The Story of Alchemy and the Beginnings of Chemistry

Chapter IV. I endeavoured to a.n.a.lyse two terms which were constantly used by the alchemists to convey ideas of great importance, the terms _Element_ and _Principle_. That attempt sufficed, at any rate, to show the vagueness of the ideas which these terms were intended to express, and to make evident the inconsistencies between the meanings given to the words by different alchemical writers. The story quoted in Chapter III., from Michael Sendivogius, ill.u.s.trates the difficulty which the alchemists themselves had in understanding what they meant by the term _Mercury_; yet there is perhaps no word more often used by them than that. Some of them evidently took it to mean the substance then, and now, called mercury; the results of this literal interpretation were disastrous; others thought of mercury as a substance which could be obtained, or, at any rate, might be obtained, by repeatedly distilling ordinary mercury, both alone and when mixed with other substances; others used the word to mean a hypothetical something which was liquid but did not wet things, limpid yet capable of becoming solid, volatile yet able to prevent the volatilisation of other things, and white, yet ready to cause other white things to change their colour; they thought of this something, this soul of mercury, as having properties without itself being tangible, as at once a substance and not a substance, at once a bodily spirit and a spiritual body.

We should never forget that the alchemists were patient and laborious workers, their theories were vitally connected with their practice, and there was a constant action and reaction between their general scheme of things and many branches of what we now call chemical manufactures. We may laugh at many of their theories, and regret that much useless material was acc.u.mulated by them; we may agree with Boyle (end of 17th century) when he likens the "hermetick philosophers," in their search for truth, to "the navigators of Solomon"s Tarshish fleet, who brought home from their long and tedious voyages, not only gold, and silver, and ivory, but apes and peac.o.c.ks too; for so the writings of several of your hermetick philosophers present us, together with divers substantial and n.o.ble experiments, theories, which either like peac.o.c.ks" feathers make a great show but are neither solid nor useful; or else like apes, if they have some appearance of being rational, are blemished with some absurdity or other, that, when they are attentively considered make them appear ridiculous." But however we may condemn their method, because it rested on their own conception of what the order of nature must be, we cannot but praise their a.s.siduity in conducting experiments and gathering facts.

As Bacon says, in _De Augmentis Scientiarum_:

"Alchemy may be compared to the man who told his sons that he had left them gold buried somewhere in his vineyard; where they by digging found no gold, but by turning up the mould about the roots of the vines, procured a plentiful vintage. So the search and endeavours to make gold have brought many useful inventions and instructive experiments to light."

CHAPTER VII.

THE LANGUAGE OF ALCHEMY

The vagueness of the general conceptions of alchemy, and the attribution of ethical qualities to material things by the alchemists, necessarily led to the employment of a language which is inexact, undescriptive, and unsuggestive to modern ears. The same name was given to different things, and the same thing went under many names.

In Chapter IV. I endeavoured to a.n.a.lyse two terms which were constantly used by the alchemists to convey ideas of great importance, the terms _Element_ and _Principle_. That attempt sufficed, at any rate, to show the vagueness of the ideas which these terms were intended to express, and to make evident the inconsistencies between the meanings given to the words by different alchemical writers. The story quoted in Chapter III., from Michael Sendivogius, ill.u.s.trates the difficulty which the alchemists themselves had in understanding what they meant by the term _Mercury_; yet there is perhaps no word more often used by them than that. Some of them evidently took it to mean the substance then, and now, called mercury; the results of this literal interpretation were disastrous; others thought of mercury as a substance which could be obtained, or, at any rate, might be obtained, by repeatedly distilling ordinary mercury, both alone and when mixed with other substances; others used the word to mean a hypothetical something which was liquid but did not wet things, limpid yet capable of becoming solid, volatile yet able to prevent the volatilisation of other things, and white, yet ready to cause other white things to change their colour; they thought of this something, this soul of mercury, as having properties without itself being tangible, as at once a substance and not a substance, at once a bodily spirit and a spiritual body.

It was impossible to express the alchemical ideas in any language save that of far-fetched allegory. The alchemical writings abound in such allegories. Here are two of them.

The first allegory is taken from _The Twelve Keys_, of Basilius Valentinus, the Benedictine:--

"The eleventh key to the knowledge of the augmentation of our Stone I will put before you in the form of a parable.

