But he received a vehement negative. His visitor went so far as to spit upon the suggestion in a very realistic manner. Then he drew from his pocket a sheet of paper which he threw upon the table.
"Look," he said. "Look and tremble, accursed Englishman."
Anthony looked with some interest, not troubling to fulfil the latter part of the command. On the paper was traced the crude design of a human hand in red.
"It looks like a hand," he remarked. "But, if you say so, I"m quite prepared to admit that it"s a Cubist picture of Sunset at the North Pole."
"It is the sign of the Comrades of the Red Hand. I am a Comrade of the Red Hand."
"You don"t say so," said Anthony, looking at him with much interest. "Are the others all like you? I don"t know what the Eugenic Society would have to say about it."
The man snarled angrily.
"Dog," he said. "Worse than dog. Paid slave of an effete monarchy. Give me the memoirs, and you shall go unscathed. Such is the clemency of the Brotherhood."
"It"s very kind of them, I"m sure," said Anthony, "but I"m afraid that both they and you are labouring under a misapprehension. My instructions are to deliver the ma.n.u.script - not to your amiable society, but to a certain firm of publishers."
"Pah!" laughed the other. "Do you think you will ever be permitted to reach that office alive? Enough of this fool"s talk. Hand over the papers, or I shoot."
He drew a revolver from his pocket and brandished it in the air.
But there he misjudged his Anthony Cade. He was not used to men who could act as quickly - or quicker than they could think. Anthony did not wait to be covered by the revolver. Almost as soon as the other got it out of his pocket, Anthony had sprung forward and knocked it out of his hand. The force of the blow sent the man swinging round, so that he presented his back to his a.s.sailant.
The chance was too good to be missed. With one mighty, well-directed kick, Anthony sent the man flying through the doorway into the corridor, where he collapsed in a heap.
Anthony stepped out after him, but the doughty Comrade of the Red Hand had had enough. He got nimbly to his feet and fled down the pa.s.sage. Anthony did not pursue him, but went back into his own room.
"So much for the Comrades of the Red Hand," he remarked. "Picturesque appearance, but easily routed by direct action. How the h.e.l.l did that fellow get in, I wonder? There"s one thing that stands out pretty clearly - this isn"t going to be quite such a soft job as I thought. I"ve already fallen foul of both the Loyalist and the Revolutionary parties. Soon, I suppose, the Nationalists and the Independent Liberals will be sending up a delegation. One thing"s fixed. I start on that ma.n.u.script tonight."
Looking at his watch, Anthony discovered that it was nearly nine o"clock, and he decided to dine where he was. He did not antic.i.p.ate any more surprise visits, but he felt that it was up to him to be on his guard. He had no intention of allowing his suitcase to be rifled whilst he was downstairs in the Grill Room. He rang the bell and asked for the menu, selected a couple of dishes and ordered a bottle of Chambertin. The waiter took the order and withdrew.
Whilst he was waiting for the meal to arrive, he got out the package of ma.n.u.script and put it on the table with the letters.
There was a knock at the door, and the waiter entered with a small table and the accessories of the meal. Anthony had strolled over to the mantelpiece. Standing there with his back to the room, he was directly facing the mirror, and idly glancing in it he noticed a curious thing.
The waiter"s eyes were glued on the parcel of ma.n.u.script. Shooting little glances sideways at Anthony"s immovable back, he moved softly round the table. His hands were twitching and he kept pa.s.sing his tongue over his dry lips. Anthony observed him more closely. He was a tall man, supple like all waiters, with a clean-shaven, mobile face. An Italian, Anthony thought, not a Frenchman.
At the critical moment Anthony wheeled round abruptly.
The waiter started slightly, but pretended to be doing something with the saltcellar.
"What"s your name?" asked Anthony abruptly.
"Giuseppe, monsieur."
"Italian, eh?"
"Yes, monsieur."
Anthony spoke to him in that language, and the man answered fluently enough. Finally Anthony dismissed him with a nod, but all the while he was eating the excellent meal which Giuseppe served to him, he was thinking rapidly.
Had he been mistaken? Was Giuseppe"s interest in the parcel just ordinary curiosity? It might be so, but remembering the feverish intensity of me man"s excitement, Anthony decided against that theory. All the same, he was puzzled.
