The practice of burning straw, so that people may have a good flare-up for their money, has, together with the selfish custom of throwing stones at the stalact.i.tes, gone far to spoil all the caverns of this region, which have been much visited. The Grotte de Robinet must have been dazzlingly beautiful at one time, but now most of the stalagmite and stalact.i.te has been completely blackened by smoke. Even the rocks, over which one has to climb, and sometimes crawl, are covered with a sooty slime, which gives one the appearance, when daylight returns, of having been smeared with lamp-black. I put on a blouse before entering, and had great reason to be glad that I did so. In spite of all the mischief that has been done to it, the Grotte de Robinet is a very remarkable cavern, and the time spent on the somewhat arduous and slippery task of exploring its depths is not wasted. Its length is about half a mile, and the descent, which is almost continuous, is at times very rapid. The pa.s.sage connects a succession of vast and lofty s.p.a.ces, which are not inappropriately termed _salles_. In some of these, the dropping water has raised from the floor of the cavern statuesque and awful forms of colossal grandeur. Some of these have been little changed by the smoke, but stand like white figures of fantastic giants. While looking at them, I thought how little I should like to be in the position of a certain _cure_ of Marcillac, who spent three days and three nights in this weird company. He frequently entered the cavern alone, with a scientific object, and his familiarity with it led him to despise ordinary precautions. One day he was far underground, with only a single candle in his possession, and no matches. A drop of water from the roof put the candle out, and all his efforts to return by the way he came were futile. Meanwhile, his parishioners, hunting high and low for their _cure_, chanced to see his _soutane_, where he had left it, hanging to a bush at the entrance of the Grotte de Robinet, and when they rescued him, there was very little left of his pa.s.sion for studying nature underground.
The most wonderful and the most beautiful object in the cavern is to be seen in the vast hall, which is the last of the series. This hall has a dome-shaped roof that rises to the height of about sixty feet, and it is supported in the centre, with every appearance of an architectural motive, by a single slender column that seems to have been carved with consummate skill out of alabaster. No image that I can think of conveys the picture of this exquisite stalagmite so justly as that of a column formed of the blossoms of lilies, each cup resting within another.
Having left Marcillac, I pa.s.sed under the mediaeval village of Sauliac, built high up on a shelf of naked rock, and then reached Cabrerets, which lies two or three miles above the junction of the Cele and the Lot. The village is at the foot of towering limestone cliffs, and many of the houses are built against the gray and yellow stone. The most interesting structure, however, is the castellated one that clings to the face of the rock far above all inhabited dwellings.
It goes by the name of the Chateau du Diable, and it is the most considerable of all the rock-fortresses in the valleys of the Cele and the Lot which are attributed to the English companies. It possesses towers and embattlements, and it was evidently intended to defend the defile from any force advancing from the wider valley. Here, doubtless, many a desperate struggle occurred before the companies were dispersed and English influence was finally overcome in these wilds of the Quercy. At a little distance from it, the long iron of a mediaeval arrow, having fastened its head in a cleft of the rock, remained sticking there for centuries, and was only recently removed.
The Prefect of the Department took a fancy to it, and had not the good judgment to leave it where it had so long been an object of curiosity.
There, resting in the place where the arm of the archer had cast it, it told a story of the old wars, and set the imagination working; but in a collection of local antiquities it is as dumb and almost as worthless as any other piece of old iron.
IN THE ALBIGEOIS.
A long dull road or street, a statue of the navigator La Perouse, a bandstand with a few trees about it, and plain, modern buildings without character, some larger and more pretentious than others, but all uninteresting. Is this Albi? No, but it is what appears to be so to the stranger who enters the place from the railway-station. The ugly sameness is what the improving spirit of our own times has done to make the ancient town decent and fit to be inhabited by folk who have seen something of the world north of Languedoc and who have learnt to talk of _le comfortable_. The improvement is undoubted, but so is the absolute lack of interest and charm; at least, to those who are outside of the _persiennes_ so uniformly closed against the summer sun.
