The a.r.s.enal.
Malegant said, "Well, Magister, we found one a.s.sistant to help you."
"I thank you for that." In the center of the room, Professor Edward Johnston sat cross-legged on the floor. Two stone basins containing mixtures of powder were set to one side. He held a third basin between his knees, and with a stone mortar, he was grinding a gray powder with a steady, circular motion. Johnston did not stop when he saw Marek. He did not register surprise at all.
"h.e.l.lo, Andre," he said.
"h.e.l.lo, Professor."
Still grinding: "You all right?"
"Yes, I"m okay. Hurt my leg a little." In fact, Marek"s leg was throbbing, but the wound was clean; the river had washed it thoroughly, and he expected it to heal in a few days.
The Professor continued to grind, patiently, ceaselessly. "That"s good, Andre," he said in the same calm voice. "Where are the others?"
"I don"t know about Chris," Marek said. He was thinking of how Chris had been covered with blood. "But Kate is okay, and she is going to find the-"
"That"s fine," the Professor said quietly, his eyes flicking up to Sir Guy. Changing the subject, he nodded to the bowl. "You know what I"m doing, of course?"
"Incorporating," Marek said. "Is the stuff any good?"
"It"s not bad, all things considered. It"s willow charcoal, which is ideal. The sulfur"s fairly pure, and the nitrate"s organic."
"Guano?"
"That"s right."
"So, it"s about what you"d expect," Marek said. One of the first things Marek had studied was the technology of gunpowder, a substance that first became widely employed in Europe in the fourteenth century. Gunpowder was one of those inventions, like the mill wheel or the automobile, that could not be identified with any particular person or place. The original recipe-one part charcoal, one part sulfur, six parts saltpeter-had come from China. But the details of how it had arrived in Europe were in dispute, as were the earliest uses of gunpowder, when it was employed less as an explosive than as an incendiary. Gunpowder was originally used in weapons when firearms firearms meant "arms that make use of fire," and not the modern meaning of explosive projectile devices such as rifles and cannon. meant "arms that make use of fire," and not the modern meaning of explosive projectile devices such as rifles and cannon.
This was because the earliest gunpowders were not very explosive, because the chemistry of the powder was not understood, and because the art hadn"t been developed yet. Gunpowder exploded when charcoal and sulfur burned extremely rapidly, the combustion enabled by a rich source of oxygen-namely nitrate salts, later called saltpeter. The most common source of nitrates was bat droppings from caves. In the early years, this guano was not refined at all, simply added to the mixture.
But the great discovery of the fourteenth century was that gunpowder exploded better when it was ground extremely fine. This process was called "incorporation," and if properly done, it yielded gunpowder with the consistency of talc.u.m powder. What happened during the endless hours of grinding was that small particles of saltpeter and sulfur were forced into microscopic pores in the charcoal. That was why certain woods, like willow, were preferred; their charcoal was more porous.
Marek said, "I don"t see a sieve. Are you going to corn it?"
"No." Johnston smiled. "Corning"s not discovered yet, remember?"
Corning was the process of adding water to the gunpowder mixture, making a paste that was then dried. Corned powder was much more powerful than dry-mixed powder. Chemically, what happened was that the water partially dissolved the saltpeter, allowing it to coat the inside of the charcoal micropores, and in the process, it carried the insoluble sulfur particles inside, too. The resulting powder was not only more powerful but also more stable and long-lasting. But Johnston was right; corning was only discovered around 1400-roughly forty years from now.
"Should I take over?" Marek said. Incorporating was a lengthy process; sometimes the grinding went on for six or eight hours.
"No. I"m finished now." The Professor got to his feet, then said to Sir Guy, "Tell my Lord Oliver that we are ready for his demonstration."
"Of Greek Fire?"
"Not precisely," Johnston said.
In the late afternoon sun, Lord Oliver paced impatiently along the ma.s.sive wall of the outer perimeter. The battlement was more than fifteen feet wide here, dwarfing the row of cannon nearby. Sir Guy was with him, as well as a sullen Robert de Kere; they all looked up expectantly when they saw the Professor. "Well? Are you at last prepared, Magister?"
