"The first time I was introduced to him was at a party at his mother"s, when he was so shy that she was forced to send for him three times before she could persuade him to come into the drawing-room, to play with the young people at a round game. He was then a fat, bashful boy, with his hair combed straight over his forehead, and extremely like a miniature picture that his mother had painted by M. de Chambruland. The next morning Mrs. Byron brought him to call at our house, when he still continued shy and formal in his manner. The conversation turned upon Cheltenham, where we had been staying, the amus.e.m.e.nts there, the plays, etc.; and I mentioned that I had seen the character of Gabriel Lackbrain very well performed. His mother getting up to go, he accompanied her, making a formal bow, and I, in allusion to the play, said, "Good-by, Gaby." His countenance lighted up, his handsome mouth displayed a broad grin, all his shyness vanished, never to return, and, upon his mother"s saying, "Come, Byron, are you ready?"--no, she might go by herself, he would stay and talk a little longer; and from that moment he used to come in and go out at all hours, as it pleased him, and in our house considered himself perfectly at home."
The character of "Gabriel Lackbrain," mentioned above, occurs in "Life", a comedy by F. Reynolds. It was at Byron"s suggestion that Moore, when preparing the "Life", applied to Miss Pigot for letters. On January 22, 1828, he was taken to call on her and her mother by the Rev. John Becher.
"Their reception of me most cordial and flattering; made me sit in the chair which Byron used to sit in, and remarked, as a singularity, that this was the poor fellow"s birthday; he would to-day have been forty.
On parting with Mrs. Pigot, a fine, intelligent old lady, who has been bedridden for years, she kissed my hand most affectionately, and said that, much as she had always admired me as a poet, it was as the friend of Byron she valued and loved me ... Her affection, indeed, to his memory is unbounded, and she seems unwilling to allow that he had a single fault ... Miss Pigot in the evening, with his letters, which interested me exceedingly; some written when he was quite a boy, and the bad spelling and scrambling handwriting delightful; spelling, indeed, was a very late accomplishment with him"
("Diary of Thomas Moore", vol. v. p. 249). (See "To Eliza," "Poems", vol. i. pp.47-49; see also the lines "To M. S. G.," "Poems", vol. i. pp.
79, 80; see for the lines which Byron wrote in her copy of Burns, "Poems", vol. i. pp. 233, 234.)
Miss Pigot died at Southwell in 1866, her brother John (see letter of August 9, 1806, p. 100, note 3) in 1871. Her brother Henry, whom Byron used to call his grandson, died October 28, 1830, a captain in the 23rd Native Infantry in the service of the East India Company.
The following undated note (1810) from Mrs. Pigot to Mrs. Byron ill.u.s.trates the enthusiastic interest with which the Pigots followed Byron"s career:--
"Indeed, my dear Mrs. Byron, you have given me a very "great treat" in sending me "English Bards" to look at; you know how very highly I thought of the "first" edition, and this is certainly much improved; indeed, I do not think anybody but Lord Byron could (in these our days) have produced such a work, for it has all the fire of ancient genius. I have always been accustomed to tell you my thoughts most sincerely, and I cannot say that I like that addition to the part where "Bowles" is mentioned; it wants that "brilliant spirit" which almost invariably accompanies Lord B."s writings. Maurice, too, and his granite weight of leaves, is in truth a heavy comparison. But I turn with pleasure from these specks in the sun to notice "Vice and folly, Greville and Argyle;" it is "most admirable": the "same pen"
may "equal", but I think it is not in the power of human abilities to "exceed" it. As to Lord Carlisle, I think he well deserves the Note Lord B. has put in; I am "very much" pleased with it, and the little word "Amen" at the end, gives a point "indescribably good". The whole of the conclusion is excellent, and the Postscript I think must entertain everybody except "Jeffrey". I hope the poor Bear is well; I wish you could make him understand that he is "immortalized", for, if "four-leg"d Bears" have any vanity, it would certainly delight him.
