"There is nothing to forgive," said Simon. He brushed off his plum-colored tunic. "Do you serve Cardinal Ugolini?" This time he would not let the man pa.s.s without questioning him.

"I am Giancarlo, Signore, a servant of Messer David of Trebizond." He bowed deeply.

Feeling angry because he was sure he was being lied to, Simon wanted to ask about the men with Giancarlo on the road, but decided it was better not to appear too suspicious.

_Let them think I am a naive young n.o.bleman, easily gulled. Not so far from the truth, anyway._

"Are you also from Trebizond, Messer Giancarlo?"

The dark brown eyes were watchful. "I am a Neapolitan, Signore. Messer David hired me when he arrived in Italy."

_So it is David of Trebizond who is bringing bravos into the city. What for?_

Out on the street, Simon looked at the spot where the crossbowmen had spilled two men"s blood. He felt a weary anger. Two lives cut off because of that fool de Verceuil and his vanity.

Where the men had been shot there now stood rows of bowls and pots, from small to large. They were painted white, with pretty floral designs in red, blue, and green. A woman sat on the ground beside the display, painting a freshly baked jug. She looked up at Simon, then scrambled to her feet and stood, bowing deeply.

"Fine vases and plates, Your Signory? The earthenware of Orvieto is the most beautiful in the world."

Simon smiled. "No doubt, but not today, thank you." He must remember to bring some samples back to Gobignon, though, he thought. It was fine-looking ware, and it might give the potters of Gobignon-la-Ville some good ideas.

He turned and stared back at the mansion, a great cream-colored cube of the same tufa as the rock on which Orvieto stood.

From that rooftop, David of Trebizond had watched the heckling, the throwing of garbage and dung, the sudden killings.

Simon almost expected to see David appear on the roof now, but it remained empty. The cardinal"s mansion remained flat and featureless, revealing nothing.

Simon sighed longingly. _Oh, for another glimpse of the cardinal"s niece._

But there was no sign of her, and he could not stand here any longer.

Sighing again, he walked away.

XVI

The door leading from Cardinal Ugolini"s private cabinet to the solar swung back, and David came in. As always when she first caught sight of David, Sophia felt her heart give a little jongleur"s somersault. She loved the look of his hard eyes with their suggestion of weariness at having seen too much.

But now those eyes were turned toward her, and they were narrowed angrily.

"Why were you rude to him?"

His harsh tone, when she was so pleased to see him, hurt her. She had no ready answer for him. To give herself time to think, she walked to the small chair Simon had occupied and sat down in it.

Cardinal Ugolini, sitting at his carved oak table, spoke up.

"Sophia put him in his place by demonstrating to him that she could speak his language better than he could speak Italian, David. There is no end to the arroganzia of these French."

David was still looking at Sophia. The midday light streaming through the white panes of gla.s.s threw sharp shadows under his cheekbones, giving him the gaunt look of a desert saint.

_G.o.d"s breath, how I would like to paint his picture. At least I could have that much of him._

"Do you think I wanted you to meet him so that you could teach him better manners?" David demanded.

"Of course not," she said, "but you do not understand men."

David"s laugh was as harsh as the planes of his face.

"Oh, yes," Sophia went on impatiently, "you have always lived with men, and you lead men and fight against men. But you do not understand how Christian men, especially Frenchmen and Italians, feel about women. You know nothing, for example, of l"amour courtois."

"Yes," said Ugolini. "The head of every young French n.o.bleman is full of two things, honor and l"amour courtois."

David looked from Ugolini to Sophia and back again. "What is this l"amour courtois?" he demanded. "I should know about it. Why have you not told me?"

Ugolini lifted his shoulders in a gesture that reminded Sophia of a shopkeeper on the Mese.

"My dear fellow, we cannot guess where the gaps are in your knowledge of the Christian world. That is why it is so dangerous for you to go about in public."

David held out his hands in appeal.

"You have seen me testify before the pope himself. How can you still be afraid?" He curled his fingers in toward himself, inviting Ugolini to go on. "Tell me about courtly love."

_How graceful his gestures are._

"It was begun many years ago by a number of n.o.ble ladies of France, and especially Queen Eleanor of Aquitaine, who led an absolutely scandalous life," Ugolini said. "She married the King of France, accompanied him on crusade. Costumed as an Amazon, rode bare-breasted in Jerusalem.

Jerusalem! Divorced the King of France, married the King of England. Had lovers uncounted besides."

_If I had been born into the n.o.bility, I might have been a woman like that_, Sophia thought wistfully.

David shook his head as if buzzing flies circled it. "But what has this to do with Simon de Gobignon?"

"As His Excellency said, this Simon comes out of a world shaped by courtly love," Sophia answered. "There are many strict rules about how men and ladies should behave toward one another. One of the most important is that the woman rules the man."

David smiled thinly. She had rarely seen a full open smile on his face, but she remembered what a glorious sight it had been and wished he would smile that way now.

"So, by scorning the way he spoke Italian, you believe you are making yourself more attractive to him?"

"Far better than I would by letting him put his foot on my neck, the way your harem women do."

"You know nothing about our women." But his eyes were crinkled with laughter. "Less than I do about your courtly lovers. And what do you think of _my_ Italian?"

"Better than his," she said, and was rewarded with a broader smile.

She felt a warmth inside as if her heart were melting. Trained from childhood to hide her feelings, she turned her gaze toward the wall paintings of the nude Adam and Eve.

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