p. 357, l. 29 _Fal. Wert_. I have followed the arrangement of 4to 1671 throughout in this scene, which 1724 prints as prose.
p. 358, l. 7 _Tiffany_. 4to 1690 and 1724 "Taffety."
p. 358, l. 22 _Philander"s Apartments_. I have supplied this locale.
p. 359, l. 29 _Within_. I have added this stage direction.
p. 360, l. 27--_G.o.ds_--. I follow 4tos. 1724 prints these two lines as prose.
p. 361, l. 36 _the World_. 1724 "that World".
p. 362, l. 6 _smiling to the Princess_. 1724 reads "Er. who comes out smiling."
p. 363, l. 18 _Galatea"s Apartments_. I have supplied the locale.
p. 365, l. 8 _"twas_. 4to 1690 and 1724 "twere".
p. 365, l. 12 _The Bedchamber_. I have supplied this locale.
p. 365, l. 14 _so_. 4to 1671 "now".
p. 365, l. 20 _Weeps_. 4to 1671 only has "Weeps." 4to 1690 and 1724 give the stage direction in full.
p. 365, l. 31 _Influence_. 4to 1671 "Influences" to the ruin of the metre.
p. 366, l. 6 _as touch her_. 4to 1690, 1724 "to touch her".
p. 368, l. 8 _Princes_. 4tos 1671, 1690 read "Princess".
p. 368, l. 14 _who goes_. 4tos 1671, 1690 "and goes".
p. 368, l. 32 _Do_. 4to 1671 "So".
p. 369, l. 28 _what_. 4to 1671 "which".
p. 371, l. 8 _The King"s Chamber_. I have supplied this locale and that of the following Scene (IV).
p. 374, l. 28 _A Pa.s.s or two_. Only in 4to 1671.
p. 375, l. 25 _Alcip. Might I_. Only 4to 1671 gives this speech to Alcippus. All other editions erroneously continue it as part of Galatea"s speech.
p. 375, l. 32 _My Love_. 4to 1671 wrongly "Thy love".
p. 377, l. 13 _Ease_. 4to 1671 "easie".
p. 381, l. 8 _Exeunt_. I have supplied this stage direction.
THE EMPEROR OF THE MOON.
p. 390, l. 1 _To The Lord Marquess_. The dedication only occurs in 4tos 1687, 1688.
p. 391, l. 6 _Billet Doux_. 4tos read "Billet Deux"--The same form is found in the _Prologue_ l. 8; but as no other instance of "Billet Deux"
occurs I have corrected what is doubtless a misprint.
p. 394, l. 28 _Adznigs_. 1724, "Adzigs".
p. 395 _Dramatis Personae_. I have added "Page; _Florinda_, Cousin to _Elaria_ and _Bellemante_."
p. 398, l. 4 _otherwise_. 1724 "otherways".
p. 399, l. 30 _Rosycrusian_. 4 to 1687 "Rosacrucian."
p. 400, l. 16 _Ma tres chere_. 4 to 1687 "Matres chear." 4to 1688 "Marrois chare."
p,400, l. 27 _tout autour_. 4to 1687 "tout au toore." 4to 1688 "tout au tour."
p.400, l. 30 _sighing_. 1724 misprints "fighting".
p.400, l. 9 _Cheveux blonds_. 4tos "Chevave Blond".
p. 403, l. 30 _Sylphs_. 4to 1687 "Silfs."
p. 409, l. 13 _Scene III_. All the former editions have Scene II.
p. 412, l. 21 _Enter Doctor_. Both 4tos and 1724 omit to mark this entrance which I have supplied.
p.413, l. 18 _Draws_. 1724 omits.
p.417, l. 19 _The End of the First Act_. Only in 4tos 1687, 1688.
p. 417, l. 21 _A Chamber_. I have added the locale.
p. 418, l. 26 _the Street_. 1724 "a Street."
p. 418, l. 27 _a Flambeaux_. This is the reading of both 4tos. 1724 "a Flambeau". As Sir T. Herbert, Travels (1638), has a plural "Flambeauxes"
I have retained "Flambeaux" as a singular here, though no other instance can be cited.
p. 420, l. 6 _Scene III_. I have numbered this scene.
p. 420, l. 9 _Florinda_. I have inserted this name here and as speech-prefix instead of "Lady". It is supplied by Act ii, II, and again in this scene.
p. 422, l. 2 _Harpsicals_. 1724 "Harpsicords".
p. 422, l. 15 _Within_. I have supplied this stage direction.