"We aren"t going to do anything Queer," said Shoesmith, pointedly not looking at Britten.
The question of the t.i.tle had manifestly gone against us. "Oh! HAVE it ARVONIAN," I said.
"And next, what size shall we have?" said Cossington.
"Something like MACMILLAN"S MAGAZINE--or LONGMANS"; LONGMANS" is better because it has a whole page, not columns. It makes no end of difference to one"s effects."
"What effects?" asked Shoesmith abruptly.
"Oh! a pause or a white line or anything. You"ve got to write closer for a double column. It"s nuggetty. You can"t get a swing on your prose." I had discussed this thoroughly with Britten.
"If the fellows are going to write--" began Britten.
"We ought to keep off fine writing," said Shoesmith. "It"s cheek. I vote we don"t have any."
"We sha"n"t get any," said Cossington, and then as an olive branch to me, "unless Remington does a bit. Or Britten. But it"s no good making too much s.p.a.ce for it."
"We ought to be very careful about the writing," said Shoesmith. "We don"t want to give ourselves away."
"I vote we ask old Topham to see us through," said Naylor.
Britten groaned aloud and every one regarded him. "Greek epigrams on the fellows" names," he said. "Small beer in ancient bottles. Let"s get a stuffed broody hen to SIT on the magazine."
"We might do worse than a Greek epigram," said Cossington. "One in each number. It--it impresses parents and keeps up our cla.s.sical tradition.
And the masters CAN help. We don"t want to antagonise them. Of course--we"ve got to departmentalise. Writing is only one section of the thing. The ARVONIAN has to stand for the school. There"s questions of s.p.a.ce and questions of expense. We can"t turn out a great chunk of printed prose like--like wet cold toast and call it a magazine."
Britten writhed, appreciating the image.
"There"s to be a section of sports. YOU must do that."
"I"m not going to do any fine writing," said Shoesmith.
"What you"ve got to do is just to list all the chaps and put a note to their play:--"Naylor minor must pa.s.s more. Football isn"t the place for extreme individualism." "Ammersham shapes well as half-back." Things like that."
"I could do that all right," said Shoesmith, brightening and manifestly becoming pregnant with judgments.
"One great thing about a magazine of this sort," said Cossington, "is to mention just as many names as you can in each number. It keeps the interest alive. Chaps will turn it over looking for their own little bit. Then it all lights up for them."
"Do you want any reports of matches?" Shoesmith broke from his meditation.
"Rather. With comments."
"Naylor surpa.s.sed himself and negotiated the lemon safely home," said Shoesmith.
"Shut it," said Naylor modestly.
"Exactly," said Cossington. "That gives us three features," touching them off on his fingers, "Epigram, Literary Section, Sports. Then we want a section to shove anything into, a joke, a notice of anything that"s going on. So on. Our Note Book."
"Oh, h.e.l.l!" said Britten, and clashed his boots, to the silent disapproval of every one.
"Then we want an editorial."
"A WHAT?" cried Britten, with a note of real terror in his voice.
"Well, don"t we? Unless we have our Note Book to begin on the front page. It gives a sc.r.a.ppy effect to do that. We want something manly and straightforward and a bit thoughtful, about Patriotism, say, or ESPRIT DE CORPS, or After-Life."
I looked at Britten. Hitherto we had not considered Cossington mattered very much in the world.
He went over us as a motor-car goes over a dog. There was a sort of energy about him, a new sort of energy to us; we had never realised that anything of the sort existed in the world. We were hopelessly at a disadvantage. Almost instantly we had developed a clear and detailed vision of a magazine made up of everything that was most acceptable in the magazines that flourished in the adult world about us, and had determined to make it a success. He had by a kind of instinct, as it were, synthetically plagiarised every successful magazine and breathed into this dusty mixture the breath of life. He was elected at his own suggestion managing director, with the earnest support of Shoesmith and Naylor, and conducted the magazine so successfully and brilliantly that he even got a whole back page of advertis.e.m.e.nts from the big sports shop in Holborn, and made the printers pay at the same rate for a notice of certain books of their own which they said they had inserted by inadvertency to fill up s.p.a.ce. The only literary contribution in the first number was a column by Topham in faultless stereotyped English in depreciation of some fancied evil called Utilitarian Studies and ending with that n.o.ble old quotation:--
"To the glory that was Greece and the grandeur that was Rome."
