As he was talking, the son of the man in whose house we were staying entered the room. My companion quickly rose on his four feet, and made the young man a profound bow. I asked him why he did this. He told me that on the Moon parents obey their children, and old men are compelled to show to young men the greatest respect.
"They are of opinion," said my companion, "that a strong and active young man is more capable of governing a family than a dull, infirm s.e.xagenarian. I know that on your Earth old men are supposed to be wise and prudent. But, as a matter of fact, their wisdom and prudence consists merely of a timid frame of mind and a disinclination to take any risks."
The father then entered the room, and his son said to him in an angry voice:
"Why have you not got our house ready to sail away? You know the walls of the city have gone some hours ago. Bring me at once your image!"
The man brought a great wooden image of himself, and his son whipped it furiously for a quarter of an hour.
"And now," said the young man at last, "go and hoist the sails at once!"
_III.--Marvels of the Moon_
There are two kinds of towns on the Moon: travelling towns and sedentary towns. In the travelling towns, each house is built of very light wood, and placed on a platform, beneath the four corners of which great wheels are fixed. When the time arrives for a voyage to the seaside or the forest, for a change of air, the townspeople hoist vast sails on the roofs of their dwellings, and sail away altogether towards the new site.
In the sedentary towns, on the other hand, the houses are made with great strong screws running from the cellars to the roofs, which enable them to be raised or lowered at discretion. The depth of the cellar is equal to the height of every house; in winter, the whole structure is lowered below the surface of the ground; in spring, it is lifted up again by means of the screw.
As, owing to the father"s neglect, the house in which we were staying could not set sail until the next day, my companion and I accepted an invitation to stay the night there. Our host then sent for a doctor, who prescribed what foods I should smell, and what kind of bed I should lie in.
"But I am not sick!" I said to the Man of the Sun.
"If you were," he replied, "the doctor would not have been sent for. On the Moon, doctors are not paid to cure men, but to keep them in good health. They are officers of the state, and, once a day, they call at every house, and instruct the inmates how to preserve their natural vigour."
"I wish," I. said, "you could get him to order me a dozen roasted larks instead of the mere smell of them. I should like to taste some solid food just for a change."
He spoke to the doctor, and at a sign from him, our host took a gun and led me into his garden.
"Are those the kind of birds you mean?" he said, pointing to a great swarm of larks singing high up in the sky.
I replied that they were, and he shot at them, and thirty larks tumbled over at our feet, not merely dead, but plucked, seasoned, and roasted.
"You see," said my host, "we mix with our gunpowder and shot a certain composition which cooks as well as kills."
I picked up one of the birds and ate it. In sober truth, I have never tasted on Earth anything so deliciously roasted.
When I had finished my repast, I was conducted to a little room, the floor of which was strewn with fine orange blossoms about three feet deep. The Men of the Moon always sleep on these thick, soft heaps of fragrant flowers, which are chosen for them every day by their doctors.
Four servants came and undressed me, and gently rubbed my limbs and my body, and in a few moments I was fast asleep.
Early next morning I was awakened by the Man of the Sun, who said to me:
"I know you are anxious to return to your Earth and relate the story of all the strange and wonderful things you have seen on the Moon. If you care to while away an hour or two over this book, I will prepare for your return voyage."
The book which he put into my hand was an extraordinary object. It was a kind of machine, full of delicate springs, and it looked like a new kind of clock. In order to read it, you had to use, not your eyes, but your ears. For on touching one of the springs, it began to speak like a man.
It was a history of the Sun, and I was still listening to it when my companion arrived.
"I am now ready," he said. "On what part of the Earth would you like to land?"
"In Italy," I replied. "That will save me the cost and trouble of travelling to Rome--a city I have always longed to see."
Taking me in his arms, the Man of the Sun rose swiftly up from the Moon and carried me across the intervening s.p.a.ce, and dropped me rather roughly on a hill near Rome. When I turned to expostulate with him, I found that he had disappeared.
