Children"s Rights and Parents" Wrongs
A very distinguished man once a.s.sured a mother of my acquaintance that she would never know what it meant to be hurt until she was hurt through her children. Children are extremely cruel without intending it; and in ninety-nine cases out of a hundred the reason is that they do not conceive their elders as having any human feelings. Serve the elders right, perhaps, for posing as superhuman! The penalty of the impostor is not that he is found out (he very seldom is) but that he is taken for what he pretends to be, and treated as such. And to be treated as anything but what you really are may seem pleasant to the imagination when the treatment is above your merits; but in actual experience it is often quite the reverse. When I was a very small boy, my romantic imagination, stimulated by early doses of fiction, led me to brag to a still smaller boy so outrageously that he, being a simple soul, really believed me to be an invincible hero. I cannot remember whether this pleased me much; but I do remember very distinctly that one day this admirer of mine, who had a pet goat, found the animal in the hands of a larger boy than either of us, who mocked him and refused to restore the animal to his rightful owner. Whereupon, naturally, he came weeping to me, and demanded that I should rescue the goat and annihilate the aggressor. My terror was beyond description: fortunately for me, it imparted such a ghastliness to my voice and aspect as I under the eye of my poor little dupe, advanced on the enemy with that hideous extremity of cowardice which is called the courage of despair, and said "You let go that goat," that he abandoned his prey and fled, to my unforgettable, unspeakable relief. I have never since exaggerated my prowess in bodily combat.
Now what happened to me in the adventure of the goat happens very often to parents, and would happen to schoolmasters if the prison door of the school did not shut out the trials of life. I remember once, at school, the resident head master was brought down to earth by the sudden illness of his wife. In the confusion that ensued it became necessary to leave one of the schoolrooms without a master. I was in the cla.s.s that occupied that schoolroom. To have sent us home would have been to break the fundamental bargain with our parents by which the school was bound to keep us out of their way for half the day at all hazards. Therefore an appeal had to be made to our better feelings: that is, to our common humanity, not to make a noise. But the head master had never admitted any common humanity with us. We had been carefully broken in to regard him as a being quite aloof from and above us: one not subject to error or suffering or death or illness or mortality. Consequently sympathy was impossible; and if the unfortunate lady did not perish, it was because, as I now comfort myself with guessing, she was too much pre-occupied with her own pains, and possibly making too much noise herself, to be conscious of the pandemonium downstairs.
A great deal of the fiendishness of schoolboys and the cruelty of children to their elders is produced just in this way. Elders cannot be superhuman beings and suffering fellow-creatures at the same time. If you pose as a little G.o.d, you must pose for better for worse.
How Little We Know About Our Parents
The relation between parent and child has cruel moments for the parent even when money is no object, and the material worries are delegated to servants and school teachers. The child and the parent are strangers to one another necessarily, because their ages must differ widely. Read Goethe"s autobiography; and note that though he was happy in his parents and had exceptional powers of observation, divination, and story-telling, he knew less about his father and mother than about most of the other people he mentions. I myself was never on bad terms with my mother: we lived together until I was forty-two years old, absolutely without the smallest friction of any kind; yet when her death set me thinking curiously about our relations, I realized that I knew very little about her. Introduce me to a strange woman who was a child when I was a child, a girl when I was a boy, an adolescent when I was an adolescent; and if we take naturally to one another I will know more of her and she of me at the end of forty days (I had almost said of forty minutes) than I knew of my mother at the end of forty years. A contemporary stranger is a novelty and an enigma, also a possibility; but a mother is like a broomstick or like the sun in the heavens, it does not matter which as far as one"s knowledge of her is concerned: the broomstick is there and the sun is there; and whether the child is beaten by it or warmed and enlightened by it, it accepts it as a fact in nature, and does not conceive it as having had youth, pa.s.sions, and weaknesses, or as still growing, yearning, suffering, and learning. If I meet a widow I may ask her all about her marriage; but what son ever dreams of asking his mother about her marriage, or could endure to hear of it without violently breaking off the old sacred relationship between them, and ceasing to be her child or anything more to her than the first man in the street might be?
Yet though in this sense the child cannot realize its parent"s humanity, the parent can realize the child"s; for the parents with their experience of life have none of the illusions about the child that the child has about the parents; and the consequence is that the child can hurt its parents" feelings much more than its parents can hurt the child"s, because the child, even when there has been none of the deliberate hypocrisy by which children are taken advantage of by their elders, cannot conceive the parent as a fellow-creature, whilst the parents know very well that the children are only themselves over again.