Albi, the veritable historic Albi, lies almost hidden upon a slope that leads down to the Tarn. Here is the marvellous cathedral built in the thirteenth century, after the long wars with the Albigenses; here is the Archbishop"s fortified palace, still capable of withstanding a siege if there were no artillery; here are the old houses, one of pre-Gothic construction with very broad Romanesque window, slender columns and storied capitals, billet and arabesque mouldings; another of the sixteenth century quite encrusted with carved wood; and here are the dirty little streets like crooked lanes, where old women, who all through the summer months, Sundays excepted, give their feet an air-bath, may be seen sitting on the doorsteps clutching with one bony hand the distaff and drowsily turning the spindle with the other.
To live in one of these streets might disgust the unseasoned stranger for ever with Southern life; but to roam through them in the early twilight is the way to find the spirit of the past without searching.
Effort spoils the spell. Strange indeed must have been the procession of races, parties and factions that pa.s.sed along here between these very houses, or others which stood before them. Romans, Romanised Gauls, Visigoths, Saracens and English; the Raymonds with their Albigenses, the Montforts with their Crusaders from the north, the wild and sanguinary _pastoiureux_ and the lawless _routiers_, the religious fanatics, Huguenots and Catholics of the sixteenth century, and the revolutionists of the eighteenth. All pa.s.sed on their way, and the Tarn is no redder now for the torrents of blood that flowed into it.
Notwithstanding that the name Albigenses was given after the council of Lombers to the new Manichaeans, Albi was less identified with the great religious and political struggle of Southern Gaul in the twelfth and thirteenth centuries than were Castres and other neighbouring towns. If, however, it was comparatively fortunate as regards the horrors of that ferocious war, it was severely scourged by the most appalling epidemics of the Middle Ages. Leprosy and the pest had terrors greater even than those of battle. The cruelty of those feudal ages finds one of its innumerable records in the treatment of the miserable lepers at Albi. Having taken the disease which the Crusaders brought back from the East, they were favoured with a religious ceremony distressingly similar to the office for the dead. A black pall was thrown over them while they knelt at the altar steps. At the close of the service a priest sprinkled some earth on the condemned wretches, and then they were led to the leper-house, where each was shut up in a cell from which he never came out alive. The black pall and the sprinkled earth were symbols which every patient understood but too well.
[Ill.u.s.tration: PORCH OF THE CATHEDRAL OF ALBI.]
In nothing is the stern spirit of those ages expressed more forcibly than in the religious buildings of Languedoc. The cathedral of St.
Cecilia at Albi is the grandest of all the fortified churches of Southern France, although in many others the defensive purpose has made less concession to beauty. Looking at it for the first time, the eye is wonder-struck by its originality, the n.o.bleness of its design, and the grandeur of its ma.s.s. The plan being that of a vast vaulted basilica without aisles, the walls of the nave, rise sheer from the ground to above the roof, and are pierced at intervals with lofty but very narrow windows, the arches slightly pointed and containing simple tracery. The b.u.t.tresses which help the walls to support the vaulting of the nave and choir are the most remarkable feature of the design, and, together with the tower, which rises in diminishing stages to the height of 260 feet and there ends in an embattled platform, account for the singularly feudal and fortress-like character of the building.
The outline of the b.u.t.tresses being that of a semi-ellipse, they look like turrets carried up the entire face of the wall. The floor of the church is many feet above the ground, and the entrance was originally protected by a drawbridge and portcullis; but these military works were removed in the sixteenth century, and in their place was raised, upon a _perron_ reached by a double flight of steps, a baldachino-like porch as airily graceful and delicately florid as the body to which it is so lightly attached is majestically stern and scornful of ornament.
The meeting here of those two great forces, the Renaissance and feudalism, is like that of Psyche and Mars. But in expression the porch is Gothic, for although the arches are round-headed, they are surmounted by an embroidery of foliated gables and soaring pinnacles.