BJoRNSTJERNE BJoRNSON
Arne
Bjornstjerne Bjornson, one of the greatest Scandinavian writers, was born at Kvikne, in the wild region of the Dovre Mountains, Norway, Dec. 8, 1832. His father was the village pastor. Six years later the family removed to Naesset, on the west coast of Norway. From the grammar school at Molde young Bjornson went to the University of Christiania, and it was then that he began to write verses and newspaper articles. At Upsala, in 1856, he understood that he had a definite call to literature, and at Copenhagen the following year he wrote his first masterpiece "Synnove Solbakken." This was followed, in 1858, by "Arne," a story which not only brought him into the front rank of contemporary writers, but also marked a new era in Norwegian literature. From that time there has been a succession of novels, short stories, and plays (Bjornson on two occasions has been the director of a theatre) from his pen. A drama, "The King," produced in 1877, had an after effect of immense political importance. It was undoubtedly an attack on the ruler of Norway and Sweden, and every Norwegian who wished his country to become an independent nation welcomed Bjornson as the leader of this new movement--with what success there is now no need to relate, since it has become a matter of history. Bjornson died April 25, 1910.
_I.--The Little Song-Maker_
It was up at Kampen that Arne was born. His mother was Margit, the only child at the little farm among the crags. When she was eighteen, she stopped too long at a dance one evening; her friends had gone off without her, so Margit thought the way home would be just as long whether she waited till the end of the dance or not.
Thus it came about that Margit remained sitting there till Nils Skraedder, the fiddler, suddenly laid aside his instrument, as was his wont when he had had more than enough to drink, left the dancers to hum their own tune, took hold of the prettiest girl he could find, and, letting his feet keep as good time to the dance as music to a song, jerked off with the heel of his boot the hat of the tallest man in the room. "Ho!" laughed he.
As Margit walked home that night, the moon was making wondrous sport over the snow. When she got to the loft where she slept, she could not help looking out at it again.
Next time there was a dance in the parish, Margit was present. She did not care much to dance that evening, but sat listening to the music. But when the playing ceased the fiddler rose and went straight across to Margit Kampen. She was scarcely aware of anything, but that she was dancing with Nils Skraedder!
Before long the weather grew warmer, and there was no more dancing that spring.
One Sunday, when the summer was getting on, Margit went to church with her mother. When they were at home again her mother threw both her arms around her. "Hide nothing from me, my child!" she cried.
Winter came again, but Margit danced no more. Nils Skraedder went on playing, drank more than formerly, and wound up each party by dancing with the prettiest girl there. It was said for certain that he could have whichever he wished of the farmers" daughters, and that Birgit, the daughter of Boen, was sick for love of him.
Just about this time a child of the cotter"s daughter at Kampen was brought to be christened. It was given the name of Arne, and its father was said to be Nils Skraedder.
The evening of that day saw Nils at a great wedding party. He would not play, but drank all he could, and was dancing the whole time. But when he asked Birgit Boen for a dance, she refused him. He turned and took hold of the first good-looking girl near. She, too, held back, and answered a request he whispered in her ear with the words: "The dance might go further than I should like."
At that Nils drew back, and danced the "Halling" alone. Then he went into the barn, laid himself down, and wept.
Margit sat at home with her little boy. She heard about Nils going from dance to dance, and it was not very long before Arne learnt that Nils Skraedder was his father, and the kind of man he was.
It was when Arne was about six years old that two Americans, visiting the place when a bridal party was going on, were so much struck by the way Nils danced the "Halling" that they proposed to take him as their servant, at whatever wages he wanted. They would call for him on their way back in about a week"s time. Nils was the hero of the evening.
The dance was resumed. Nils looked round at the girls, and went over to Birgit Boen. He held out his hand, and she put out hers. Then, turning away with a laugh, he put his arm around the girl next to her, and danced off with boisterous glee.
Birgit coloured, and a tall, quiet-looking man took her hand, and danced away. Nils noticed it, and presently danced so hard against them that both Birgit and her partner fell to the ground.
The quiet-looking man got up, went straight to Nils, took him by the arm, and knocked him down with a blow over the eyes. Nils fell heavily, tried to rise, and found that he couldn"t--his back was badly hurt.