The child cannot conceive that its blame or contempt or want of interest could possibly hurt its parent, and therefore expresses them all with an indifference which has given rise to the term _enfant terrible_ (a tragic term in spite of the jests connected with it); whilst the parent can suffer from such slights and reproaches more from a child than from anyone else, even when the child is not beloved, because the child is so unmistakably sincere in them.
Our Abandoned Mothers
Take a very common instance of this agonizing incompatibility. A widow brings up her son to manhood. He meets a strange woman, and goes off with and marries her, leaving his mother desolate. It does not occur to him that this is at all hard on her: he does it as a matter of course, and actually expects his mother to receive, on terms of special affection, the woman for whom she has been abandoned. If he shewed any sense of what he was doing, any remorse; if he mingled his tears with hers and asked her not to think too hardly of him because he had obeyed the inevitable destiny of a man to leave his father and mother and cleave to his wife, she could give him her blessing and accept her bereavement with dignity and without reproach. But the man never dreams of such considerations. To him his mother"s feeling in the matter, when she betrays it, is unreasonable, ridiculous, and even odious, as shewing a prejudice against his adorable bride.
I have taken the widow as an extreme and obvious case; but there are many husbands and wives who are tired of their consorts, or disappointed in them, or estranged from them by infidelities; and these parents, in losing a son or a daughter through marriage, may be losing everything they care for. No parent"s love is as innocent as the love of a child: the exclusion of all conscious s.e.xual feeling from it does not exclude the bitterness, jealousy, and despair at loss which characterize s.e.xual pa.s.sion: in fact, what is called a pure love may easily be more selfish and jealous than a carnal one. Anyhow, it is plain matter of fact that naively selfish people sometimes try with fierce jealousy to prevent their children marrying.
Family Affection
Until the family as we know it ceases to exist, n.o.body will dare to a.n.a.lyze parental affection as distinguished from that general human sympathy which has secured to many an orphan fonder care in a stranger"s house than it would have received from its actual parents. Not even Tolstoy, in The Kreutzer Sonata, has said all that we suspect about it.
When it persists beyond the period at which it ceases to be necessary to the child"s welfare, it is apt to be morbid; and we are probably wrong to inculcate its deliberate cultivation. The natural course is for the parents and children to cast off the specific parental and filial relation when they are no longer necessary to one another. The child does this readily enough to form fresh ties, closer and more fascinating. Parents are not always excluded from such compensations: it happens sometimes that when the children go out at the door the lover comes in at the window. Indeed it happens now oftener than it used to, because people remain much longer in the s.e.xual arena. The cultivated Jewess no longer cuts off her hair at her marriage. The British matron has discarded her cap and her conscientious ugliness; and a bishop"s wife at fifty has more of the air of a _femme galante_ than an actress had at thirty-five in her grandmother"s time. But as people marry later, the facts of age and time still inexorably condemn most parents to comparative solitude when their children marry. This may be a privation and may be a relief: probably in healthy circ.u.mstances it is no worse than a salutary change of habit; but even at that it is, for the moment at least, a wrench. For though parents and children sometimes dislike one another, there is an experience of succor and a habit of dependence and expectation formed in infancy which naturally attaches a child to its parent or to its nurse (a foster parent) in a quite peculiar way.
A benefit to the child may be a burden to the parent; but people become attached to their burdens sometimes more than the burdens are attached to them; and to "suffer little children" has become an affectionate impulse deep in our nature.
Now there is no such impulse to suffer our sisters and brothers, our aunts and uncles, much less our cousins. If we could choose our relatives, we might, by selecting congenial ones, mitigate the repulsive effect of the obligation to like them and to admit them to our intimacy.