"There lived in the East a gilded knight, named Orpheus, who was possessed of immense wealth, and had everything that heart can wish. He had taken to wife his own sister, Euridice, who did not, however, bear him any children. This he regarded as the punishment of his sin in having wedded his own sister, and was instant in prayer to G.o.d both by day and by night, that the curse might be taken from him. One night when he was buried in a deep sleep, there came to him a certain winged messenger, named Phoebus, who touched his feet, which were very hot, and said: "Thou n.o.ble knight, since thou hast wandered through many cities and kingdoms and suffered many things at sea, in battle, and in the lists, the heavenly Father has bidden me make known to thee the following means of obtaining thy prayer: Take blood from thy right side, and from the left side of thy spouse. For this blood is the heart"s blood of your parents, and though it may seem to be of two kinds, yet, in reality, it is only one. Mix the two kinds of blood, and keep the mixture tightly enclosed in the globe of the seven wise Masters. Then that which is generated will be nourished with its own flesh and blood, and will complete its course of development when the Moon has changed for the eighth time. If thou repeat this process again and again, thou shalt see children"s children, and the offspring of thy body shall fill the world." When Phoebus had thus spoken, he winged his flight heavenward. In the morning the knight arose and did the bidding of the celestial messenger, and G.o.d gave to him and to his wife many children, who inherited their father"s glory, wealth, and knightly honours from generation to generation."

In the "Dedicatory Epistle" to his _Triumphal Chariot of Antimony_, Basil Valentine addresses his brother alchemists as follows:--

"Mercury appeared to me in a dream, and brought me back from my devious courses to the one way. "Behold me clad not in the garb of the vulgar, but in the philosopher"s mantle." So he said, and straightway began to leap along the road in headlong bounds. Then, when he was tired, he sat down, and, turning to me, who had followed him in the spirit, bade me mark that he no longer possessed that youthful vigour with which he would at the first have overcome every obstacle, if he had not been allowed a free course. Encouraged by his friendly salutation, I addressed him in the following terms: "Mercury, eloquent scion of Atlas, and father of all Alchemists, since thou hast guided me hitherto, shew me, I pray thee, the way to those Blessed Isles, which thou hast promised to reveal to all thine elect children. "Dost thou remember," he replied, that when I quitted thy laboratory, I left behind me a garment so thoroughly saturated with my own blood, that neither the wind could efface it, nor all-devouring time destroy its indelible essence? Fetch it hither to me, that I may not catch a chill from the state of perspiration in which I now am; but let me clothe myself warmly in it, and be closely incited thereto, so that I may safely reach my bride, who is sick with love. She has meekly borne many wrongs, being driven through water and fire, and compelled to ascend and descend times without number--yet has she been carried through it all by the hope of entering with me the bridal chamber, wherein we expect to beget a son adorned from his birth with the royal crown which he may not share with others. Yet may he bring his friends to the palace, where sits enthroned the King of Kings, who communicates his dignity readily and liberally to all that approach him."

"I brought him the garment, and it fitted him so closely, that it looked like an iron skin securing him against all the a.s.saults of Vulcan. "Let us proceed," he then said, and straightway sped across the open field, while I boldly strove to keep up with my guide.

"Thus we reached his bride, whose virtue and constancy were equal to his own. There I beheld their marvellous conjugal union and nuptial consummation, whence was born the son crowned with the royal diadem. When I was about to salute him as King of Kings and Lord of Lords, my Genius stood by me and warned me not to be deceived, since this was only the King"s forerunner, but not the King himself whom I sought.

"When I heard the admonition, I did not know whether to be sad or joyful. "Depart," then said Mercury, "with this bridal gift, and when you come to those disciples who have seen the Lord himself, show them this sign." And therewith he gave me a gold ring from his son"s finger. "They know the golden branch which must be consecrated to Proserpina before you can enter the palace of Pluto. When he sees this ring, perhaps one will open to you with a word the door of that chamber, where sits enthroned in his magnificence the Desire of all Nations, who is known only to the Sages."

"When he had thus spoken, the vision vanished, but the bridal gift which I still held in my hand shewed me that it had not been a mere dream. It was of gold, but to me more precious than the most prized of all metals. Unto you I will shew it when I am permitted to see your faces, and to converse with you freely. Till that earnestly wished-for time, I bid you farewell."

