KNIGHT, WM. The Philosophy of the Beautiful, Part 1, 1891; Part 2, 1893.
PUFFER, ETHEL. The Psychology of Beauty, 1905.
BROWN, BALDWIN. The Fine Arts, 1892.
ROWLAND, E. The Significance of Art, 1913.
MARSHALL, R. Pain, Pleasure, and Aesthetics, 1894; Aesthetic Principles, 1895.
SULLY, J., and ROBERTSON, G. C. Aesthetics.
BOSANQUET, B. History of Aesthetics, 1904; Three Lectures on Aesthetics, 1914.
GORDON, KATE. Aesthetics, 1909.
_German._
LIPPS, T. Aesthetik, 1903-1905.
VOLKELT, J. System der Aesthetik, 1905-1914.
DESSOIR, M. Aesthetik und Allgemeine Kunstwissenschaft, 1906.
COHN, J. Allgemeine Aesthetik, 1901.
MEUMANN, E. Aesthetik der Gegenwart, 1912; System der Aesthetik, 1914.
Ut.i.tZ, E. Grundlegung der Allgemeinen Kunstwissenschaft, Bd. 1, 1914.
MUELLER-FRIENFELS, R. Psychologic der Kunst, 1912.
WITASEK, S. Grundzuege der Allgemeinen Aesthetik, 1904.
GROOS, K. Der Aesthetische Genuss, 1902.
LANGE, K. Das Wesen der Kunst, 1901.
FIEDLER, C. Der Ursprung der Kuenstlerischen Thaetigkeit, 1901.
KANT, I. Kritik der Urteilskraft, 1790; English translation by J. H. Bernard, 1892.
_French._
TAINE, H. The Philosophy of Art, English translation, 1867.
SULLY-PRUDHOMME, R. F. A. L"Expression dans les beaux arts, 1883.
GUYAU, J. M. Les problemes de l"estetique contemporaine, 1884; L"Art au point de vue sociologique, 1889.
BRAY, L. Du Beau, 1902.
SEAILLES, G. Essai sur le genie en l"art, 1897.
SOURIAU, P. La suggestion en l"art, 1909.
LALO, CH. Les Sentiments esthetiques, 1910; Introduction l"estetique, 1913.
DUSSAUZE, H. Les Regies estetiques et les lois du sentiment, 1911.
FONTAINE, A. Essai sur le principe et les lois de la critique d"art, 1909.
_Italian._
CROCE, B. Estetica, 1902; English translation, 1909; French translation, 1904; German translation, 1905; Breviario di estetica, 1913.
PILO, M. Estetica.
PORENA, M. Che cos" e il bello? 1905.
EXPERIMENTAL AESTHETICS
FECHNER, G. T. Vorschule der Aesthetik, 1876.
KUELPE, O. Der gegenwaertige Stand der experimentellen Aesthetik, in Bericht ueber den 2ten Kongress fuer experimentelle Psychologie, 1907.
STRATTON, G. M. Psychology and Culture, 1903.
VALENTINE, C. W. Experimental Psychology of Beauty.
MYERS, C. S. Introduction to Experimental Psychology, 1911.
WUNDT, WM. Physiological Psychology.
LALO, CH. L"Estetique experimentale contemporaine, 1908.
Works on the Origins of Art
HIRN, Y. The Origins of Art, 1900.
GROSSE, E. The Beginnings of Art, English translation, 1897.
WALLASCHEK, R. Primitive Music, 1903.
BUECHER, K. Arbeit und Rhythmus, 1899.
GUMMEBE, F. B. The Beginnings of Poetry, 1901.
GROOS, K. The Play of Man, 1901.
FRAZER, J. G. The Golden Bough, 1907-1915.
WUNDT, WM. Volkerpsychologie, 1911; Elements of Folk Psychology, 1916.
SPEARING, H. G. The Childhood of Art, 1913.
Additional References for Special Subjects
_Chapter Six.--The Tragic._
ARISTOTLE. Poetics.
CORNEILLE, P. Discours de la tragedie, 1660.
LESSING, G. E. Hamburgische Dramaturgic, 1767.
SCHOPENHAUER. The World as Will and Idea; English translation, Vol. 1, Bk. 3; Vol. 3, Ch. 27.
HEGEL, G. W. F, Vorlesungen ueber die Aesthetik, 3ter Abschnitt, 3tes Kapitel.
HEBBEL, F. Ein Wort ueber das Drama, 1843.
LIPPS, T. Der Streit ueber die Tragoedie, 1891.
VOLKELT, J. Aesthetik des Tragischen, 1906; System der Aesthetik, Bd. 2, 1910.
BRADLEY, A. C. Oxford Lectures on Poetry, 1909.
BUTCHER, S. H. Aristotle"s Theory of Poetry and Fine Art, 1898.
NIETZSCHE, FR. Die Geburt der Tragoedie, 1870.
_Chapter Six.--The Comic._
LIPPS, T. Komik und Humor, 1898.
BERGSON, H. Laughter, English translation, 1913.
FREUD, S. Wit, and Its Relation to the Unconscious, English translation, 1916.
MARTIN, L. J. Experimental Prospecting in the Fields of the Comic, _American Journal of Psychology_, Vol. 16, 1905.
SCHOPENHAUER, A. The World as Will and Idea, English translation, Vol. 2, Ch. 8.
VOLKELT, J. System der Aesthetik, Bd. 2, 1900.
SULLY, J. Essay on Laughter, 1902.
SPENCER, H. Physiology of Laughter, in _Essays, Scientific, Political and Speculative_. SIDIS, B. Psychology of Laughter, 1913.
MEREDITH, GEORGE. An Essay on Comedy, 1897.
_Chapter Seven.--The Standard of Taste._
TAINE, H. The Ideal in Art, 1867.
LEMAITRE, J. Les Contemporains.
FRANCE, A. La Vie litteraire.
BRUNETIERE, FERD. Questions de critique, 1889.
BABBITT, IRVING. The New Laoc.o.o.n, 1910.
GATES, L. E. Impressionism and Appreciation, in _The Atlantic Monthly_, July, 1900.