Walter Scott, too (I really do not mean to call him a Bear), will be highly gratified: the compliment to him is very elegant: in short, I look upon it as a most "highly finished" work, and Lord Byron has certainly taken the Palm from "all our" Poets.... A good account of yourself I a.s.sure you will always give the most sincere pleasure to my dear Mrs. Byron"s very affectionate friend, Margt. Pigot. Elizabeth begs her compts."]
[Footnote 2: Henry Pigot. (See p. 33, note 1.)]
[Footnote 3: Miss Julia Leacroft, daughter of a neighbour, Mr. John Leacroft. (See lines "To Lesbia," "Poems", vol. i. pp. 41-43.) The private theatricals in September, 1806 (see p. 117 [Letter 81], [Foot]note 3 [4]), were held at Mr. Leacroft"s house. Later, Captain Leacroft expostulated with Byron on his attentions to his sister, and, according to Moore, threatened to call him out. Byron was ready to meet him; but afterwards, on consulting Becher, resolved never to go near the house again.--"Prose and Verse of Thomas Moore", edited by Richard Herne Shepherd (London, 1878), p. 420. (But see Letters 62, 63, 64.) ]
[Footnote 4: By Dibdin, set to music by Shield. (See Moore"s "Life", p.
33.) Byron"s love for simple ballad music lasted throughout his life. As a boy at Harrow, he was famous for the vigour with which he sang "This Bottle"s the Sun of our Table" at Mother Barnard"s. He liked the Welsh air "Mary Anne," sung by Miss Chaworth; the songs in "The Duenna"; "When Time who steals our Years away," which he sang with Miss Pigot; or "Robin Adair," in which he was accompanied by Miss Hanson on her harp.
"It is very odd," he said to Miss Pigot, "I sing much better to your playing than to any one else"s."
"That is," she answered, "because I play to your singing."
Moore ("Journal and Correspondence", vol. v. pp. 295, 296), speaking of "Byron"s chanting method of repeating poetry," says that "it is the men who have the worst ears for music that "sing" out poetry in this manner, having no nice perception of the difference there ought to be between animated reading and "chant"." Rogers ("Table-Talk, etc.", pp. 224, 225) expresses the same opinion, when he says, "I can discover from a poet"s versification whether or not he has an ear for music. To instance poets of the present day:--from Bowles"s and Moore"s, I should know that they had fine ears for music; from Southey"s, Wordsworth"s, and Byron"s, that they had no ears for it."]
13.-To the Hon. Augusta Byron.
[Castle Howard, Malton, Yorkshire.]
Harrow-on-the-Hill, October 25th, 1804.
My dear Augusta,--In compliance with your wishes, as well as grat.i.tude for your affectionate letter, I proceed as soon as possible to answer it; I am glad to hear that _any body_ gives a good account of me; but from the quarter you mention, I should imagine it was exaggerated.
That you are unhappy, my dear Sister, makes me so also; were it in my power to relieve your sorrows you would soon recover your spirits; as it is, I sympathize better than you yourself expect. But really, after all (pardon me my dear Sister), I feel a little inclined to laugh at you, for love, in my humble opinion, is utter nonsense, a mere jargon of compliments, romance, and deceit; now, for my part, had I fifty mistresses, I should in the course of a fortnight, forget them all, and, if by any chance I ever recollected one, should laugh at it as a dream, and bless my stars, for delivering me from the hands of the little mischievous Blind G.o.d. Can"t you drive this Cousin [1] of ours out of your pretty little head (for as to _hearts_ I think they are out of the question), or if you are so far gone, why don"t you give old L"Harpagon [2] (I mean the General) the slip, and take a trip to Scotland, you are now pretty near the Borders. Be sure to Remember me to my formal Guardy Lord Carlisle, [3] whose magisterial presence I have not been into for some years, nor have I any ambition to attain so great an honour. As to your favourite Lady Gertrude, I don"t remember her; pray, is she handsome? I dare say she is, for although they are a _disagreeable, formal, stiff_ Generation, yet they have by no means plain _persons_, I remember Lady Cawdor was a sweet, pretty woman; pray, does your sentimental Gertrude resemble her? I have heard that the d.u.c.h.ess of Rutland was handsome also, but we will say nothing about her temper, as I hate Scandal.