It can scarcely be said that the style has been broken, but the contrast in feeling is strong.
Enter the church and observe the same contrast there. Gothic art within the protecting walls and under the strong tower puts forth its most delicate leaves and blossoms. Across the broad nave, nearly in the centre, is drawn a rood-screen--a piece of stonework that has often been compared to lace, but which gains nothing by the comparison. The screen, together with the enclosure of the choir, with which it is connected, is quite bewildering by the multiplicity of arches, gables, tabernacles, pinnacles, statues, leaves, and flowers.
The tracery is flamboyant, and the work dates from the beginning of the sixteenth century. The artificers are said to have been a company of wandering masons from Strasburg.
Two vast drum-shaped piers, serving to support the tower, are exposed to view at the west end of the nave; but, for the bad effect thus produced, compensation is offered by the very curious paintings, supposed to be of the fifteenth century, with which the surfaces of these piers are covered. They represent the Last Judgment and the torments of the d.a.m.ned. Each of the seven capital sins has its compartment, wherein the kind of punishment reserved for sinners under this head is set forth in a manner as quaint as are the inscriptions in old French beneath. The compartment, ill.u.s.trating the eternal trouble of the envious has this inscription:
"_La peine des envieux et envieuses_. Les envieus et envieuses sont en ung fleuve congele plonges jusques au nombril et par dessus les frappe un vent moult froid et quant veulent icelluy vent eviter se plongent dedans ladite glace."
All the wall-surfaces, the vaulting included, are covered with paintings. The effect clashes with Northern taste, but the absence of a columnar system affords a plausible reason for relieving the sameness of these large surfaces with colour. The Gothic style of the North, holding in itself such decorative resources, gains nothing from mural paintings, but always loses something of its true character when they are added. Apart from such considerations, the wall-paintings in the cathedral of Albi have acc.u.mulated such interest from time that no reason would excuse their removal.
This unique church was mainly built at the close of the thirteenth century, together with the Archbishop"s palace, with which it was connected in a military sense by outworks. These have disappeared, but the fortress called a palace remains, and is still occupied by the Archbishop. It is a gloomy rectangular ma.s.s of brick, absolutely devoid of elegance, but one of the most precious legacies of the Middle Ages in France. It is not so vast as the papal palace at Avignon, but its feudal and defensive character has been better preserved, for, unlike the fortress by the Rhone, it has not been adapted to the requirements of soldiers" barracks. At each of the angles is a round tower, pierced with loopholes, and upon the intervening walls are far-descending machicolations. The building is still defended on the side of the Tarn by a wall of great height and strength, the base of which is washed by the river in time of flood.
This rampart, with its row of semi-elliptical b.u.t.tresses corresponding to those of the church and its pepper-box tower at one end, the fortress a little above, and the cathedral on still higher ground, but in immediate neighbourhood, make up an a.s.semblage of mediaeval structures that seems as strange in this nineteenth century as some old dream rising in the midst of day-thoughts. And the rapid Tarn, an image of perpetual youth, rushes on as it ever did since the face of Europe took its present form.
As I write, other impressions come to mind of this ancient town on the edge of the great plain of Languedoc. A little garden in the outskirts became familiar to me by daily use, and I see it still with its almond and pear trees, its trellised vines, the blue stars of its borage, and the pure whiteness of its lilies. A bird seizes a noisy cicada from a sunny leaf, and as it flies away the captive draws out one long scream of despair. Then comes the golden evening, and its light stays long upon the trailing vines, while the great lilies gleam whiter and their breath floods the air with unearthly fragrance. A murmur from across the plain is growing louder and louder as the trees lose their edges in the dusk, for those noisy revellers of the midsummer night, the jocund frogs, have roused themselves, and they welcome the darkness with no less joy than the swallows some hours later will greet the breaking dawn.
I left Albi to ascend the valley of the Tarn in the last week of June.