One result of the alchemical modes of expression was, that he who tried to follow the directions given in alchemical books got into dire confusion. He did not know what substances to use in his operations; for when he was told to employ "the h.o.m.ogeneous water of gold," for example, the expression might mean anything, and in despair he distilled, and calcined, and cohobated, and tried to decompose everything he could lay hands on. Those who pretended to know abused and vilified those who differed from them.

In _A Demonstration of Nature_, by John A. Mehung (17th century), Nature addresses the alchemical worker in the following words:--

"You break vials, and consume coals, only to soften your brains still more with the vapours. You also digest alum, salt, orpiment, and altrament; you melt metals, build small and large furnaces, and use many vessels; nevertheless I am sick of your folly, and you suffocate me with your sulphurous smoke.... You would do better to mind your own business, than to dissolve and distil so many absurd substances, and then to pa.s.s them through alembics, cucurbits, stills, and pelicans."

Henry Madathanas, writing in 1622, says:--

"Then I understood that their purgations, sublimations, cementations, distillations, rectifications, circulations, putrefactions, conjunctions, calcinations, incinerations, mortifications, revivifications, as also their tripods, athanors, reverberatory alembics, excrements of horses, ashes, sand, stills, pelican-viols, retorts, fixations, etc., are mere plausible impostures and frauds."

The author of _The Only Way_ (1677) says:

"Surely every true Artist must look on this elaborate tissue of baseless operations as the merest folly, and can only wonder that the eyes of those silly dupes are not at last opened, that they may see something besides such absurd sophisms, and read something besides those stupid and deceitful books.... I can speak from bitter experience, for I, too, toiled for many years ... and endeavoured to reach the coveted goal by sublimation, distillation, calcination, circulation, and so forth, and to fashion the Stone out of substances such as urine, salt, atrament, alum, etc. I have tried hard to evolve it out of hairs, wine, eggs, bones, and all manner of herbs; out of a.r.s.enic, mercury, and sulphur, and all the minerals and metals.... I have spent nights and days in dissolving, coagulating, amalgamating, and precipitating. Yet from all these things I derived neither profit nor joy."

Another writer speaks of many would-be alchemists as "floundering about in a sea of specious book-learning."

If alchemists could speak of their own processes and materials as those authors spoke whom I have quoted, we must expect that the alchemical language would appear mere jargon to the uninitiated. In Ben Jonson"s play _The Alchemist_, _Surley_, who is the sceptic of the piece, says to Subtle, who is the alchemist--

... Alchemy is a pretty kind of game, Somewhat like tricks o" the cards, to cheat a man With charming ...

What else are all your terms, Whereon no one of your writers "grees with other?

Of your elixir, your _lac virginis_, Your stone, your med"cine, and your chrysosperme, Your sal, your sulphur, and your mercury, Your oil of height, your tree of life, your blood, Your marchesite, your tutie, your magnesia, Your toad, your crow, your dragon, and your panther; Your sun, your moon, your firmament, your adrop, Your lato, azoch, zernich, chibrit, heutarit, And then your red man, and your white woman, With all your broths, your menstrues, and materials, Of lye and egg-sh.e.l.ls, women"s terms, man"s blood, Hair o" the head, burnt clout, chalk, merds, and clay, Powder of bones, scalings of iron, gla.s.s, And moulds of other strange ingredients, Would burst a man to name?

To which _Subtle_ answers,

And all these named Intending but one thing; which art our writers Used to obscure their art.

Was not all the knowledge Of the Egyptians writ in mystic symbols?

Speak not the Scriptures oft in parables?

Are not the choicest fables of the poets, That were the fountains and first springs of wisdom, Wrapp"d in perplexed allegories?

The alchemists were very fond of using the names of animals as symbols of certain mineral substances, and of representing operations in the laboratory by what may be called animal allegories. The _yellow lion_ was the alchemical symbol of yellow sulphides, the _red lion_ was synonymous with cinnabar, and the _green lion_ meant salts of iron and of copper. Black sulphides were called _eagles_, and sometimes _crows_. When black sulphide of mercury is strongly heated, a red sublimate is obtained, which has the same composition as the black compound; if the temperature is not kept very high, but little of the red sulphide is produced; the alchemists directed to urge the fire, "else the black crows will go back to the nest."