"My Lord, I am," the Professor said, walking with two of his bowls, one under each arm. Marek carried a third bowl, in which the fine gray powder had been mixed with a thick oil that smelled strongly of resin. Johnston had told him not to touch this mixture on any account, and he needed no reminding. It was a disagreeable, reeking goo. He also carried a bowl of sand.
"Greek Fire? Is it Greek Fire?"
"No, my Lord. Better. The fire of Athenaios of Naukratis, which is called "automatic fire.""
"Is that so?" Lord Oliver said. His eyes narrowed. "Show me."
Beyond the cannon was the broad eastern plain, where the trebuchets were being a.s.sembled in a line. They were just out of shot range, two hundred yards away. Johnston set his bowls on the ground between the first two cannon. The first cannon he loaded with a sack from the armory. He then placed a thick metal arrow with metal vanes into the cannon. "This is your powder, and your arrow."
Turning to the second cannon, he carefully poured his finely ground gunpowder into a sack, which he stuffed into the cannon mouth. Then he said, "Andre, the sand, please." Marek came forward and set the basin of sand at the Professor"s feet.
"What is that sand for?" Oliver asked.
"A precaution, my Lord, against error." Johnston picked up a second metal arrow, handling it gingerly, holding it only at each end and gently inserting it into the cannon. The tip of the arrow was grooved, the grooves filled with thick brown acrid paste.
"This is my powder, and my arrow."
The gunner handed the Professor a thin stick of wood, glowing red at one end. Johnston touched the first cannon.
There was a modest explosion: a puff of black smoke, and the arrow flew onto the field, landing a hundred yards short of the nearest trebuchet.
"Now my powder, and my arrow."
The Professor touched the second cannon.
There was a loud explosion and a blast of dense smoke. The arrow landed alongside a trebuchet, missing it by ten feet. It lay in the gra.s.s.
Oliver snorted. "Is that all? You will forgive me if I have-"
Just then, the arrow burst into a circle of fire, spitting blobs of flame in all directions. The trebuchet immediately caught fire, and men on the field ran forward, carrying the horses" water bags to put it out.
"I see ...," Lord Oliver said.
But water seemed to spread the fire, not quench it. With each new dousing, the flames leapt higher. The men stepped back, confused. In the end, they watched helplessly as the trebuchet burned before them. In a few moments, it was a ma.s.s of charred, smoking timbers.
"By G.o.d, Edward and Saint George," Oliver said.
Johnston gave a small bow, smiled.
"You have twice the range and an arrow that alights itself-how?"
"The powder is ground fine and so explodes more fiercely. The arrows are filled with oil, sulfur and quicklime, mixed with tow. Touching any water makes them catch fire-here it"s the dampness of the gra.s.s. That is why I have a basin of sand, should the slightest bit of the mixture be upon my fingers and start to burn from the moisture of my hands. It is a most delicate weapon, my Lord, and delicate to handle."
He turned to the third basin, near Marek.
"Now, my Lord," Johnston said, picking up a wooden stick, "I pray you observe what follows." He dipped the stick into the third bowl, coating the tip with the oily, foul-smelling mixture. He held the stick in the air. "As you see, there is no change. And there shall be no change for hours, or days, until ..." With the theatricality of a magician, he splashed the stick with a small cup of water.
The stick made a hissing sound, began to smoke, and then burst into flames as the Professor held it. The flame was a hot-orange color.
"Ah," Oliver said, sighing with pleasure. "I must have a quant.i.ty of this. How many men do you require to grind and make your substance?"
"My Lord, twenty will do. Fifty is better."
"You shall have fifty, or more as you will," Oliver said, rubbing his hands. "How quickly can you make it?"
"The preparation is not lengthy, my Lord," Johnston said, "but it cannot be done in haste, for it is dangerous work. And once made, the substance is a hazard within your castle, for Arnaut is certain to attack you with flaming devices."
Oliver snorted. "I care nothing for that, Magister. Make it now, and I shall put it to use this very night."