I started when the sun was only a little above the plain; but the line of white rocks towards the north, from which Albi is supposed to take its name, had caught the rays and were already burning. The straight road, bordered with plane-trees, on which I was walking would have had no charm but for certain wayside flowers. There was a strange-looking plant with large heart-shaped leaves and curved yellow blossoms ending in a long upper lip that puzzled me much, and it was afterwards that I found its name to be _aristolochia clemat.i.tis_. It grows abundantly on the banks of the Tarn. Another plant that I now noticed for the first time was a galium with crimson flowers. I soon came to the cornfields for which the Albigeois plain is noted. Here the poppy showed its scarlet in the midst of the stalks of wheat still green, and along the borders were purple patches of that sun-loving campanula, Venus"s looking-gla.s.s.
Countrywomen pa.s.sed me with baskets on their heads, all going into Albi to sell their vegetables. Those who were young wore white caps with frills, which, when there is nothing on the head to keep them down, rise and fall like the crest of a c.o.c.katoo; but the old women were steadfast in their attachment to the bag-like, close-fitting cap, crossed with bands of black velvet, and having a lace front that covers most of the forehead. When upon this coif is placed a great straw hat with drooping brim, we have all that remains now of an Albigeois costume. As these women pa.s.sed me, I looked into their baskets. Some carried strawberries, some cherries, others mushrooms (_boleti_), or broad beans. The last-named vegetable is much cultivated throughout this region, where it is largely used for making soup. When very young, the beans are frequently eaten raw with salt.
Almost every taste is a matter of education.
The heat of the day had commenced when I reached the village of Lescure. This place is of very ancient origin. Looking at it now, and its agricultural population numbering little more than a thousand, it is difficult to realize its importance in the Middle Ages. The castle and the adjacent land were given in the year 1003 by King Robert to his old preceptor, the learned Gerbert, who became known to posterity as Pope Sylvester II. In the eleventh century, Lescure was, therefore, a fief of the Holy See; and in the time of Simon de Montfort the inhabitants were still va.s.sals of the Pope. In the fourteenth century they were frequently at war with the people of Albi, who eventually got the upper hand. Then Sicard, the Baron of Lescure, was so completely humiliated that he not only consented to pay eighty gold _livres_ to the consuls of Albi, but went before them bareheaded to ask pardon for himself and his va.s.sals. Already the feudal system was receiving hard blows in the South of France from the growth of the communes and the authority vested in their consuls. What is left of the feudal grandeur of Lescure? The castle was sold in the second year of the Republic, and entirely demolished, with the exception of the chapel, which is now the parish church. Of the outer fortifications there remains a brick gateway, with Gothic arch carrying a high machicolated tower, connected to which is a fragment of the wall. To this old houses, half brick, half wood, still cling, like those little wasps" nests that one sees sometimes upon the sides of the rocks.
On entering the small fourteenth-century church, I found that it had been decorated for a funeral. A broad band of black drapery, upon which had been sewn at intervals Death"s heads and tears, cut out of white calico, was hung against the wall of the apse, and carried far down each side of the nave. To me all those grinning white masks were needless torture to the mourners; but here again we are brought to recognise that taste is a matter of education.
More interesting than anything else in this church is the Romanesque holy-water stoup, with heads and crosses carved upon it, and possibly belonging to the original chapel of the castle. The chief archaeological treasure, however, of Lescure is a church on a little hill above the village, and overlooking the Tarn. It is dedicated to St. Michael, in accordance with the mediaeval custom of considering the highest ground most appropriate to the veneration of the archangel. It is Romanesque of the eleventh century, and belonged to a priory of which no other trace is left. The building stands in the midst of an abandoned cemetery; and at the time of my visit the tall June gra.s.ses, the poppies and white campions hid every mound and almost every wooden cross. Over the gateway, carved in the stone, is the following quaint inscription, the spelling being similar to that frequently used in the sixteenth century:
"Sur la terre autrefois nous fumes comme vous.
