"Early? It ain"t early. Sun"s down, ain"t it? Why do they bring on night, except for folks to go to sleep?"
"For my part the best part of the day generally begins when the sun goes down."
With patient contempt Riley considered John Gaspar. "You look kind of that way," he decided aloud. "Pale and not much good with your shoulders. Now, what d"you most generally do with your time in the evening?"
"Why--talk."
"Talk? Huh! A fine way of wasting time for a growed-up man."
"And I read, you know."
"I can see by the looks of them shelves that you do. How many of them books might you have read, Jig?"
"All of them."
"I ask you, man to man, ain"t they mostly somebody"s idea of what life is?"
"I suppose that"s a short way of putting it."
"And I ask you ag"in, what"s better to take a secondhand hunch out of what somebody else thinks life might be, or to go out and do some living on your own hook?"
Cold Feet had been smiling faintly up to this point, as though he had many things in reserve which might be said at need. Now his smile disappeared.
"Perhaps you"re right."
"And maybe I ain"t." Sinclair brushed the entire argument away into a thin mist of smoke. "Now, look here, Cold Feet, I"m about to go to sleep, and when I sleep, I sure sleep sound, taking it by and large.
They"s times when I don"t more"n close one eye all night, and they"s times when you"d have to pull my eyes open, one by one, to wake me up.
Understand? I"m going to sleep the second way tonight. About eight hours of the soundest sleep you ever heard tell of."
Jig considered him gravely.
"I"m afraid," he answered, "that I won"t sleep nearly as well."
Riley Sinclair smiled. "Wouldn"t be no ways nacheral for you to do much sleeping," he agreed. "Take a gent that"s in danger of having his neck stretched, like you, and most generally he don"t do much sleeping. He lies around awake, cussing his luck, I s"pose. Take you, now, Cold Feet, and I s"pose you"ll be figuring on how far a hoss could carry you in the eight hours that I"ll be sleeping. Eh?"
There was a suggestive lift of the eyebrows, as he spoke, but before Jig had a chance to study his face, he had turned and wrapped himself in one of the rugs. He lay perfectly still, stretched on one side, with his back turned to Jig. He stirred neither hand nor foot.
Outside, a door slammed heavily; Cold Feet heard the heavy voice of Jerry Bent and the beat of his heels across the floor. In spite of those noises Riley Sinclair was presently sound asleep, as he had promised. Gaspar knew it by the rise and fall of the arm which lay along Sinclair"s side, also by the sound of his breathing.
Cold Feet went to the window and looked out on the mountains, black and huge, with a faint shimmer of snow on the farthest summits. At the very thought of trying to escape into that wilderness and wandering alone among the peaks, he shuddered. He came back and studied the sleeper.
Something about the nonchalance with which Sinclair had gone to sleep under the very eye of his prisoner affected John Gaspar strangely.
Doubtless it was sheer contempt for the man he was guarding. And, indeed, something a.s.sured Jig that, no matter how well he employed the next eight hours in putting a great distance between himself and Sour Creek, the tireless riding of Sinclair would more than make up the distance.
Gaspar went to the door, then turned sharply and glanced over his shoulder at the sleeper; but the eyes of Sinclair were still closed, and his regular breathing continued. Jig turned the k.n.o.b cautiously and slipped out into the living room.
Jerry and Sally beckoned instantly to him from the far side of the room. The beauty of the family had descended upon Sally alone. Jerry was a swart-skinned, squat, bow-legged, efficient cowpuncher. He now ambled awkwardly to meet John Gaspar.
"Are you all set?" he asked.
"For what?"
"To start on the trail!" exclaimed Jerry. "What else? Ain"t Sinclair asleep?"
"How d"you know?"
"I listened at the door and heard his breathing a long time ago.
Thought you"d never come out."
Sally Bent was already on the other side of Gaspar, drawing him toward the door.
"You can have my hoss, Jig," she offered. "Meg is sure as sin in the mountains. You won"t have nothing to fear on the worst trail they is."
"Not a thing," a.s.serted Jerry.
They half led and half dragged Cold Feet to the door.
"I"ll show you the best way. You see them two peaks yonder, like a pair of mule"s ears? You start--"
"I don"t know," said Jig. "It seems very difficult, even to think of riding alone through those mountains."
Sally was white with fear. "You ain"t going to throw away this chance, Jig? It"ll mean hanging sure, if you don"t run now. Ask Jerry what they"re saying in Sour Creek tonight?"
Jerry volunteered the information. "They"re all wondering why you wasn"t strung up today, when they got so much evidence agin" you. Also they"re thinking that the boys played plumb foolish in turning you over to this stranger, Sinclair, to guard. But they"re waiting for Sheriff Kern to come over from Woodville an" nab you in the morning. They"s some that says that they won"t wait, if it looks like the law is going to take too long to hang you. They"ll get up a necktie party and break the jail and do their own hanging. I heard all them things and more, Jig."
John Gaspar looked uncertainly from one to the other of his friends.
"You"ve _got_ to go!" cried Sally.
"I"ve got to go," admitted Cold Feet in a whisper.
"I"ve got Meg saddled for you already. She"s plumb gentle."
"Just a minute. I"ve forgotten something."
"You don"t mean you"re going back into that room where Sinclair is?"
"I won"t waken him. He"s sleeping like the dead."
Jig turned away from them and hurried back to his room. Having opened and closed the door softly, he went to a chest of drawers near the window and fumbled in the half-light of the low-burning lamp. He slipped a small leather case into the breast pocket of his coat, and then stole back toward the door, as softly as before. With his hand on the k.n.o.b, he paused and looked back. For all he knew, Sinclair might be really awake now, watching his quarry from beneath those heavy lashes, waiting until his prisoner should have made a definite attempt to escape.
And then the big man would rise to his feet as soon as the door was closed. The picture became startlingly real to John Gaspar. Sinclair would slip out that window, no doubt, and circle around toward the horse shed. There he would wait until his prisoner came out on Meg, and then without warning would come a shot, and there would be an end of Sinclair"s trouble with his prisoner. Gaspar could easily attribute such cunning cruelty to Sinclair. And yet there was something untested, unprobed, different about the rangy fellow.
Whatever it was, it kept Gaspar staring down into the lean face of Sinclair for a long moment. Then he went resolutely back into the living room and faced Sally Bent; Jerry was already waiting outdoors.
"I"m not going," said Gaspar slowly. "I"ll stay."
Sally cried out. "Oh, Jig, have you lost your nerve ag"in? Ain"t you got _no_ courage?"
The schoolteacher sighed. "I"m afraid not, Sally. I guess my only courage comes in waiting and seeing how things turn out."