Horrod led me upstairs and I realized that he was taking me to the tower in the east wing, in which I had observed a light.

The rooms to which the butler conducted me consisted of a sitting-room with an adjoining bedroom, both of them fitted with antique wainscoting against which a faded tapestry fluttered. There was a candle burning on the table in the sitting-room, but its insufficient light only rendered the surroundings the more dismal. Horrod bent down in front of the fireplace and endeavoured to light a fire there. But the wood was evidently damp and the fire flickered feebly on the hearth.

The butler left me, and in the stillness of the house I could hear his shuffling step echo down the corridor. It may have been fancy, but it seemed to me that his departure was the signal for a low moan that came from somewhere behind the wainscot. There was a narrow cupboard door at one side of the room, and for the moment I wondered whether the moaning came from within. I am not as a rule lacking in courage (I am sure my reader will be decent enough to believe this), yet I found myself entirely unwilling to open the cupboard door and look within. In place of doing so I seated myself in a great chair in front of the feeble fire. I must have been seated there for some time when I happened to lift my eyes to the mantel above and saw, standing upon it, a letter addressed to myself. I knew the handwriting at once to be that of Sir Jeremy Buggam.

I opened it, and spreading it out within reach of the feeble candlelight, I read as follows:

"My dear Digby,

"In our talk that you will remember, I had no time to finish telling you about the mystery of Buggam Grange. I take for granted, however, that you will go there and that Horrod will put you in the tower rooms, which are the only ones that make any pretence of being habitable. I have, therefore, sent him this letter to deliver at the Grange itself.

"The story is this:

"On the night of the fifteenth of November, fifty years ago, my grandfather was murdered in the room in which you are sitting, by his cousin, Sir Duggam Buggam. He was stabbed from behind while seated at the little table at which you are probably reading this letter. The two had been playing cards at the table and my grandfather"s body was found lying in a litter of cards and gold sovereigns on the floor. Sir Duggam Buggam, insensible from drink, lay beside him, the fatal knife at his hand, his fingers smeared with blood. My grandfather, though of the younger branch, possessed a part of the estates which were to revert to Sir Duggam on his death. Sir Duggam Buggam was tried at the a.s.sizes and was hanged. On the day of his execution he was permitted by the authorities, out of respect for his rank, to wear a mask to the scaffold. The clothes in which he was executed are hanging at full length in the little cupboard to your right, and the mask is above them. It is said that on every fifteenth of November at midnight the cupboard door opens and Sir Duggam Buggam walks out into the room. It has been found impossible to get servants to remain at the Grange, and the place--except for the presence of Horrod--has been unoccupied for a generation. At the time of the murder Horrod was a young man of twenty-two, newly entered into the service of the family. It was he who entered the room and discovered the crime. On the day of the execution he was stricken with paralysis and has never spoken since. From that time to this he has never consented to leave the Grange, where he lives in isolation.

"Wishing you a pleasant night after your tiring journey,

"I remain,

"Very faithfully,

"Jeremy Buggam."

I leave my reader to imagine my state of mind when I completed the perusal of the letter.

I have as little belief in the supernatural as anyone, yet I must confess that there was something in the surroundings in which I now found myself which rendered me at least uncomfortable. My reader may smile if he will, but I a.s.sure him that it was with a very distinct feeling of uneasiness that I at length managed to rise to my feet, and, grasping my candle in my hand, to move backward into the bedroom. As I backed into it something so like a moan seemed to proceed from the closed cupboard that I accelerated my backward movement to a considerable degree. I hastily blew out the candle, threw myself upon the bed and drew the bedclothes over my head, keeping, however, one eye and one ear still out and available.

How long I lay thus listening to every sound, I cannot tell. The stillness had become absolute. From time to time I could dimly hear the distant cry of an owl, and once far away in the building below a sound as of some one dragging a chain along a floor. More than once I was certain that I heard the sound of moaning behind the wainscot. Meantime I realized that the hour must now be drawing close upon the fatal moment of midnight. My watch I could not see in the darkness, but by reckoning the time that must have elapsed I knew that midnight could not be far away. Then presently my ear, alert to every sound, could just distinguish far away across the fens the striking of a church bell, in the clock tower of Buggam village church, no doubt, tolling the hour of twelve.

On the last stroke of twelve, the cupboard door in the next room opened.

There is no need to ask me how I knew it. I couldn"t, of course, see it, but I could hear, or sense in some way, the sound of it. I could feel my hair, all of it, rising upon my head. I was aware that there was a _presence_ in the adjoining room, I will not say a person, a living soul, but a _presence_. Anyone who has been in the next room to a presence will know just how I felt. I could hear a sound as of some one groping on the floor and the faint rattle as of coins.

My hair was now perpendicular. My reader can blame it or not, but it was.

Then at this very moment from somewhere below in the building there came the sound of a prolonged and piercing cry, a cry as of a soul pa.s.sing in agony. My reader may censure me or not, but right at this moment I decided to beat it. Whether I should have remained to see what was happening is a question that I will not discuss. My one idea was to get out, and to get out quickly. The window of the tower room was some twenty-five feet above the ground. I sprang out through the cas.e.m.e.nt in one leap and landed on the gra.s.s below. I jumped over the shrubbery in one bound and cleared the moat in one jump. I went down the avenue in about six strides and ran five miles along the road through the fens in three minutes. This at least is an accurate transcription of my sensations. It may have taken longer. I never stopped till I found myself on the threshold of the _Buggam Arms_ in Little Buggam, beating on the door for the landlord.

I returned to Buggam Grange on the next day in the bright sunlight of a frosty November morning, in a seven-cylinder motor car with six local constables and a physician. It makes all the difference. We carried revolvers, spades, pickaxes, shotguns and an ouija board.

What we found cleared up for ever the mystery of the Grange. We discovered Horrod the butler lying on the dining-room floor quite dead.

The physician said that he had died from heart failure. There was evidence from the marks of his shoes in the dust that he had come in the night to the tower room. On the table he had placed a paper which contained a full confession of his having murdered Jeremy Buggam fifty years before. The circ.u.mstances of the murder had rendered it easy for him to fasten the crime upon Sir Duggam, already insensible from drink.

A few minutes with the ouija board enabled us to get a full corroboration from Sir Duggam. He promised, moreover, now that his name was cleared, to go away from the premises for ever.

My friend, the present Sir Jeremy, has rehabilitated Buggam Grange. The place is rebuilt. The moat is drained. The whole house is lit with electricity. There are beautiful motor drives in all directions in the woods. He has had the bats shot and the owls stuffed. His daughter, Clara Buggam, became my wife. She is looking over my shoulder as I write. What more do you want?

THE END

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