And Flack crowded us out of number two with a bright little paper on the "Humours of Cricket," and the Head himself was profusely thoughtful all over the editorial under the heading of "The School Chapel; and How it Seems to an Old Boy."
Britten and I found it difficult to express to each other with any grace or precision what we felt about that magazine.
CHAPTER THE FOURTH ~~ ADOLESCENCE
1
I find it very difficult to trace how form was added to form and interpretation followed interpretation in my ever-spreading, ever-deepening, ever-multiplying and enriching vision of this world into which I had been born. Every day added its impressions, its hints, its subtle explications to the growing understanding. Day after day the living interlacing threads of a mind weave together. Every morning now for three weeks and more (for to-day is Thursday and I started on a Tuesday) I have been trying to convey some idea of the factors and early influences by which my particular sc.r.a.p of subjective tapestry was shaped, to show the child playing on the nursery floor, the son perplexed by his mother, gazing aghast at his dead father, exploring interminable suburbs, touched by first intimations of the s.e.xual mystery, coming in with a sort of confused avidity towards the centres of the life of London. It is only by such an effort to write it down that one realises how marvellously crowded, how marvellously a.n.a.lytical and synthetic those ears must be. One begins with the little child to whom the sky is a roof of blue, the world a screen of opaque and disconnected facts, the home a thing eternal, and "being good" just simple obedience to unquestioned authority; and one comes at last to the vast world of one"s adult perception, pierced deep by flaring searchlights of partial understanding, here masked by mists, here refracted and distorted through half translucent veils, here showing broad prospects and limitless vistas and here impenetrably dark.
I recall phases of deep speculation, doubts and even prayers by night, and strange occasions when by a sort of hypnotic contemplation of nothingness I sought to pierce the web of appearances about me. It is hard to measure these things in receding perspective, and now I cannot trace, so closely has mood succeeded and overlaid and obliterated mood, the phases by which an utter horror of death was replaced by the growing realisation of its necessity and dignity. Difficulty of the imagination with infinite s.p.a.ce, infinite time, entangled my mind; and moral distress for the pain and suffering of bygone ages that made all thought of reformation in the future seem but the grimmest irony upon now irreparable wrongs. Many an intricate perplexity of these broadening years did not so much get settled as cease to matter. Life crowded me away from it.
I have confessed myself a temerarious theologian, and in that pa.s.sage from boyhood to manhood I ranged widely in my search for some permanently satisfying Truth. That, too, ceased after a time to be urgently interesting. I came at last into a phase that endures to this day, of absolute tranquillity, of absolute confidence in whatever that Incomprehensible Comprehensive which must needs be the substratum of all things, may be. Feeling OF IT, feeling BY IT, I cannot feel afraid of it. I think I had got quite clearly and finally to that adjustment long before my Cambridge days were done. I am sure that the evil in life is transitory and finite like an accident or distress in the nursery; that G.o.d is my Father and that I may trust Him, even though life hurts so that one must needs cry out at it, even though it shows no consequence but failure, no promise but pain....
But while I was fearless of theology I must confess it was comparatively late before I faced and dared to probe the secrecies of s.e.x. I was afraid of s.e.x. I had an instinctive perception that it would be a large and difficult thing in my life, but my early training was all in the direction of regarding it as an irrelevant thing, as something disconnected from all the broad significances of life, as hostile and disgraceful in its quality. The world was never so emasculated in thought, I suppose, as it was in the Victorian time....
I was afraid to think either of s.e.x or (what I have always found inseparable from a kind of s.e.xual emotion) beauty. Even as a boy I knew the thing as a haunting and alluring mystery that I tried to keep away from. Its dim presence obsessed me none the less for all the extravagant decency, the stimulating silences of my upbringing....
