. Well, eraste?
ERAS. How does your love prosper?
VAL. And how does yours?
ERAS. It grows stronger and stronger every day.
VAL. So does mine.
ERAS. For Lucile?
VAL. For her.
ERAS. Certainly, I must own, you are a pattern of uncommon constancy.
VAL. And your perseverance will be a rare example to posterity.
ERAS. As for me, I am not very fond of that austere kind of love which is satisfied with looks only; nor do I possess feelings lofty enough to endure ill-treatment with constancy. In one word, when I really love, I wish to be beloved again.
VAL. It is very natural, and I am of the same opinion. I would never do homage to the most perfect object by whom I could be smitten, if she did not return my pa.s.sion.
ERAS. However, Lucile...
VAL. Lucile does willingly everything my pa.s.sion can desire.
ERAS. You are easily satisfied then.
VAL. Not so easily as you may think.
ERAS. I, however, may, without vanity, believe that I am in her favour.
VAL. And I know that I have a very good share of it.
ERAS. Do not deceive yourself; believe me.
VAL. Believe me, do not be too credulous, and take too much for granted.
ERAS. If I might show you a certain proof that her heart...but no, it would too much distress you.
VAL. If I might discover a secret to you...but it might grieve you, and so I will be discreet.
ERAS. You really urge me too far, and though much against my will, I see I must lower your presumption. Read that.
VAL. (_After having read the letter_). These are tender words.
ERAS. You know the handwriting?
VAL. Yes, it is Lucile"s.
ERAS. Well! where is now your boasted certainty...?
VAL. (_Smiling and going away_). Farewell, eraste.
GR.-RE. He is mad, surely. What reason has he to laugh?
ERAS. He certainly surprises me, and between ourselves I cannot imagine what the deuce of a mystery is hidden under this.
GR.-RE. Here comes his servant, I think.
ERAS. Yes, it is he; let us play the hypocrite, to set him talking about his master"s love.
SCENE IV.--eRASTE, MASCARILLE, GROS-RENe.
MASC. (_Aside_). No, I do not know a more wretched situation, than to have a young master, very much in love.
GR.-RE. Good morning.
MASC. Good morning.
GR.-RE. Where is Mascarille going just now? What is he doing? Is he coming back? Is he going away? Or does he intend to stay where he is?
MASC. No, I am not coming back, because I have not yet been where I am going; nor am I going, for I am stopped; nor do I design to stay, for this very moment I intend to be gone.
ERAS. You are very abrupt, Mascarille; gently.