They worked back up the highway, crossed over, and took to the hills.
Thirty minutes later they were on the streets of Barclay, reasonably safe as long as they were quick to step off the sidewalk for the occasional Invader.
The first "post office," a clothesline near their exit, told them nothing - the line was bare. They went to the bus station. Cleve studied the notices posted for inhabitants while Art went into the men"s rest room. On the wall, defaced by scrawlings of every sort, mostly vulgar, he found what he sought: "Killroy was here." The misspelling of Kilroy was the clue - exactly eighteen inches below it and six to the right was an address; "1745 Spruce - ask for Mabel."
He read it as 2856 Pine - one block beyond Spruce.
Art pa.s.sed the address to Cleve, then they set out separately, hurrying to beat the curfew but proceeding with caution - at least one of them must get through. They met in the back yard of the translated address. Art knocked on the kitchen door. It was opened a crack by a middle-aged man who did not seem glad to see them. "Well?"
"We"re looking for Mabel."
"n.o.body here by that name."
"Sorry," said Art. "We must have made a mistake." He shivered. "Chilly out," he remarked. "The nights are getting longer."
"They"ll get shorter by and by," the man answered.
"We"ve got to think so, anyhow," Art countered.
"Come in," the man said. "The patrol may see you." He opened the door and stepped aside. "My name"s Hobart. What"s your business?"
"We"re looking for a man named Benz. He may have sneaked into town this afternoon and found someplace to -
"Yes, yes," Hobart said impatiently. "He got in about an hour ago and he"s holed up with a character named Moyland." As he spoke he removed a half loaf of bread from a cupboard, cut four slices, and added cold sausage, producing two sandwiches. He did not ask if they were hungry; he simply handed them to Art and Cleve.
"Thanks, pal. So he"s holed up. Haven"t you done anything about it? He has got to be shut up at once or he"ll spill his guts."
"We"ve got a tap in on the telephone line. We had to wait for dark. You can"t expect me to sacrifice good boys just to shut his mouth unless it"s absolutely necessary."
"Well, it"s dark now, and we"ll be the boys you mentioned. You can call yours off."
"Okay." Hobart started pulling on shoes.
"No need for you to stick your neck out," Art told him. "Just tell us where this Moyland lives."
"And get your throat cut, too. I"ll take you."
"What sort of a guy is this Moyland? Is he safe?"
"You can"t prove it by me. He"s a black market broker, but that doesn"t prove anything. He"s not part of the organization but we haven"t anything against him."
Hobart took them over his back fence, across a dark side street, through a playground, where they lay for several minutes under bushes because of a false alarm, then through many more backyards, back alleys, and dark byways. The man seemed to have a nose for the enemy; there were no more alarms. At last he brought them through a cellar door into a private home.
They went upstairs and through a room where a woman was nursing a baby. She looked up, but otherwise ignored them. They ended up in a dark attic. "Hi, Jim," Hobart called out softly. "What"s new?"
The man addressed lay propped on his elbows, peering out into the night through opera gla.s.ses held to slots of a ventilating louvre. He rolled over and lowered the gla.s.ses, pushing one of a pair of earphones from his head as he did so. "h.e.l.lo, Chief. Nothing much. Benz is getting drunk, it looks like."
"I"d like to know where Moyland gets it," Hobart said. "Has he telephoned?"
"Would I be doing nothing if he had? A couple of calls came in, but they didn"t amount to anything, so I let him talk."
"How do you know they didn"t amount to anything?"
Jim shrugged, turned back to the louvre. "Moyland just pulled down the shade," he announced.
Art turned to Hobart. "We can"t wait. We"re going in."
Benz arrived at Moyland"s house in bad condition. The wound in his shoulder, caused by Carter"s grenade, was bleeding. He had pushed a handkerchief up against it as a compress, but his activity started the blood again; he was shaking for fear his condition would attract attention before he could get under cover.
Moyland answered the door. "Is that you, Zack?" Benz demanded, shrinking back as he spoke.
"Yes. Who is it?"
"It"s me - Joe Benz. Let me in, Zack - quick!"
Moyland seemed about to close the door, then suddenly opened it. "Get inside." When the door was bolted, he demanded, "Now - what"s your trouble?
Why come to me?"
"I had to go someplace, Zack. I had to get off the street. They"d pick me up."
Moyland studied him. "You"re not registered. Why not?"
Benz did not answer. Moyland waited, then went on, "You know what I can get for harboring a fugitive. You"re in the Underground - aren"t you?"
"Oh, no, Zack! I wouldn"t do that to you. I"m just a - a straggler. I gotta get registered, Zack."
"That"s blood on your coat. How?"
"Uh . . . just an accident. Maybe you could let me have clean rags and some iodine."
Moyland stared at him, his bland face expressionless, then smiled. "You"ve got no troubles we can"t fix. Sit down." He stepped to a cabinet and took out a bottle of bourbon, poured three fingers in a water gla.s.s, and handed it to Benz. "Work on that and I"ll fix you up.
He returned with some torn toweling and a bottle. "Sit here with your back to the window, and open your shirt. Have another drink. You"ll need it before I"m through."
Benz glanced nervously at the window. "Why don"t you draw the shade?"
"It would attract attention. Honest people leave their shades up these days. Hold still. This is going to hurt."
Three drinks later Benz was feeling better. Moyland seemed willing to sit and drink with him and to soothe his nerves. "You did well to come in,"
Moyland told him. "There"s no sense hiding like a scared rabbit. It"s just b.u.t.ting your head against a stone wall. Stupid."
Benz nodded. "That"s what I told them."
"Told who?"
"Huh? Oh, n.o.body. Just some guys I was talking to. Tramps."
Moyland poured him another drink. "As a matter of fact you were in the Underground."