But to have a person imposed on us as a brother merely because he happens to have the same parents is unbearable when, as may easily happen, he is the sort of person we should carefully avoid if he were anyone else"s brother. All Europe (except Scotland, which has clans instead of families) draws the line at second cousins. Protestantism draws it still closer by making the first cousin a marriageable stranger; and the only reason for not drawing it at sisters and brothers is that the inst.i.tution of the family compels us to spend our childhood with them, and thus imposes on us a curious relation in which familiarity destroys romantic charm, and is yet expected to create a specially warm affection. Such a relation is dangerously fact.i.tious and unnatural; and the practical moral is that the less said at home about specific family affection the better. Children, like grown-up people, get on well enough together if they are not pushed down one another"s throats; and grown-up relatives will get on together in proportion to their separation and their care not to presume on their blood relationship. We should let children"s feelings take their natural course without prompting. I have seen a child scolded and called unfeeling because it did not occur to it to make a theatrical demonstration of affectionate delight when its mother returned after an absence: a typical example of the way in which spurious family sentiment is stoked up. We are, after all, sociable animals; and if we are let alone in the matter of our affections, and well brought up otherwise, we shall not get on any the worse with particular people because they happen to be our brothers and sisters and cousins. The danger lies in a.s.suming that we shall get on any better.
The main point to grasp here is that families are not kept together at present by family feeling but by human feeling. The family cultivates sympathy and mutual help and consolation as any other form of kindly a.s.sociation cultivates them; but the addition of a dictated compulsory affection as an attribute of near kinship is not only unnecessary, but positively detrimental; and the alleged tendency of modern social development to break up the family need alarm n.o.body. We cannot break up the facts of kinship nor eradicate its natural emotional consequences.
What we can do and ought to do is to set people free to behave naturally and to change their behavior as circ.u.mstances change. To impose on a citizen of London the family duties of a Highland cateran in the eighteenth century is as absurd as to compel him to carry a claymore and target instead of an umbrella. The civilized man has no special use for cousins; and he may presently find that he has no special use for brothers and sisters. The parent seems likely to remain indispensable; but there is no reason why that natural tie should be made the excuse for unnatural aggravations of it, as crushing to the parent as they are oppressive to the child. The mother and father will not always have to shoulder the burthen of maintenance which should fall on the Atlas shoulders of the fatherland and motherland. Pending such reforms and emanc.i.p.ations, a shattering break-up of the parental home must remain one of the normal incidents of marriage. The parent is left lonely and the child is not. Woe to the old if they have no impersonal interests, no convictions, no public causes to advance, no tastes or hobbies! It is well to be a mother but not to be a mother-in-law; and if men were cut off artificially from intellectual and public interests as women are, the father-in-law would be as deplorable a figure in popular tradition as the mother-in-law.
It is not to be wondered at that some people hold that blood relationship should be kept a secret from the persons related, and that the happiest condition in this respect is that of the foundling who, if he ever meets his parents or brothers or sisters, pa.s.ses them by without knowing them. And for such a view there is this to be said: that our family system does unquestionably take the natural bond between members of the same family, which, like all natural bonds, is not too tight to be borne, and superimposes on it a painful burden of forced, inculcated, suggested, and altogether unnecessary affection and responsibility which we should do well to get rid of by making relatives as independent of one another as possible.
The Fate of the Family
The difficulty of inducing people to talk sensibly about the family is the same as that which I pointed out in a previous volume as confusing discussions of marriage. Marriage is not a single invariable inst.i.tution: it changes from civilization to civilization, from religion to religion, from civil code to civil code, from frontier to frontier.
The family is still more variable, because the number of persons const.i.tuting a family, unlike the number of persons const.i.tuting a marriage, varies from one to twenty: indeed, when a widower with a family marries a widow with a family, and the two produce a third family, even that very high number may be surpa.s.sed. And the conditions may vary between opposite extremes: for example, in a London or Paris slum every child adds to the burden of poverty and helps to starve the parents and all the other children, whereas in a settlement of pioneer colonists every child, from the moment it is big enough to lend a hand to the family industry, is an investment in which the only danger is that of temporary over-capitalization. Then there are the variations in family sentiment. Sometimes the family organization is as frankly political as the organization of an army or an industry: fathers being no more expected to be sentimental about their children than colonels about soldiers, or factory owners about their employees, though the mother may be allowed a little tenderness if her character is weak. The Roman father was a despot: the Chinese father is an object of worship: the sentimental modern western father is often a play-fellow looked to for toys and pocket-money. The farmer sees his children constantly: the squire sees them only during the holidays, and not then oftener than he can help: the tram conductor, when employed by a joint stock company, sometimes never sees them at all.
Under such circ.u.mstances phrases like The Influence of Home Life, The Family, The Domestic Hearth, and so on, are no more specific than The Mammals, or The Man In The Street; and the pious generalizations founded so glibly on them by our sentimental moralists are unworkable.