The plaster Venuses and Apollos that used to adorn the vast aisle and huge grey terraces of the Crystal Palace were the first intimations of the beauty of the body that ever came into my life. As I write of it I feel again the shameful attraction of those gracious forms. I used to look at them not simply, but curiously and askance. Once at least in my later days at Penge, I spent a shilling in admission chiefly for the sake of them....
The strangest thing of all my odd and solitary upbringing seems to me now that swathing up of all the splendours of the flesh, that strange combination of fanatical terrorism and shyness that fenced me about with prohibitions. It caused me to grow up, I will not say blankly ignorant, but with an ignorance blurred and dishonoured by shame, by enigmatical warnings, by cultivated aversions, an ignorance in which a fascinated curiosity and desire struggled like a thing in a net. I knew so little and I felt so much. There was indeed no Aphrodite at all in my youthful Pantheon, but instead there was a mysterious and minatory gap. I have told how at last a new Venus was born in my imagination out of gas lamps and the twilight, a Venus with a c.o.c.kney accent and dark eyes shining out of the dusk, a Venus who was a warm, pa.s.sion-stirring atmosphere rather than incarnate in a body. And I have told, too, how I bought a picture.
All this was a thing apart from the rest of my life, a locked avoided chamber....
It was not until my last year at Trinity that I really broke down the barriers of this unwholesome silence and brought my secret broodings to the light of day. Then a little set of us plunged suddenly into what we called at first sociological discussion. I can still recall even the physical feeling of those first tentative talks. I remember them mostly as occurring in the rooms of Ted Hatherleigh, who kept at the corner by the Trinity great gate, but we also used to talk a good deal at a man"s in King"s, a man named, if I remember rightly, Redmayne. The atmosphere of Hatherleigh"s rooms was a haze of tobacco smoke against a background brown and deep. He professed himself a socialist with anarchistic leanings--he had suffered the martyrdom of ducking for it--and a huge French May-day poster displaying a splendid proletarian in red and black on a barricade against a flaring orange sky, dominated his decorations.
Hatherleigh affected a fine untidiness, and all the place, even the floor, was littered with books, for the most part open and face downward; deeper darknesses were supplied by a discarded gown and our caps, all conscientiously battered, Hatherleigh"s flopped like an elephant"s ear and inserted quill pens supported the corners of mine; the highlights of the picture came chiefly as reflections from his chequered blue mugs full of audit ale. We sat on oak chairs, except the four or five who crowded on a capacious settle, we drank a lot of beer and were often fuddled, and occasionally quite drunk, and we all smoked reckless-looking pipes,--there was a transient fashion among us for corn cobs for which Mark Twain, I think, was responsible. Our little excesses with liquor were due far more to conscience than appet.i.te, indicated chiefly a resolve to break away from restraints that we suspected were keeping us off the instructive knife-edges of life. Hatherleigh was a good Englishman of the premature type with a red face, a lot of hair, a deep voice and an explosive plunging manner, and it was he who said one evening--Heaven knows how we got to it--"Look here, you know, it"s all Rot, this Shutting Up about Women. We OUGHT to talk about them. What are we going to do about them? It"s got to come. We"re all festering inside about it. Let"s out with it. There"s too much Decency altogether about this Infernal University!"
We rose to his challenge a little awkwardly and our first talk was clumsy, there were flushed faces and red ears, and I remember Hatherleigh broke out into a monologue on decency. "Modesty and Decency," said Hatherleigh, "are Oriental vices. The Jews brought them to Europe. They"re Semitic, just like our monasticism here and the seclusion of women and mutilating the dead on a battlefield. And all that sort of thing."
Hatherleigh"s mind progressed by huge leaps, leaps that were usually wildly inaccurate, and for a time we engaged hotly upon the topic of those alleged mutilations and the Semitic responsibility for decency.
Hatherleigh tried hard to saddle the Semitic race with the less elegant war customs of the Soudan and the northwest frontier of India, and quoted Doughty, at that time a little-known author, and Cunninghame Graham to show that the Arab was worse than a county-town spinster in his regard for respectability. But his case was too preposterous, and Esmeer, with his shrill penetrating voice and his way of pointing with all four long fingers flat together, carried the point against him. He quoted Cato and Roman law and the monasteries of Thibet.