"Dash it all," said Anthony to himself, "everyone can"t be after the blasted ma.n.u.script. Perhaps I"m fancying things."
Dinner concluded and cleared away, he applied himself to the perusal of the memoirs. Owing to the illegibility of the late Count"s handwriting, the business was a slow one. Anthony"s yawns succeeded one another with suspicious rapidity. At the end of the fourth chapter, he gave it up.
So far, he had found the memoirs insufferably dull, with no hint of scandal of any kind.
He gathered up the letters and the wrapping of the ma.n.u.script which were lying in a heap together on the table and locked them up in the suitcase. Then he locked the door, and as an additional precaution put a chair against it. On the chair he placed the water-bottle from the bathroom.
Surveying these preparations with some pride, he undressed and got into bed. He had one more shot at the Count"s memoirs, but felt his eyelids drooping, and stuffing the ma.n.u.script under his pillow, he switched out the light and fell asleep almost immediately.
It must have been some four hours later that he awoke with a start. What had awakened him he did not know - perhaps a sound, perhaps only the consciousness of danger which in men who have led an adventurous life is very fully developed. For a moment he lay quite still, trying to focus his impressions. He could hear a very stealthy rustle, and then he became aware of a denser blackness somewhere between him and the window - on the floor by the suitcase.
With a sudden spring, Anthony jumped out of bed, switching the light on as he did so. A figure sprang up from where it had been kneeling by the suitcase.
It was the waiter, Giuseppe. In his right hand gleamed a long thin knife. He hurled himself straight upon Anthony, who was by now fully conscious of his own danger. He was unarmed and Giuseppe was evidently thoroughly at home with his own weapon.
Anthony sprang to one side, and Giuseppe missed him with the knife. The next minute the two men were rolling on the floor together, locked in a close embrace. The whole of Anthony"s faculties were centred on keeping a close grip of Giuseppe"s right arm so that he would be unable to use the knife. He bent it slowly back. At the same time he felt the Italian"s other hand clutching at his windpipe, stifling him, choking. And still, desperately, he bent the right arm back.
There was a sharp tinkle as the knife fell on the floor. At the same time, the Italian extricated himself with a swift twist from Anthony"s grasp. Anthony sprang up too, but made the mistake of moving towards the door to cut off the other"s retreat. He saw, too late, that the chair and the water-bottle were just as he had arranged them.
Giuseppe had entered by the window, and it was the window he made for now. In the instant"s respite given him by Anthony"s move towards the door, he had sprung out on the Balcony, leaped over to the adjoining balcony and had disappeared through the adjoining window.
Anthony knew well enough that it was of no use to pursue him. His way of retreat was doubtless fully a.s.sured. Anthony would merely get himself into trouble.
He walked over to the bed, thrusting his hand beneath the pillow and drawing out the memoirs. Lucky that they had been here and not in the suitcase. He crossed over to the suitcase and looked inside, meaning to take out the letters.
Then he swore softly under his breath.
The letters were gone.
Chapter 6.
THE GENTLE ART OF BLACKMAIL.
It was exactly five minutes to four when Virginia Revel, rendered punctual by a healthy curiosity, returned to the house in Pont Street. She opened the door with her latch-key, and stepped into the hall to be immediately confronted by the impa.s.sive Chilvers.
"I beg pardon, ma"am, but a - a person has called to see you -"
For the moment, Virginia did not pay attention to the subtle phraseology whereby Chilvers cloaked his meaning. "Mr Lomax? Where is he? In the drawing-room?"
"Oh, no, ma"am, not Mr Lomax." Chilvers" tone was faintly reproachful. "A person - I was reluctant to let him in, but he said his business was most important - connected with the late Captain, I understood him to say. Thinking therefore that you might wish to see him, I put him - er - in the study."
Virginia stood thinking for a minute. She had been a widow now for some years, and the fact that she rarely spoke of her husband was taken by some to indicate that below her careless demeanour was a still-aching wound. By others it was taken to mean the exact opposite, that Virginia had never really cared for Tim Revel, and that she found it insincere to profess a grief she did not feel.
"I should have mentioned, ma"am," continued Chilvers, "that the man appears to be some kind of foreigner."
Virginia"s interest heightened a little. Her husband had been in the Diplomatic Service, and they had been together in Herzoslovakia just before the sensational murder of the King and Queen. This man might probably be a Herzoslovakian, some old servant who had fallen on evil days.