Mortels penses y bien et pries Dieu pour nous."
Beneath these lines are a skull and cross-bones, with a tear on each side.
Facing the forgotten graves, upon this spot removed from all habitations, is the most beautiful Romanesque doorway of the Albigeois. The round-headed arch widening outwards, its numerous archivolts and mouldings, the slender columns of the deeply-recessed jambs, the storied capitals with their rudely-proportioned but expressive little figures, and the row of uncouth bracket-heads over the crowning archivolt, represent the best art of the eleventh century. They show that Romanesque architecture and sculpture had already reached their perfect expression in Languedoc. The figures in the capitals tell the story of Adam and Eve, Abraham and Isaac, and of fiends busily engaged in tormenting mortals who must have been in their clutches now eight hundred years. The nave has two aisles, and ma.s.sive piers with engaged columns support the transverse and lateral arches. The columns have very large capitals, displaying human figures, some of which are extraordinarily fantastic, and instinct with a wild imagination still running riot in stone. How far are we now from the minds that bred these thoughts when Southern Gaul was struggling to develop a new Roman art by the aid of such traditions and models as the Visigoth, the Frank, and the Arab had not destroyed in the country, and such ideas as were brought along the Mediterranean from Byzantium!
Lastly, I came to the apse, that part of a Romanesque church in which the artist seizes the purely religious ideal, or allows it to escape him. Here was the serenity, here the quietude of the early Christian purpose and hope. Perfect simplicity and perfect eloquence! Nothing more is to be said, except that there were stone benches against the wall and a piscina--details interesting to the archaeologist. Then I walked round the little church, knee-deep in the long grave-gra.s.s, and noted the broad pilaster-strips of the apse, the stone eaves ornamented with billets, the bracket or corbel heads just beneath, fantastic, enigmatic, and not two alike.
Leaving this spot, where there was so much temptation to linger, I began to cross a highly-cultivated plain towards the village of Arthez, where the Tarn issues from the deep gorges which for many a league give it all the character of a mountain-river. I thought from the appearance of the land that everybody who lived upon it must be prosperous and happy, but a peasant whom I met was of another way of thinking. He said:
"By working from three o"clock in the morning until dark, one can just manage to earn one"s bread."
They certainly do work exceedingly hard, these peasant-proprietors and _metayers_, never counting their hours like the town workmen, but wishing that the day were longer, and if they can contrive to save anything in these days it is only by constant self-denial. A man"s labour upon his land to-day will only support him, taking the bad years with the good, on the condition that he lives a life of primitive simplicity. Even then the problem of existence is often a terribly hard one to solve. In the South of France the blame is almost everywhere laid to the destruction of the vines by the phylloxera, but here in the plain of Albi the land is quite as suitable for corn as it is for grape-growing, which is far from being the case elsewhere; nevertheless, the peasants cry out with one voice against the bad times. They have to contend with two great scourges: hail that is so often brought by the thunder-storms in summer, and which the proximity of the Pyrenees may account for; and the south-east wind--_le vent d"autan_--that comes across from Africa, and scorches up the crops in a most mysterious manner. But for this plague the yield of fruit would be enormous. On the other hand, the region is blessed with lavish sunshine from early spring until November, and a half-maritime climate, explained by the neighbourhood of the ocean--not the Mediterranean--renders long periods of drought such as occur in Provence and Lower Languedoc rare. In the valleys the soil is extremely fertile, and, favoured by moisture and warmth, its productive power is extraordinary. Four crops of lucern are taken from the same land in the course of a season. Unfortunately, these valleys being mere gorges--cracks in the plain, with precipitous rocky sides--the strip of land bordering the stream at the bottom is usually very narrow.