Adieu, my pretty Sister, forgive my levity, write soon, and G.o.d bless you.
I remain, your very affectionate Brother,
BYRON.
P.S.--I left my mother at Southwell, some time since, in a monstrous pet with you for not writing. I am sorry to say the old lady and myself don"t agree like lambs in a meadow, but I believe it is all my own fault, I am rather too fidgety, which my precise mama objects to, we differ, then argue, and to my shame be it spoken fall out a _little_, however after a storm comes a calm; what"s become of our aunt the amiable antiquated Sophia? [4] is she yet in the land of the living, or does she sing psalms with the _Blessed_ in the other world.
Adieu. I am happy enough and Comfortable here. My friends are not numerous, but select; among them I rank as the princ.i.p.al Lord Delawarr, [5] who is very amiable and my particular friend; do you know the family at all? Lady Delawarr is frequently in town, perhaps you may have seen her; if she resembles her son she is the most amiable woman in Europe. I have plenty of acquaintances, but I reckon them as mere Blanks. Adieu, my dear Augusta.
[Footnote 1: Colonel George Leigh.]
[Footnote 2: General Leigh, father of the colonel. Both Harpagon and Cleante ("L"Avare") wish to marry Mariane; but the miser prefers his casket to the lady, who therefore marries Cleante. ]
[Footnote 3: Frederick Howard, fifth Earl of Carlisle (1748-1825), was, on his mother"s side, connected with the Byron family. The Hon. Isabella Byron (1721-1795), daughter of the fourth Lord Byron, married, in 1742, Henry, fourth Earl of Carlisle. She subsequently, after the death of Lord Carlisle (1758), married, as her second husband, Sir William Musgrave. She was a woman of considerable ability, and apparently, in later life, of eccentric habits--a "recluse in pride and rags." She was the reputed writer of some published poetry, and of "Maxims addressed to Young Ladies". Some of these maxims might have been of use to her grand-nephew: "Habituate yourself to that way of life most agreeable to the person to whom you are united; be content in retirement, or with society, in town, or country." Her "Answer" to Mrs. Greville"s ode on "Indifference" has more of the neck-or-nothing temper of the Byrons:--
"Is that your wish, to lose all sense In dull lethargic ease, And wrapt in cold indifference, But half be pleased or please?
It never shall be my desire To bear a heart unmov"d, To feel by halves the gen"rous fire, Or be but half belov"d.
Let me drink deep the dang"rous cup, In hopes the prize to gain, Nor tamely give the pleasure up For fear to share the pain.
Give me, whatever I possess, To know and feel it all; When youth and love no more can bless, Let death obey my call."
Lady Carlisle"s son, Frederick, who was educated at Eton and Cambridge, succeeded his father as fifth Earl of Carlisle, in 1758, when he was ten years old. After leaving Cambridge, he started on a continental tour with two Eton friends--Lord FitzWilliam and Charles James Fox. A lively letter-writer, his correspondence with his friend George Selwyn, while in Italy, shows him to have been a young man of wit, feeling, and taste.
It is curious to notice that, at Rome, he singles out, like his cousin in "Childe Harold" or "Manfred", as the most striking objects, the general aspect of the "marbled wilderness", the moonlight view of the amphitheatre, the Laoc.o.o.n, the Belvedere Apollo, and the group of Niobe and her daughters. One other taste he shared with Byron--he was a lover of dogs, and "Rover" was his constant companion abroad.