When households average twelve persons with the s.e.xes about equally represented, the results may be fairly good. When they average three the results may be very bad indeed; and to lump the two together under the general term The Family is to confuse the question hopelessly. The modern small family is much too stuffy: children "brought up at home"
in it are unfit for society. But here again circ.u.mstances differ. If the parents live in what is called a garden suburb, where there is a good deal of social intercourse, and the family, instead of keeping itself to itself, as the evil old saying is, and glowering at the neighbors over the blinds of the long street in which n.o.body knows his neighbor and everyone wishes to deceive him as to his income and social importance, is in effect broken up by school life, by out-of-door habits, and by frank neighborly intercourse through dances and concerts and theatricals and excursions and the like, families of four may turn out much less barbarous citizens than families of ten which attain the Boer ideal of being out of sight of one another"s chimney smoke.
All one can say is, roughly, that the homelier the home, and the more familiar the family, the worse for everybody concerned. The family ideal is a humbug and a nuisance: one might as reasonably talk of the barrack ideal, or the forecastle ideal, or any other subst.i.tution of the machinery of social organization for the end of it, which must always be the fullest and most capable life: in short, the most G.o.dly life. And this significant word reminds us that though the popular conception of heaven includes a Holy Family, it does not attach to that family the notion of a separate home, or a private nursery or kitchen or mother-in-law, or anything that const.i.tutes the family as we know it.
Even blood relationship is miraculously abstracted from it; and the Father is the father of all children, the mother the mother of all mothers and babies, and the Son the Son of Man and the Savior of his brothers: one whose chief utterance on the subject of the conventional family was an invitation to all of us to leave our families and follow him, and to leave the dead to bury the dead, and not debauch ourselves at that gloomy festival the family funeral, with its sequel of hideous mourning and grief which is either affected or morbid.
Family Mourning
I do not know how far this detestable custom of mourning is carried in France; but judging from the appearance of the French people I should say that a Frenchwoman goes into mourning for her cousins to the seventeenth degree. The result is that when I cross the Channel I seem to have reached a country devastated by war or pestilence. It is really suffering only from the family. Will anyone pretend that England has not the best of this striking difference? Yet it is such senseless and unnatural conventions as this that make us so impatient of what we call family feeling. Even apart from its insufferable pretensions, the family needs hearty discrediting; for there is hardly any vulnerable part of it that could not be amputated with advantage.
Art Teaching
By art teaching I hasten to say that I do not mean giving children lessons in freehand drawing and perspective. I am simply calling attention to the fact that fine art is the only teacher except torture.
I have already pointed out that n.o.body, except under threat of torture, can read a school book. The reason is that a school book is not a work of art. Similarly, you cannot listen to a lesson or a sermon unless the teacher or the preacher is an artist. You cannot read the Bible if you have no sense of literary art. The reason why the continental European is, to the Englishman or American, so surprisingly ignorant of the Bible, is that the authorized English version is a great work of literary art, and the continental versions are comparatively artless.
To read a dull book; to listen to a tedious play or prosy sermon or lecture; to stare at uninteresting pictures or ugly buildings: nothing, short of disease, is more dreadful than this. The violence done to our souls by it leaves injuries and produces subtle maladies which have never been properly studied by psycho-pathologists. Yet we are so inured to it in school, where practically all the teachers are bores trying to do the work of artists, and all the books artless, that we acquire a truly frightful power of enduring boredom. We even acquire the notion that fine art is lascivious and destructive to the character. In church, in the House of Commons, at public meetings, we sit solemnly listening to bores and twaddlers because from the time we could walk or speak we have been snubbed, scolded, bullied, beaten and imprisoned whenever we dared to resent being bored or twaddled at, or to express our natural impatience and derision of bores and twaddlers. And when a man arises with a soul of sufficient native strength to break the bonds of this inculcated reverence and to expose and deride and tweak the noses of our humbugs and panjandrums, like Voltaire or d.i.c.kens, we are shocked and scandalized, even when we cannot help laughing. Worse, we dread and persecute those who can see and declare the truth, because their sincerity and insight reflects on our delusion and blindness. We are all like Nell Gwynne"s footman, who defended Nell"s reputation with his fists, not because he believed her to be what he called an honest woman, but because he objected to be scorned as the footman of one who was no better than she should be.