[Ill.u.s.tration: A salamander lives in the fire, which imparts to it a most glorious hue.

This is the reiteration, gradation, and amelioration of the Tincture, or Philosopher"s Stone; and the whole is called its Augmentation.

FIG. XV.]

The salamander was called the king of animals, because it was supposed that he lived and delighted in fire; keeping a strong fire alight under a salamander was sometimes compared to the purification of gold by heating it.

Fig. XV., reduced from _The Book of Lambspring_ represents this process.

The alchemists employed many signs, or shorthand expressions, in place of writing the names of substances. The following are a few of the signs which were used frequently.

[Symbol: Saturn] Saturn, also lead; [Symbol: Jupiter] Jupiter, also tin; [Symbol: Mars-1] and [Symbol: Mars-2] Mars, also iron; [Symbol: Sun] Sol, also gold; [Symbol: Venus] Venus, also copper; [Symbol: Mercury-1], [Symbol: Mercury-2] and [Symbol: Mercury-3] Mercury; [Symbol: Moon] Luna, also silver; [Symbol: Sulphur] Sulphur; [Symbol: Vitriol] Vitriol; [Symbol: Fire] fire; [Symbol: Air] air; [Symbol: Water] and [Symbol: Aquarius] water; [Symbol: Earth] earth; [Symbol: Aqua Fortis] aqua fortis; [Symbol: Aqua Regis] aqua regis; [Symbol: Aqua Vitae] aqua vitae; [Symbol: Day] day; [Symbol: Night] night; [Symbol: Amalgam] Amalgam; [Symbol: Alembic] Alembic.

CHAPTER VIII.

THE DEGENERACY OF ALCHEMY.

I have tried to show that alchemy aimed at giving experimental proof of a certain theory of the whole system of nature, including humanity.

The practical culmination of the alchemical quest presented a threefold aspect; the alchemists sought the stone of wisdom, for by gaining that they gained the control of wealth; they sought the universal panacea, for that would give them the power of enjoying wealth and life; they sought the soul of the world, for thereby they could hold communion with spiritual existences, and enjoy the fruition of spiritual life.

The object of their search was to satisfy their material needs, their intellectual capacities, and their spiritual yearnings. The alchemists of the n.o.bler sort always made the first of these objects subsidiary to the other two; they gave as their reason for desiring to make gold, the hope that gold might become so common that it would cease to be sought after by mankind. The author of _An Open Substance_ says: "Would to G.o.d ... all men might become adepts in our art, for then gold, the common idol of mankind, would lose its value, and we should prize it only for its scientific teaching."

But the desire to make gold must always have been a very powerful incentive in determining men to attempt the laborious discipline of alchemy; and with them, as with all men, the love of money was the root of much evil. When a man became a student of alchemy merely for the purpose of making gold, and failed to make it--as he always did--it was very easy for him to pretend he had succeeded in order that he might really make gold by cheating other people. Such a man rapidly degenerated into a charlatan; he used the language of alchemy to cover his frauds, and with the hope of deluding his dupes by high-sounding phrases. And, it must be admitted, alchemy lent itself admirably to imposture. It promised unlimited wealth; it encouraged the wildest dreams of the seeker after pleasure; and over these dreams it cast the glamour of great ideas, the idea of the unity of nature, and the idea of communion with other spheres of life, of calling in the help of "inheritors of unfulfilled renown," and so it seemed to touch to fine issues the sordidness of unblushing avarice.

Moreover, the working with strange ingredients and odd-fashioned instruments, and the employment of mouth-filling phrases, and sc.r.a.ps of occult learning which seemed to imply unutterable things, gave just that pleasing dash of would-be wickedness to the process of consulting the alchemist which acts as a fascination to many people. The earnest person felt that by using the skill and knowledge of the alchemists, for what he deemed a good purpose, he was compelling the powers of evil to work for him and his objects.

It was impossible that such a system as alchemy should appear to the plain man of the middle ages, when the whole scheme of life and the universe rested on a magical basis, to be more than a kind of magic which hovered between the black magic of the Sorcerer and the white magic of the Church. Nor is it to be wondered at that a system which lends itself to imposture so easily as alchemy did, should be thought of by the plain man of modern times as having been nothing but a machinery of fraud.

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