Lord Carlisle returned to England in 1769. Like Fox, he was a prodigious dandy. They "once travelled from Paris to Lyons for the express purpose of buying waistcoats; and during the whole journey they talked of nothing else" ("Table-Talk of Samuel Rogers", pp. 73, 74). Already well known in London society, Carlisle was a close friend of George Selwyn, a familiar figure at White"s and Brookes"s, an inveterate gambler, an adorer of Lady Sarah Bunbury, who, as Lady Sarah Lennox, had won the heart of George III. The flirtation provoked from Lord Holland an adaptation of "Lydia, dic per omnes":--
"Sally, Sally, don"t deny, But, for G.o.d"s sake, tell me why You have flirted so, to spoil That once lively youth, Carlisle?
He used to mount while it was dark; Now he lies in bed till noon, And, you not meeting in the park, Thinks that he gets up too soon," etc.
In 1770 Lord Carlisle married Lady Margaret Leveson Gower, a beautiful and charming woman. "Everybody," writes Lord Holland to George Selwyn (May 2, 1770), "says it is impossible not to admire Lady Carlisle." But matrimony did not at once steady his character. For the next few years--though in 1773 he published a volume of "Poems"--his pursuits were mainly those of a young man of fashion, and he impoverished himself at the gaming-table. From 1777 onwards, however, his life took a more serious turn. In that year he became Treasurer of the Household, and was sworn a member of the Privy Council. In 1778 he was the chief of the three commissioners sent out by Lord North to negotiate with the United States. There he declined a challenge from Lafayette, provoked by reflections on the French court and nation, which he had issued with his fellow-commissioners in their political capacity. In 1779 he was nominated Lord-Lieutenant of Yorkshire, and First Lord of Trade and Plantations. He was Lord-Lieutenant of Ireland from 1780 to 1782, and held the post of Lord Privy Seal in the Duke of Portland"s administration of 1783. Till the outbreak of the French Revolutionary wars, he was an opponent of Pitt; but after 1792 he consistently supported the Government.
Carlisle was a collector of pictures, statuary, and works of art. He was also a writer of verse, tragedies, and pamphlets; but, in literature, his admirable letters are his best claim to be remembered. One of his two tragedies, "The Father"s Revenge" (1783), was praised by Walpole, and received the guarded approval of Dr. Johnson. His published poetry consisted of an ode on the death of Gray, verses on that of Lord Nelson, "Lines for the Monument of a favourite Spaniel," an address to Sir Joshua Reynolds, and translations from Dante. The first two poems provoked Richard Tickell to write the "Wreath of Fashion" (1780). "The following lines," says Tickell, in his "Advertis.e.m.e.nt," were "occasioned by the Author"s having lately studied, with infinite attention, several fashionable productions in the "Sentimental" stile.... For example, A n.o.ble Author has lately published his works, which consist of "three"
compositions: "one" an Ode upon the death of Mr. Gray; the two others upon the death of his Lordship"s "Spaniel"."
"Here, placid "Carlisle" breathes his gentle line, Or haply, gen"rous "Hare", re-echoes thine.
Soft flows the lay: as when, with tears, He paid The last sad honours to his------Spaniel"s shade!
And lo! he grasps the badge of wit, a wand; He waves it thrice and "Storer" is at hand."
His contemporaries seem to have thought that his poetry, weak though it was, was indebted to his Eton friends, "the Hare with many friends," and Antony Storer. The latter"s name is linked with that of Carlisle in another satire, "Pandolfo Attonito":--
"Fall"n though I am, I ne"er shall mourn, Like the dark Peer on Storer"s urn,"
where a note refers to "Antony Storer, formerly Member for Morpeth ("as some persons" near Carlisle and Castle Howard "may possibly recollect"), a gentleman well known in the circles of fashion and polite literature."
Carlisle"s name occurs in many of the satires of the day on literary subjects. "The Shade of Pope" (ii. 191, 192) says--