Back in the a.r.s.enal, Marek watched as Johnston arranged the soldiers in rows of ten, with a grinding bowl in front of each man. Johnston walked down the rows, pausing now and again to give instructions. The soldiers were grumbling about what they called "kitchen work," but Johnston told them that these were, in his words, the herbs of war.
It was several minutes later when the Professor came over to sit in the corner with him. Watching the soldiers work, Marek said, "Did Doniger give you that speech, about how we can"t change history?"
"Yes. Why?"
"It seems like we"re giving Oliver a lot of help to defend his castle against Arnaut. Those arrows are going to force Arnaut to push his siege engines back-too far back to be effective. No siege engines, no a.s.sault on the fortress. And Arnaut won"t play a waiting game. His men want quick scores-all the free companies do. If they can"t take a castle right away, they move on."
"Yes, that"s true...."
"But according to history, this castle falls to Arnaut."
"Yes," Johnston said. "But not because of a siege. Because a traitor lets Arnaut"s men in."
"I"ve been thinking about that, too," Marek said. "It doesn"t make sense. There are too many gates in this castle to open. How could a traitor possibly do it? I don"t think he could."
Johnston smiled. "You think we might be helping Oliver keep his castle, and so we"re changing history."
"Well. I"m just wondering."
Marek was thinking that whether or not a castle fell was actually a very significant event, in terms of the future. The history of the Hundred Years War could be seen as a series of key sieges and captures. For instance, a few years from now, brigands would capture the town of Moins, at the mouth of the Seine. In itself, a minor conquest-but it would give them control of the Seine, allowing them to capture castles all the way back to Paris itself. Then there was the matter of who lived and who died. Because more often than not, when a castle fell, its inhabitants were ma.s.sacred. There were several hundred people inside La Roque. If they all survived, their thousands of descendants could easily make a different future.
"We may never know," Johnston said. "How many hours have we got left?"
Marek looked at his bracelet. The counter said 05:50:29. He bit his lip. He had forgotten that the clock was ticking. When he had last looked, there were almost nine hours; there had seemed to be plenty of time. Six hours didn"t sound quite so good.
"Not quite six hours," Marek said.
"And Kate has the marker?"
"Yes."
"And where is she?"
"She went to find the pa.s.sage." Marek was thinking that it was now late afternoon; if she found the pa.s.sage, she could easily make her way inside the castle in two or three hours.
"Where did she go to find the pa.s.sage?"
"The green chapel."
Johnston sighed. "Is that where Marcel"s key said that it was?"
"Yes."
"And she went alone?"
"Yes."
Johnston shook his head. "No one goes there."
"Why?"
"Supposedly, the green chapel is guarded by an insane knight. They say his true love died there and that he lost his mind with grief. He"s imprisoned his wife"s sister in a nearby castle, and now he kills anybody who comes near the castle, or the chapel."
"Do you think all that"s true?" Marek said.
Johnston shrugged. "No one knows," he said. "Because no one has ever come back alive."
05:19:55.
Her eyes squeezed tightly shut, Kate waited for the ax to fall. The knight above her was snorting and grunting, his breath coming faster, more and more excited before he delivered the killing blow- Then he was silent.
She felt the foot in the middle of her back twist.
He was looking around.
The ax thunked down on the block, inches from her face. But he was resting it, leaning on it while he looked at something behind him. He started grunting again, and now he sounded angry.
Kate tried to see what he was looking at, but the flat blade of the ax blocked her view.
She heard footsteps behind her.
There was someone else here.
The ax was raised again, but now the foot came off her back. Hastily, she rolled off the block and turned to see Chris standing a few yards away, holding the sword that she had dropped.
"Chris!"
Chris smiled through clenched teeth. She could see he was terrified. He kept his eyes on the green knight. With a growl, the knight spun, his ax hissing as he swung it. Chris held up his sword to parry. Sparks flew from clanging metal. The men circled each other. The knight swung again, and Chris ducked, stumbled backward, and got hastily to his feet again as the ax thunked into the gra.s.s. Kate fumbled in her pouch and found the gas cylinder. This foreign object from another time seemed absurdly small and light now, but it was all they had.
"Chris!"