On reaching Arthez, the character of the country changed suddenly and completely. Here the plain with its tertiary deposits ended, and in its stead commenced the long series of schistous rocks wildly heaped up and twisted out of their stratification, by which the Tarn is hemmed in for seventy miles as the crow flies, and nearly twice that distance if the windings of the gorge be reckoned. When the calcareous region of the Gevaudan is reached, the schist, slate, and gneiss disappear. On descending to the level of the river at Arthez, I saw before me one of the grandest cascades in France--the Saut de Sabo.
It is not so much the distance that the river falls in its rapid succession of wild leaps towards the plain as the singularly chaotic and savage scene of dark rocks and raging waters, together with the length to which it is stretched out, that is so impressive. The ma.s.s of water, the mult.i.tude of cascades, and the wild forms of the rocks, compose a scene that would be truly sublime if one could behold it in the midst of an unconquered solitude; but the hideous sooty buildings of a vast iron foundry on one bank of the river are there to spoil the charm.
I stayed in the village of Arthez for food and rest, but not long enough for the mid-day heat to pa.s.s. When I set forth again on my journey, the air was like the breath of a furnace; but as the slopes were well wooded with chestnuts, there was some shelter from the rays of the sun. There were a few patches of vineyard, the leaves showing the ugly stains of sulphate of copper with which they had been splashed as a precaution against mildew, which in so many districts has followed in the wake of the phylloxera, and hastened the destruction of the old vines. The Albigeois has ceased to be a wine-producing region, and, judging from present signs, it will be long in becoming one again.
The valley, deepening and narrowing, became a gorge, the beginning of that long series of fissures in the metamorphic and secondary rocks which, crossing an extensive tract of Languedoc and Guyenne, leads the traveller up to the Cevennes Mountains, through scenery as wild and beautiful as any that can be found in France, and perhaps in Europe.
But the difficulties of travelling by the Tarn from Arthez upwards are great, and, indeed, quite forbidding to those who are not prepared to endure petty hardships in their search for the picturesque. Between Albi and St. Affrique, a distance that cannot be easily traversed on foot in less than four days, railways are not to be thought of, and the line of route taken by the _diligence_ leaves the Tarn far to the north. In the valley the roads often dwindle away to mere paths or mule-tracks, or they are so rocky that riding either upon or behind a horse over such an uneven surface, with the prospect of being thrown into the Tarn in the event of a slip, is unpleasant work. Those who are unwilling to walk or unable to bear much fatigue should not attempt to follow this river through its gorges. All the difficulties have not yet been stated. Along the banks of the stream, and for several miles on either side of it, there are very few villages, and the accommodation in the auberges is about as rough as it can be. The people generally are exceedingly uncouth, and between Arthez and Millau, where a tourist is probably the rarest of all birds of pa.s.sage, the stranger must not expect to meet with a reception invariably cordial. Even a Frenchman who appears for the first time in one of their isolated villages, and who cannot speak the Languedocian dialect, is looked upon almost as a foreigner, and is treated with suspicion by the inhabitants. This matter of language is in itself no slight difficulty. French is so little known that in many villages the clergy are compelled to preach in _patois_ to make themselves understood.
This region I had now fairly entered. The road had gone somewhere up the hills, and I was walking beside the river upon sand glittering with particles of mica. This sand the Tarn leaves all along its banks.
It is one of the most uncertain and treacherous of streams. In a few hours its water will rise with amazing rapidity and spread consternation in a district where not a drop of rain has fallen. Warm winds from the south and south-west, striking against the cold mountains in the Lozere, have been condensed, and the water has flowed down in torrents towards the plain. The river is as clear as crystal now, and the many-coloured pebbles of its bed reflect the light, but a thunderstorm in the higher country may change it suddenly to the colour of red earth.
The path led me into a steep forest, where I lost sight of the Tarn.
