From her cabinet of horrors, Zia produced a fine-tipped paintbrush and a bowl of blue dye. "It doesn"t hurt. And it"s not permanent."
"How does it taste?" Carter wondered.
Zia smiled. "Stick out your tongue."
To answer Carter"s question, the tattoo tasted like burning car tires.
"Ugh." I spit a blue gob of "order and harmony" into the fountain. "Never mind breakfast. Lost my appet.i.te."
Zia pulled a leather satchel out of the cabinet. "Carter will be allowed to keep your father"s magic implements, plus a new staff and wand. Generally speaking, the wand is for defense, the staff is for offense, although, Carter, you may prefer to use your khopesh."
"Khopesh?"
"The curved sword," Zia said. "A favored weapon of the pharaoh"s guard. It can be used in combat magic. As for Sadie, you will need a full kit."
"How come he gets Dad"s kit?" I complained.
"He is the eldest," she said, as if that explained everything. Typical.
Zia tossed me the leather satchel. Inside was an ivory wand, a rod that I supposed turned into a staff, some paper, an ink set, a bit of twine, and a lovely chunk of wax. I was less than thrilled.
"What about a little wax man?" I asked. "I want a Doughboy."
"If you mean a figurine, you must make one yourself. You will be taught how, if you have the skill. We will determine your specialty later."
"Specialty?" Carter asked. "You mean like Nectanebo specialized in statues?"
Zia nodded. "Nectanebo was extremely skilled in statuary magic. He could make shabti so lifelike, they could pa.s.s for human. No one has ever been greater at statuary...except perhaps Iskandar. But there are many other disciplines: Healer. Amulet maker. Animal charmer. Elementalist. Combat magician. Necromancer."
"Diviner?" I asked.
Zia looked at me curiously. "Yes, although that is quite rare. Why do you-"
I cleared my throat. "So how do we know our specialty?"
"It will become clear soon enough," Zia promised, "but a good magician knows a bit of everything, which is why we start with a basic test. Let us go to the library."
The First Nome"s library was like Amos"s, but a hundred times bigger, with circular rooms lined with honeycomb shelves that seemed to go on forever, like the world"s largest beehive. Clay shabti statues kept popping in and out, retrieving scroll canisters and disappearing, but we saw no other people.
Zia brought us to a wooden table and spread out a long, blank papyrus scroll. She picked up a stylus and dipped it in ink.
"The Egyptian word shesh means scribe or writer, but it can also mean magician. This is because magic, at its most basic, turns words into reality. You will create a scroll. Using your own magic, you will send power into the words on paper. When spoken, the words will unleash the magic."
She handed the stylus to Carter.
"I don"t get it," he protested.
"A simple word," she suggested. "It can be anything."
"In English?"
Zia curled her lip. "If you must. Any language will work, but hieroglyphics are best. They are the language of creation, of magic, of Ma"at. You must be careful, however."
Before she could explain, Carter drew a simple hieroglyph of a bird.
The picture wriggled, peeled itself off the papyrus, and flew away. It splattered Carter"s head with some hieroglyphic droppings on its way out. I couldn"t help laughing at Carter"s expression.
"A beginner"s mistake," Zia said, scowling at me to be quiet. "If you use a symbol that stands for something alive, it is wise to write it only partially-leave off a wing, or the legs. Otherwise the magic you channel could make it come alive."
"And p.o.o.p on its creator." Carter sighed, wiping off his hair with a bit of sc.r.a.p papyrus. "That"s why our father"s wax statue, Doughboy, has no legs, right?"
"The same principle," Zia agreed. "Now, try again."
Carter stared at Zia"s staff, which was covered in hieroglyphics. He picked the most obvious one and copied it on the papyrus-the symbol for fire.
Uh-oh, I thought. But the word did not come alive, which would"ve been rather exciting. It simply dissolved.
"Keep trying," Zia urged.
"Why am I so tired?" Carter wondered.
He definitely looked exhausted. His face was beaded with sweat.
"You"re channeling magic from within," Zia said. "For me, fire is easy. But it may not be the most natural type of magic for you. Try something else. Summon...summon a sword."
Zia showed him how to form the hieroglyph, and Carter wrote it on the papyrus. Nothing happened.
"Speak it," Zia said.
"Sword," Carter said. The word glowed and vanished, and a b.u.t.ter knife lay on the papyrus.
I laughed. "Terrifying!"
Carter looked like he was about to pa.s.s out, but he managed a grin. He picked up the knife and threatened to poke me with it.
"Very good for a first time," Zia said. "Remember, you are not creating the knife yourself. You are summoning it from Ma"at-the creative power of the universe. Hieroglyphs are the code we use. That"s why they are called Divine Words. The more powerful the magician, the easier it becomes to control the language."
I caught my breath. "Those hieroglyphs floating in the Hall of Ages. They seemed to gather around Iskandar. Was he summoning them?"
"Not exactly," Zia said. "His presence is so strong, he makes the language of the universe visible simply by being in the room. No matter what our specialty, each magician"s greatest hope is to become a speaker of the Divine Words-to know the language of creation so well that we can fashion reality simply by speaking, not even using a scroll."
