Attention had been attracted to Mull. Some one picked up the gun. The sallow-faced man rose, holding out his hand for it. Hough did not even turn around.
"I was goin" to hold him up," said Mull. He glared fiercely at Neale, wrenched his hand free, and with his comrades disappeared in the crowd.
The gambler rose and shook down his sleeves. The action convinced Neale that he had held a little gun in each hand. "I saw him draw," he said.
"You saved his life!... Nevertheless, I appreciate your action. My name is Place Hough. Will you drink with me?"
"Sure.... My name is Neale."
They approached the bar and drank together.
"A railroad man, I take it?" asked Hough.
"I was. I"m foot-loose now."
A fleeting smile crossed the gambler"s face. "Benton is bad enough, without you being foot-loose."
"All these camps are tough," replied Neale.
"I was in North Platte, Kearney, Cheyenne, and Medicine Bow during their rise," said Hough. "They were tough. But they were not Benton. And the next camp west, which will be the last--it will be Roaring h.e.l.l. What will be its name?"
"Why is Benton worse?" inquired Neale.
"The big work is well under way now, with a tremendous push from behind.
There are three men for every man"s work. That lays off two men each day. Drunk or dead. The place is wild--far off. There"s gold--hundreds of thousands of dollars in gold dumped off the trains. Benton has had one payday. That day was the sight of my life!... Then... there are women."
"I saw a few in the dance-hall," replied Neale.
"Then you haven"t looked in at Stanton"s?"
"Who"s he?"
"Stanton is not a man," replied Hough.
Neale glanced inquiringly over his gla.s.s.
"Beauty Stanton, they call her," went on Hough. "I saw her in New Orleans years ago when she was a very young woman--notorious then. She had the beauty and she led the life... did Beauty Stanton."
Neale made no comment, and Hough, turning to pay for the drinks, was accosted by several men. They wanted to play poker.
"Gentlemen, I hate to take your money," he said. "But I never refuse to sit in a game. Neale, will you join us?"
They found a table just vacated. Neale took two of the three strangers to be prosperous merchants or ranchers from the Missouri country. The third was a gambler by profession. Neale found himself in unusually sharp company. He did not have a great deal of money. So in order to keep clear-headed he did not drink. And he began to win, not by reason of excellent judgment, but because he was lucky. He had good cards all the time, and part of the time very strong ones. It struck him presently that these remarkable hands came during Hough"s deal, and he wondered if the gambler was deliberately manipulating the cards to his advantage. At any rate, he won hundreds of dollars.
"Mr. Neale, do you always hold such cards?" asked one of the men.
"Why, sure," replied Neale. He could not help being excited and elated.
"Well, he can"t be beat," said the other.
"Lucky at cards, unlucky in love," remarked the third of the trio. "I pa.s.s."
Hough was looking straight at Neale when this last remark was made.
And Neale suddenly lost his smile, his flush. The gambler dropped his glance.
"Play the game and don"t get personal in your remarks," he said. "This is poker."
Neale continued to win, but his excitement did not return, nor his elation. A random word from a strange man had power to sting him.
Unlucky in love! Alas! What was luck, gold--anything to him any more!
By the time the game was ended Neale felt a friendly interest in Hough that was difficult to define or explain; and the conviction gained upon him that the gambler had deliberately dealt him those remarkable cards.
"Let"s see," said Hough, consulting his watch. "Twelve o"clock!
Stanton"s will be humming. We"ll go in."
Neale did not want to show his reluctance, yet he did hot know just what to say. After all, he was drifting. So he went.
It seemed that all the visitors who had been in the gambling-hall had gravitated to this other dance-hall. The entrance appeared to be through a hotel. At least Neale saw the hotel sign. The building was not made of canvas, but painted wood in sections, like the scenes of a stage. Men were coming and going; the hum of music and gaiety came from the rear; there were rugs, pictures, chairs; this place, whatever its nature, made pretensions. Neale did not see any bar.
They entered a big room full of people, apparently doing nothing. From the opposite side, where the dance-hall opened, came a hum that seemed at once music and discordance, gaiety and wildness, with a strange, carrying undertone raw and violent.
Hough led Neale across the room to where he could look into the dance-hall.
Neale saw a mad, colorful flash and whirl of dancers.
Hough whispered in Neale"s ear: "Stanton throws the drunks out of here."
No, it appeared the dancers were not drunk with liquor. But there was evidence of other drunkenness than that of the bottle. The floor was crowded. Looking at the ma.s.s, Neale could only see whirling, heated faces, white, clinging arms, forms swaying round and round, a wild rhythm without grace, a dance in which music played no real part, where men and women were lost. Neale had never seen a sight like that. He was stunned. There were no souls here. Only beasts of men, and women for whom there was no name. If death stalked in that camp, as Hough had intimated, and h.e.l.l was there, then the two could not meet too soon.
If the ma.s.s and the spirit and the sense of the scene dismayed Neale, the living beings, the creatures, the women--for the men were beyond him--confounded him with pity, consternation, and stinging regret. He had loved two women--his mother and Allie--so well that he ought to love all women because they were of the same s.e.x. Yet how impossible! Had these creatures any s.e.x? Yet they were--at least many were--young, gay, pretty, wild, full of life. They had swift suppleness, smiles, flashing eyes, a look at once intent and yet vacant. But few onlookers would have noticed that. The eyes for which the dance was meant saw the mad whirl, the bare flesh, the brazen glances, the close embrace.
The music ended, the dancers stopped, the shuffling ceased. There were no seats unoccupied, so the dancers walked around or formed in groups.
"Well, I see Ruby has spotted you," observed Hough.
Neale did not gather exactly what the gambler meant, yet he a.s.sociated the remark with a girl dressed in red who had paused at the door with others and looked directly at Neale. At that moment some one engaged Hough"s attention.
The girl would have been striking in any company. Neale thought her neither beautiful nor pretty, but he kept on looking. Her arms were bare, her dress cut very low. Her face offered vivid contrast to the carmine on her lips. It was a round, soft face, with narrow eyes, dark, seductive, bold. She tilted her head to one side and suddenly smiled at Neale. It startled him. It was a smile with the shock of a bullet. It held Neale, so that when she crossed to him he could not move. He felt rather than saw Hough return to his side. The girl took hold of the lapels of Neale"s coat. She looked up. Her eyes were dark, with what seemed red shadows deep in them. She had white teeth. The carmined lips curled in a smile--a smile, impossible to believe, of youth and sweetness, that disclosed a dimple in her cheek. She was pretty. She was holding him, pulling him a little toward her.
"I like you!" she exclaimed.
The suddenness of the incident, the impossibility of what was happening, made Neale dumb. He felt her, saw her as he were in a dream. Her face possessed a peculiar fascination. The sleepy, seductive eyes; the provoking half-smile, teasing, alluring; the red lips, full and young through the carmine paint; all of her seemed to breathe a different kind of a power than he had ever before experienced--unspiritual, elemental, strong as some heady wine. She represented youth, health, beauty, terribly linked with evil wisdom, and a corrupt and irresistible power, possessing a base and mysterious affinity for man.
The breath and the charm and the pestilence of her pa.s.sed over Neale like fire.
"Sweetheart, will you dance with me?" she asked, with her head tilted to one side and her half-open veiled eyes on his.
"No," replied Neale. He put her from him, gently but coldly.
She showed slow surprise. "Why not? Can"t you dance? You don"t look like a gawk."