The soil was too rocky for the trees--oaks and chestnuts chiefly--to grow very tall; consequently the underwood, although dense, was chequered all through with sunshine. Heather and bracken, holly and box, made a wilderness that spread over all the visible world, for the opposite side of the gorge was exactly similar. Shining in the sun amidst the flowering heather or glowing in majestic purple grandeur in the shade of shrubs stood many a foxglove, and almost as frequently seen was its relative _digitalis lutea_, whose flowers are much smaller and of a pale yellow. Now and again a little rill went whispering downward through the woods under plumes of forget-me-nots in a deep channel that it had cut by working age after age. Reaching at length a spot where I could look down into the bottom of the fissure, I perceived a small stream that was certainly not the Tarn. I had been ascending one of the lateral gorges of the valley, and had left the river somewhere to the north. My aim was now to strike it again in the higher country, and so I kept on my way. But the path vanished, and the forest became so dense that I was bound to realize that I was in difficulties. I resolved to try the bank of the stream, and reached it after some unpleasant experience of rocks, brambles and holly. Here, however, was a path which I followed nearly to the head of the gorge and then climbed to the plateau. There the land was cultivated, and the musical note of a c.o.c.k turkey that hailed my coming from afar, as he swaggered in front of his harem on the march, led me to a spot where a man was mowing, and he told me where I should find the Tarn, which he, like all other people in the country, p.r.o.nounced Tar.
Evening was coming on when I had crossed this plateau, and I saw far below me the village of Marsal on the banks of the shining Tarn. The river here made one of those bold curves which add so much to its beauty. The little village looked so peaceful and charming that I decided to seek its hospitality for that night.
There was but one inn at Marsal that undertook to lodge the stranger, and very seldom was any claim of the sort made upon it. The peasant family who lived in it looked to their bit of land and their two or three cows to keep them, not to the auberge. The bottles of liquor on the shelf were rarely taken down, except on Sundays, when villagers might saunter in, to gossip and smoke over coffee and _eau de vie_, or the gla.s.s of absinthe, which, since the failure of the vines in the South of France, has become there the most convivial of all drinks, although it makes men more quarrelsome than any other. In these poor riverside villages, however, where a mere ribbon of land is capable of cultivation--which, although exceedingly fertile, is constantly liable to be flooded by the uncertain Tarn--men have so little money in their pockets that water is their habitual drink, and when they depart from this rule they make a little dissipation go a very long way.
I found this single auberge closed, and all the family in an adjoining field around a waggon already piled with hay, to which a couple of cows were harnessed. My appearance there brought the pitchforks suddenly to a rest. If I had been shot up from below like a stage-devil, these people could not have stared at me with greater amazement and a more frank expression of distrust. First in _patois_, and then, seeing that I was at a loss, in scarcely intelligible French, they asked me what my trade was, and what object I had in coming to Marsal. I tried to explain that I was not a mischievous person, that I was travelling merely to look at their beautiful rocks and gorges, but I failed completely to bring a hospitable expression into their faces. An old man of the party was the worst to deal with.
He put the greatest number of questions and understood the least French, and all the while there was a most provokingly keen, suspicious glitter in his little gray eyes. Presently he beckoned me, and led the way, as I thought, to the inn; but such was not his intention. He stopped at the door of the communal school, where the schoolmaster was already waiting for me, for he had evidently been warned of the presence of a doubtful-looking stranger, who had come to the village on foot with a pack on his back, and who, being dressed a trifle better than the ordinary tramp, was probably the more dangerous for this reason. Like most of the village schoolmasters in France, this gentleman was also secretary at the _mairie_, a function highly stimulating to the sense of self-importance, and no wonder, considering that the person who fills it frequently supplies the mayor, who may scarcely be able to sign his name to official doc.u.ments, with such intelligence as he may need for his public duties.
This schoolmaster was affable and pleasant, but as a crowd quickly collected to see what would happen, he was not going to let a good opportunity slip of showing how indispensable he was to the safety of the village. He said that personally he was quite satisfied with my explanations, but that in his official capacity he was compelled to ask me for my papers. These were forthcoming, and the serious official air with which he pretended to read the English pa.s.sport from beginning to end was very pretty comedy, considering that he did not understand a word of the language.