"Like saying shatter," I ventured. "And having a door explode."
Zia scowled. "Yes, but such a thing would take years of practice."
"Really? Well-"
Out of the corner of my eye, I saw Carter shaking his head, silently warning me to shut up.
"Um..." I stammered. "Some day, I"ll learn to do that."
Zia raised an eyebrow. "First, master the scroll."
I was getting tired of her att.i.tude, so I picked up the stylus and wrote Fire in English.
Zia leaned forward and frowned. "You shouldn"t-"
Before she could finish, a column of flame erupted in her face. I screamed, sure I"d done something horrible, but when the fire died Zia was still there, looking astonished, her eyebrows singed and her bangs smoldering.
"Oh, G.o.d," I said. "Sorry, sorry. Do I die now?"
For three heartbeats, Zia stared at me.
"Now," she announced. "I think you are ready to duel."
We used another magic gateway, which Zia summoned right on the library wall. We stepped into a circle of swirling sand and popped out the other side, covered in dust and grit, in the front of some ruins. The harsh sunlight almost blinded me.
"I hate portals," Carter muttered, brushing the sand out of his hair.
Then he looked around and his eyes widened. "This is Luxor! That"s, like, hundreds of miles south of Cairo."
I sighed. "And that amazes you after teleporting from New York?"
He was too busy checking out our surroundings to answer.
I suppose the ruins were all right, though once you"ve seen one pile of crumbly Egyptian stuff, you"ve seen them all, I say. We stood on a wide avenue flanked by human-headed beasties, most of which were broken. The road went on behind us as far as I could see, but in front of us it ended at a temple much bigger than the one in the New York museum.
The walls were at least six stories high. Big stone pharaohs stood guard on either side of the entrance, and a single obelisk stood on the left-hand side. It looked as if one used to stand on the right as well, but it was now gone.
"Luxor is a modern name," Zia said. "This was once the city of Thebes. This temple was one of the most important in Egypt. It is the best place for us to practice."
"Because it"s already destroyed?" I asked.
Zia gave me one of her famous scowls. "No, Sadie-because it is still full of magic. And it was sacred to your family."
"Our family?" Carter asked.
Zia didn"t explain, as usual. She just gestured for us to follow.
"I don"t like those ugly sphinxes," I mumbled as we walked down the path.
"Those ugly sphinxes are creatures of law and order," Zia said, "protectors of Egypt. They are on our side."
"If you say so."
Carter nudged me as we pa.s.sed the obelisk. "You know the missing one is in Paris."
I rolled my eyes. "Thank you, Mr. Wikipedia. I thought they were in New York and London."
"That"s a different pair," Carter said, like I was supposed to care. "The other Luxor obelisk is in Paris."
"Wish I was in Paris," I said. "Lot better than this place."
We walked into a dusty courtyard surrounded by crumbling pillars and statues with various missing body parts. Still, I could tell the place had once been quite impressive.
"Where are the people?" I asked. "Middle of the day, winter holidays. Shouldn"t there be loads of tourists?"
Zia made a distasteful expression. "Usually, yes. I have encouraged them to stay away for a few hours."
"How?"
"Common minds are easy to manipulate." She looked pointedly at me, and I remembered how she"d forced me to talk in the New York museum. Oh, yes, she was just begging for more scorched eyebrows.
"Now, to the duel." She summoned her staff and drew two circles in the sand about ten meters apart. She directed me to stand in one of them and Carter in the other.
"I"ve got to duel him?" I asked.
I found the idea preposterous. The only thing Carter had shown apt.i.tude for was summoning b.u.t.ter knives and p.o.o.ping birds. Well, all right, and that bit on the chasm bridge deflecting the daggers, but still-what if I hurt him? As annoying as Carter might be, I didn"t want to accidentally summon that glyph I"d made in Amos"s house and explode him to bits.
Perhaps Carter was thinking the same thing, because he"d started to sweat. "What if we do something wrong?" he asked.
"I will oversee the duel," Zia promised. "We will start slowly. The first magician to knock the other out of his or her circle wins."
"But we haven"t been trained!" I protested.
"One learns by doing," Zia said. "This is not school, Sadie. You cannot learn magic by sitting at a desk and taking notes. You can only learn magic by doing magic."
"But-"
"Summon whatever power you can," Zia said. "Use whatever you have available. Begin!"
I looked at Carter doubtfully. Use whatever I have? I opened the leather satchel and looked inside. A lump of wax? Probably not. I drew the wand and rod. Immediately, the rod expanded until I was holding a two-meter-long white staff.
Carter drew his sword, though I couldn"t imagine what he"d do with it. Rather hard to hit me from ten meters away.
I wanted this over, so I raised my staff like I"d seen Zia do. I thought the word Fire.
A small flame sputtered to life on the end of the staff. I willed it to get bigger. The fire momentarily brightened, but then my eyesight went fuzzy. The flame died. I fell to my knees, feeling as if I"d run a marathon.
"You okay?" Carter called.
"No," I complained.
"If she knocks herself out, do I win?" he asked.
"Shut up!" I said.
"Sadie, you must be careful," Zia called. "You drew from your own reserves, not from the staff. You can quickly deplete your magic."