This wretched power of allowing ourselves to be bored may seem to give the fine arts a chance sometimes. People will sit through a performance of Beethoven"s ninth symphony or of Wagner"s Ring just as they will sit through a dull sermon or a front bench politician saying nothing for two hours whilst his unfortunate country is perishing through the delay of its business in Parliament. But their endurance is very bad for the ninth symphony, because they never hiss when it is murdered. I have heard an Italian conductor (no longer living) take the _adagio_ of that symphony at a lively _allegretto_, slowing down for the warmer major sections into the speed and manner of the heroine"s death song in a Verdi opera; and the listeners, far from relieving my excruciation by rising with yells of fury and hurling their programs and opera gla.s.ses at the miscreant, behaved just as they do when Richter conducts it. The ma.s.s of imposture that thrives on this combination of ignorance with despairing endurance is incalculable. Given a public trained from childhood to stand anything tedious, and so saturated with school discipline that even with the doors open and no schoolmasters to stop them they will sit there helplessly until the end of the concert or opera gives them leave to go home; and you will have in great capitals hundreds of thousands of pounds spent every night in the season on professedly artistic entertainments which have no other effect on fine art than to exacerbate the hatred in which it is already secretly held in England.
Fortunately, there are arts that cannot be cut off from the people by bad performances. We can read books for ourselves; and we can play a good deal of fine music for ourselves with the help of a pianola.
Nothing stands between us and the actual handwork of the great masters of painting except distance; and modern photographic methods of reproduction are in some cases quite and in many nearly as effective in conveying the artist"s message as a modern edition of Shakespear"s plays is in conveying the message that first existed in his handwriting. The reproduction of great feats of musical execution is already on the way: the phonograph, for all its wheezing and snarling and braying, is steadily improving in its manners; and what with this improvement on the one hand, and on the other that blessed selective faculty which enables us to ignore a good deal of disagreeable noise if there is a thread of music in the middle of it (few critics of the phonograph seem to be conscious of the very considerable mechanical noise set up by choirs and orchestras) we have at last reached a point at which, for example, a person living in an English village where the church music is the only music, and that music is made by a few well-intentioned ladies with the help of a harmonium, can hear ma.s.ses by Palestrina very pa.s.sably executed, and can thereby be led to the discovery that Jackson in F and Hymns Ancient and Modern are not perhaps the last word of beauty and propriety in the praise of G.o.d.
In short, there is a vast body of art now within the reach of everybody.
The difficulty is that this art, which alone can educate us in grace of body and soul, and which alone can make the history of the past live for us or the hope of the future shine for us, which alone can give delicacy and n.o.bility to our crude l.u.s.ts, which is the appointed vehicle of inspiration and the method of the communion of saints, is actually branded as sinful among us because, wherever it arises, there is resistance to tyranny, breaking of fetters, and the breath of freedom.
The attempt to suppress art is not wholly successful: we might as well try to suppress oxygen. But it is carried far enough to inflict on huge numbers of people a most injurious art starvation, and to corrupt a great deal of the art that is tolerated. You will find in England plenty of rich families with little more culture than their dogs and horses.
And you will find poor families, cut off by poverty and town life from the contemplation of the beauty of the earth, with its dresses of leaves, its scarves of cloud, and its contours of hill and valley, who would positively be happier as hogs, so little have they cultivated their humanity by the only effective instrument of culture: art. The dearth is artificially maintained even when there are the means of satisfying it. Story books are forbidden, picture post cards are forbidden, theatres are forbidden, operas are forbidden, circuses are forbidden, sweetmeats are forbidden, pretty colors are forbidden, all exactly as vice is forbidden. The Creator is explicitly prayed to, and implicitly convicted of indecency every day. An a.s.sociation of vice and sin with everything that is delightful and of goodness with everything that is wretched and detestable is set up. All the most perilous (and glorious) appet.i.tes and propensities are at once inflamed by starvation and uneducated by art. All the wholesome conditions which art imposes on appet.i.te are waived: instead of cultivated men and women restrained by a thousand delicacies, repelled by ugliness, chilled by vulgarity, horrified by coa.r.s.eness, deeply and sweetly moved by the graces that art has revealed to them and nursed in them, we get indiscriminate rapacity in pursuit of pleasure and a parade of the grossest stimulations in catering for it. We have a continual clamor for goodness, beauty, virtue, and sanct.i.ty, with such an appalling inability to recognize it or love it when it arrives that it is more dangerous to be a great prophet or poet than to promote twenty companies for swindling simple folk out of their savings. Do not for a moment suppose that uncultivated people are merely indifferent to high and n.o.ble qualities. They hate them malignantly. At best, such qualities are like rare and beautiful birds: when they appear the whole country takes down its guns; but the birds receive the statuary tribute of having their corpses stuffed.