"You did quite right, Chilvers," she said with a quick, approving nod. "Where did you say you put him? In the study?"
She crossed the hall with her light buoyant step, and opened the door of the small room that flanked the dining-room.
The visitor was sitting in a chair by the fireplace. He rose on her entrance and stood looking at her. Virginia had an excellent memory for faces, and she was at once quite sure that she had never seen the man before. He was tall and dark, supple in figure, and quite unmistakably a foreigner; but she did not think he was of Slavonic origin. She put him down as Italian or possibly Spanish.
"You wish to see me?" she asked. "I am Mrs Revel."
The man did not answer for a minute or two. He was looking her slowly over, as though appraising her narrowly. There was a veiled insolence in his manner which she was quick to feel.
"Will you please state your business?" she said, with a touch of impatience.
"You are Mrs Revel? Mrs Timothy Revel?"
"Yes. I told you so just now."
"Quite so. It is a good thing that you consented to see me, Mrs Revel. Otherwise, as I told your butler, I should have been compelled to do business with your husband."
Virginia looked at him in astonishment, but some impulse quelled the retort that sprang to her lips. She contented herself by remarking dryly: "You might have found some difficulty in doing that."
"I think not. I am very persistent. But I will come to the point. Perhaps you recognize this?"
He flourished something in his hand. Virginia looked at it without much interest.
"Can you tell me what it is, madame?"
"It appears to be a letter," replied Virginia, who was by now convinced that she had to do with a man who was mentally unhinged.
"And perhaps you note to whom it is addressed," said the man significantly, holding it out to her.
"I can read," Virginia informed him pleasantly. "It is addressed to a Captain O"Neill at Rue de Quenelles No 15, Paris."
The man seemed to be searching her face hungrily for something he did not find.
"Will you read it, please?"
Virginia took the envelope from him, drew out the enclosure and glanced at it, but almost immediately she stiffened and held it out to him again.
"This is a private letter - certainly not meant for my eyes."
The man laughed sardonically.
"I congratulate you, Mrs Revel, on your admirable acting. You play your part to perfection. Nevertheless, I think that you will hardly be able to deny the signature!"
"The signature?"
Virginia turned the letter over - and was struck dumb with astonishment. The signature, written in a delicate slanting hand, was Virginia Revel. Checking the exclamation of astonishment that rose to her lips, she turned again to the beginning of the letter and deliberately read the whole thing through. Then she stood a minute lost in thought. The nature of the letter made it clear enough what was in prospect.
"Well, madame?" said the man. "That is your name, is it not?"
"Oh, yes," said Virginia. "It"s my name."
"But not my handwriting," she might have added. Instead she turned a dazzling smile upon her visitor.
"Supposing," she said sweetly, "we sit down and talk it over?"
He was puzzled. Not so had he expected her to behave. His instinct told him that she was not afraid of him.
"First of all, I should like to know how you found me out?"
"That was easy."
He took from his pocket a page torn from an ill.u.s.trated paper, and handed it to her. Anthony Cade would have recognized it.
She gave it back to him with a thoughtful little frown.
"I see," she said. "It was very easy."
"Of course you understand, Mrs Revel, that that is not the only letter. There are others."
"Dear me," said Virginia, "I seem to have been frightfully indiscreet."
Again she could see that her light tone puzzled him. She was by now thoroughly enjoying herself.
"At any rate," she said, smiling sweetly at him, "it"s very kind of you to call and give them back to me."
There was a pause as he cleared his throat.
"I am a poor man, Mrs Revel," he said at last, with a good deal of significance in his manner.
"As such you will doubtless find it easier to enter the Kingdom of Heaven, or so I have always heard."
"I cannot afford to let you have these letters for nothing."
"I think you are under a misapprehension. Those letters are the property of the person who wrote them."
"That may be the law, madame, but in this country you have a saying "Possession is nine points of the law." And, in any case, are you prepared to invoke the aid of the law?"
"The law is a severe one for blackmailers," Virginia reminded him.
"Come, Mrs Revel, I am not quite a fool. I have read these letters - the letters of a woman to her lover, one and all breathing dread of discovery by her husband. Do you want me to take them to your husband?"