"I think I will have a drop of it, if I may," said Loftus, who meanwhile had been talking to f.a.n.n.y. In a moment he turned to her anew.
"Where are you going this summer?"
"To Narragansett. It is cool and cheap. Why don"t you come?"
"It is such a beastly hole."
"Well, perhaps. But do you think you would think so if I were there?"
"That would rather depend on how you treated me."
"You mean, don"t you, that it would rather depend on how I let you treat me?" f.a.n.n.y, as she spoke, looked Loftus in the eyes and made a face at him.
That face, Loftus, after a momentary interlude with knife and fork, tried to mimic. "If a chap gave you the chance you would drive him to the devil."
On f.a.n.n.y"s lips a smile bubbled. She shook her pretty head. "No, not half so far. Not even so far as the other end of Fifth avenue, where I saw you trying to sc.r.a.pe acquaintance with that girl. Apropos. You might tell me. How are matters progressing? Has the castle capitulated?"
"I haven"t an idea what you are talking about."
"That"s right. a.s.sume a virtue though you have it not. It"s a good plan."
"It does not appear to be yours."
"Appearances may be deceptive."
"And even may not be."
Sylvia interrupted them. "What are you two quarreling about?"
"Mr. Loftus does not like my hat. Don"t you like it, Mr. Orr?"
"I like everything about you, everything, from the crown of your head to the soles of your feet."
"There!" exclaimed f.a.n.n.y. "That is the way I like to have a man talk."
"It is dreadfully difficult," Loftus threw in.
"You seem to find it so," f.a.n.n.y threw back.
Sylvia raised a finger. "Mr. Loftus, if you do not stop quarreling with f.a.n.n.y I will make you come and sit by me."
"If I am to look upon that as a punishment, Miss Waldron," Loftus with negligent gallantry replied, "what would you have me regard as a reward?"
"Arthur! Arthur!" f.a.n.n.y cried. "Did you hear that? This man is making up to Sylvia."
But Annandale did not seem in the least alarmed. He was looking about for Ferdinand. "Here," he began, when at last the waiter appeared.
"You neglect us shamefully. We want some more moselle and more Scotch."
"None for me," said Loftus rising. "I have an appointment."
"Appointment," f.a.n.n.y announced, "is very good English for _rendezvous_."
"And _taisez-vous, mademoiselle_, is very good French for I wish it were with yourself."
"I have not a doubt of it."
"f.a.n.n.y!" Sylvia objected. "You are impossible."
"Yes," f.a.n.n.y indolently replied. "Yet then, to be impossible and seem the reverse is the proper caper for a debutante. Heigho! I wish girls smoked here. I would give a little of my small change for a cigarette.
Are you really off, Royal. Well, my love to the lady."
CHAPTER III
THE EX-FIRST LADY
Loftus, letting himself into a hansom, sailed away. At Morris Park that afternoon there were to be races, and up the maelstrom of Fifth avenue came scudding motors, fleeting traps.
As the hansom descended the current Loftus nodded to this acquaintance and to that, occasionally raising his hat as women smiled and bowed.
Occasionally, too, he contemplated what he could of himself in the little mirror at the side of the cab. He looked triumphant and treacherous.
f.a.n.n.y, he reflected, was ideal. But exacting, ambitious even. She had a perfect mania for matrimony. There was another girl that he had in mind whom he fancied more reasonable. This other was Marie Durand.
In just what way he had met her was never quite clear. f.a.n.n.y, who had witnessed the preliminary skirmish, always believed that he had picked her up. Afterward, at the time of the trial, it was so reported. The report was false in addition to being vulgar. Marie Durand was not of that sort. There was nothing fast or flirtatious about her. But she was a human being. She had eyes. She had a heart.
By nature she was sensitive. Moreover, she was but nineteen. Being human, sensitive, and not very old, having eyes to see and a heart that throbbed, she was impressionable and, to her misfortune, Loftus impressed her.
Loftus was rather used to impressing people. He saw the girl on Fifth avenue, followed her home, learned her name--or thought he did--and sent her flowers every day until he saw her again, when he presumed to accost her. At that impertinence Marie tilted her nose and trotted on, distant, disdainful, demure.
But not indifferent. Not oblivious either. Often she had seen him.
Occasionally on a high drag behind a piebald four-in-hand. In crowded Fifth avenue, drags, with or without piebalds, are infrequent. This drag Marie had seen not merely tooling along the street but pictured in the press. With, of course, full accounts of the driver. As a consequence she knew who he was, knew that he was one of the rich young men of New York and that he moved and had his being in the upper circles.
Marie"s own sphere of life was obscure. She lived with her father in Gay street. Her father, a tailor by trade, was a naturalized Frenchman, a gaunt Gaul, who had a sallow face, walked with a stoop, complained of his heart and adored his daughter. To him she was a pearl, a _perle_, rather. For though he had been long in New York and spoke English well, he had never quite acquired the accent.
Marie spoke English without any accent whatever. She also spoke French, sang in it, too, sang in Italian and, with a view to the lyric stage, or, more exactly, with the hope of studying for it abroad, was, at the time when this drama begins, taking lessons in what is termed the _bel canto_.
But her aspirations, in so far as they concerned Europe, her father was unable to gratify. He could not let her go alone and he could not afford to throw up what he called his beesness. Here, then, was this girl, pretty as a picture, with a lovely contralto voice, with aspirations entirely worldly, with wings, you might say, cooped in Gay street, spiritually and mentally starved there.
Gay street lies back of Jefferson Market. In shape a crescent, it curves briefly in a lost and dismal way through a region which, though but a block or two from Fifth avenue, is almost squalid. At one end of its short curve is a saloon, at the other an apothecary.
It was from this apothecary that Loftus learned Marie"s name--or thought he did. For inadvertently the man got things mixed as his drugs and supplied Loftus with the name of a young woman who lived in a house next to the one in which Loftus had seen the girl enter.
What is more interesting is the fact that, though, while he was following her there, she had looked neither to the right nor to the left, or anywhere save straight ahead, she had been fully aware that he was behind her. How? We cannot tell. It is one of the mysteries of femininity. But once safely in, boldly she peeked out. Loftus was crossing the street. Presently he entered the shop. For what, it did not take Marie more than a minute to conjecture.
Later in the day a motor van appeared in that street. On it was the name of a Broadway florist. Since the memory of man never before had such a thing happened. From the van a groom had hopped and, if you please, with roses. That, too, was phenomenal. Yet thereafter every day for a week there was the motor, the groom and flowers at a dollar and a half apiece. The recipient of these attentions was Miss Rebecca Cohen, the daughter of Mr. Abraham Cohen, who also, like Marie"s father, was a tailor.
Marie saw the van, divined the mistake, and, being as full of fun as a kitten, greatly enjoyed the continued humor of it. For still into that sordid street the flowers poured. Every day, to the unhallowed surprise of Mr. Cohen and to the equal bewilderment of his offspring, a box of radiant roses was handed out.