And it really all comes from the habit of preventing children from being troublesome. You are so careful of your boy"s morals, knowing how troublesome they may be, that you keep him away from the Venus of Milo only to find him in the arms of the scullery maid or someone much worse.
You decide that the Hermes of Praxiteles and Wagner"s Tristan are not suited for young girls; and your daughter marries somebody appallingly unlike either Hermes or Tristan solely to escape from your parental protection. You have not stifled a single pa.s.sion nor averted a single danger: you have depraved the pa.s.sions by starving them, and broken down all the defences which so effectively protect children brought up in freedom. You have men who imagine themselves to be ministers of religion openly declaring that when they pa.s.s through the streets they have to keep out in the wheeled traffic to avoid the temptations of the pavement. You have them organizing hunts of the women who tempt them--poor creatures whom no artist would touch without a shudder--and wildly clamoring for more clothes to disguise and conceal the body, and for the abolition of pictures, statues, theatres, and pretty colors.
And incredible as it seems, these unhappy lunatics are left at large, unrebuked, even admired and revered, whilst artists have to struggle for toleration. To them an undraped human body is the most monstrous, the most blighting, the most obscene, the most unbearable spectacle in the universe. To an artist it is, at its best, the most admirable spectacle in nature, and, at its average, an object of indifference. If every rag of clothing miraculously dropped from the inhabitants of London at noon tomorrow (say as a preliminary to the Great Judgment), the artistic people would not turn a hair; but the artless people would go mad and call on the mountains to hide them. I submit that this indicates a thoroughly healthy state on the part of the artists, and a thoroughly morbid one on the part of the artless. And the healthy state is attainable in a cold country like ours only by familiarity with the undraped figure acquired through pictures, statues, and theatrical representations in which an illusion of natural clotheslessness is produced and made poetic.
In short, we all grow up stupid and mad to just the extent to which we have not been artistically educated; and the fact that this taint of stupidity and madness has to be tolerated because it is general, and is even boasted of as characteristically English, makes the situation all the worse. It is becoming exceedingly grave at present, because the last ray of art is being cut off from our schools by the discontinuance of religious education.
The Impossibility of Secular Education
Now children must be taught some sort of religion. Secular education is an impossibility. Secular education comes to this: that the only reason for ceasing to do evil and learning to do well is that if you do not you will be caned. This is worse than being taught in a church school that if you become a dissenter you will go to h.e.l.l; for h.e.l.l is presented as the instrument of something eternal, divine, and inevitable: you cannot evade it the moment the schoolmaster"s back is turned. What confuses this issue and leads even highly intelligent religious persons to advocate secular education as a means of rescuing children from the strife of rival proselytizers is the failure to distinguish between the child"s personal subjective need for a religion and its right to an impartially communicated historical objective knowledge of all the creeds and Churches. Just as a child, no matter what its race and color may be, should know that there are black men and brown men and yellow men, and, no matter what its political convictions may be, that there are Monarchists and Republicans and Positivists, Socialists and Unsocialists, so it should know that there are Christians and Mahometans and Buddhists and Shintoists and so forth, and that they are on the average just as honest and well-behaved as its own father. For example, it should not be told that Allah is a false G.o.d set up by the Turks and Arabs, who will all be d.a.m.ned for taking that liberty; but it should be told that many English people think so, and that many Turks and Arabs think the converse about English people. It should be taught that Allah is simply the name by which G.o.d is known to Turks and Arabs, who are just as eligible for salvation as any Christian. Further, that the practical reason why a Turkish child should pray in a mosque and an English child in a church is that as worship is organized in Turkey in mosques in the name of Mahomet and in England in churches in the name of Christ, a Turkish child joining the Church of England or an English child following Mahomet will find that it has no place for its worship and no organization of its religion within its reach. Any other teaching of the history and present facts of religion is false teaching, and is politically extremely dangerous in an empire in which a huge majority of the fellow subjects of the governing island do not profess the religion of that island.