His friends received him in their arms as he sank utterly exhausted by the effort, and bore him back to his castle in mute sorrow; while his daughter at once wept for her brother, and endeavoured to mitigate and soothe the despair of her father. But this was impossible; the old man"s only tie to life was rent rudely asunder, and his heart had broken with it. The death of his son had no part in his sorrow. If he thought of him at all, it was as the degenerate boy, through whom the honour of his country and clan had been lost; and he died in the course of three days, never even mentioning his name, but pouring out uninterrupted lamentations for the loss of his sword.
I conceive, that the instant when the disabled chief was roused into a last exertion by the agony of the moment is favourable to the object of a painter. He might obtain the full advantage of contrasting the form of the rugged old man, in the extremity of furious despair, with the softness and beauty of the female form. The fatal field might be thrown into perspective, so as to give full effect to these two princ.i.p.al figures, and with the single explanation that the piece represented a soldier beholding his son slain, and the honour of his country lost, the picture would be sufficiently intelligible at the first glance. If it was thought necessary to show more clearly the nature of the conflict, it might be indicated by the pennon of Saint George being displayed at one end of the lists, and that of Saint Andrew at the Other.
I remain, Sir,
Your obedient servant,
THE AUTHOR OF WAVERLEY.
END OF THE WAVERLEY NOVELS.