"In the first place," said Nicot, huddling himself together upon a stool,--"in the first place, this Signor Zanoni,--this second Cagliostro,--who disputes my doctrines! (no doubt a spy of the man Capet) I am not vindictive; as Helvetius says, "our errors arise from our pa.s.sions." I keep mine in order; but it is virtuous to hate in the cause of mankind; I would I had the denouncing and the judging of Signor Zanoni at Paris." And Nicot"s small eyes shot fire, and he gnashed his teeth.
"Have you any new cause to hate him?"
"Yes," said Nicot, fiercely. "Yes, I hear he is courting the girl I mean to marry."
"You! Whom do you speak of?"
"The celebrated Pisani! She is divinely handsome. She would make my fortune in a republic. And a republic we shall have before the year is out."
Mervale rubbed his hands, and chuckled. Glyndon coloured with rage and shame.
"Do you know the Signora Pisani? Have you ever spoken to her?"
"Not yet. But when I make up my mind to anything, it is soon done. I am about to return to Paris. They write me word that a handsome wife advances the career of a patriot. The age of prejudice is over.
The sublimer virtues begin to be understood. I shall take back the handsomest wife in Europe."
"Be quiet! What are you about?" said Mervale, seizing Glyndon as he saw him advance towards the Frenchman, his eyes sparkling, and his hands clenched.
"Sir!" said Glyndon, between his teeth, "you know not of whom you thus speak. Do you affect to suppose that Viola Pisani would accept YOU?"
"Not if she could get a better offer," said Mervale, looking up to the ceiling.
"A better offer? You don"t understand me," said Nicot. "I, Jean Nicot, propose to marry the girl; marry her! Others may make her more liberal offers, but no one, I apprehend, would make one so honourable. I alone have pity on her friendless situation. Besides, according to the dawning state of things, one will always, in France, be able to get rid of a wife whenever one wishes. We shall have new laws of divorce. Do you imagine that an Italian girl--and in no country in the world are maidens, it seems, more chaste (though wives may console themselves with virtues more philosophical)--would refuse the hand of an artist for the settlements of a prince? No; I think better of the Pisani than you do. I shall hasten to introduce myself to her."
"I wish you all success, Monsieur Nicot," said Mervale, rising, and shaking him heartily by the hand.
Glyndon cast at them both a disdainful glance.
"Perhaps, Monsieur Nicot," said he, at length, constraining his lips into a bitter smile,--"perhaps you may have rivals."
"So much the better," replied Monsieur Nicot, carelessly, kicking his heels together, and appearing absorbed in admiration at the size of his large feet.
"I myself admire Viola Pisani."
"Every painter must!"
"I may offer her marriage as well as yourself."
"That would be folly in you, though wisdom in me. You would not know how to draw profit from the speculation! Cher confrere, you have prejudices."
"You do not dare to say you would make profit from your own wife?"
"The virtuous Cato lent his wife to a friend. I love virtue, and I cannot do better than imitate Cato. But to be serious,--I do not fear you as a rival. You are good-looking, and I am ugly. But you are irresolute, and I decisive. While you are uttering fine phrases, I shall say, simply, "I have a bon etat. Will you marry me?" So do your worst, cher confrere. Au revoir, behind the scenes!"
So saying, Nicot rose, stretched his long arms and short legs, yawned till he showed all his ragged teeth from ear to ear, pressed down his cap on his s.h.a.ggy head with an air of defiance, and casting over his left shoulder a glance of triumph and malice at the indignant Glyndon, sauntered out of the room.
Mervale burst into a violent fit of laughter. "See how your Viola is estimated by your friend. A fine victory, to carry her off from the ugliest dog between Lapland and the Calmucks."
Glyndon was yet too indignant to answer, when a new visitor arrived. It was Zanoni himself. Mervale, on whom the appearance and aspect of this personage imposed a kind of reluctant deference, which he was unwilling to acknowledge, and still more to betray, nodded to Glyndon, and saying, simply, "More when I see you again," left the painter and his unexpected visitor.
"I see," said Zanoni, lifting the cloth from the canvas, "that you have not slighted the advice I gave you. Courage, young artist; this is an escape from the schools: this is full of the bold self-confidence of real genius. You had no Nicot--no Mervale--at your elbow when this image of true beauty was conceived!"
Charmed back to his art by this unlooked-for praise, Glyndon replied modestly, "I thought well of my design till this morning; and then I was disenchanted of my happy persuasion."
"Say, rather, that, unaccustomed to continuous labour, you were fatigued with your employment."
"That is true. Shall I confess it? I began to miss the world without. It seemed to me as if, while I lavished my heart and my youth upon visions of beauty, I was losing the beautiful realities of actual life. And I envied the merry fisherman, singing as he pa.s.sed below my cas.e.m.e.nt, and the lover conversing with his mistress."
"And," said Zanoni, with an encouraging smile, "do you blame yourself for the natural and necessary return to earth, in which even the most habitual visitor of the Heavens of Invention seeks his relaxation and repose? Man"s genius is a bird that cannot be always on the wing; when the craving for the actual world is felt, it is a hunger that must be appeased. They who command best the ideal, enjoy ever most the real.
See the true artist, when abroad in men"s thoroughfares, ever observant, ever diving into the heart, ever alive to the least as to the greatest of the complicated truths of existence; descending to what pedants would call the trivial and the frivolous. From every mesh in the social web, he can disentangle a grace. And for him each airy gossamer floats in the gold of the sunlight. Know you not that around the animalcule that sports in the water there shines a halo, as around the star (The monas mica, found in the purest pools, is encompa.s.sed with a halo. And this is frequent amongst many other species of animalcule.) that revolves in bright pastime through the s.p.a.ce? True art finds beauty everywhere. In the street, in the market-place, in the hovel, it gathers food for the hive of its thoughts. In the mire of politics, Dante and Milton selected pearls for the wreath of song.
"Who ever told you that Raphael did not enjoy the life without, carrying everywhere with him the one inward idea of beauty which attracted and imbedded in its own amber every straw that the feet of the dull man trampled into mud? As some lord of the forest wanders abroad for its prey, and scents and follows it over plain and hill, through brake and jungle, but, seizing it at last, bears the quarry to its unwitnessed cave,--so Genius searches through wood and waste, untiringly and eagerly, every sense awake, every nerve strained to speed and strength, for the scattered and flying images of matter, that it seizes at last with its mighty talons, and bears away with it into solitudes no footstep can invade. Go, seek the world without; it is for art the inexhaustible pasture-ground and harvest to the world within!"
"You comfort me," said Glyndon, brightening. "I had imagined my weariness a proof of my deficiency! But not now would I speak to you of these labours. Pardon me, if I pa.s.s from the toil to the reward.
You have uttered dim prophecies of my future, if I wed one who, in the judgment of the sober world, would only darken its prospects and obstruct its ambition. Do you speak from the wisdom which is experience, or that which aspires to prediction?"
"Are they not allied? Is it not he best accustomed to calculation who can solve at a glance any new problem in the arithmetic of chances?"
"You evade my question."
"No; but I will adapt my answer the better to your comprehension, for it is upon this very point that I have sought you. Listen to me!"
Zanoni fixed his eyes earnestly on his listener, and continued: "For the accomplishment of whatever is great and lofty, the clear perception of truths is the first requisite,--truths adapted to the object desired.
The warrior thus reduces the chances of battle to combinations almost of mathematics. He can predict a result, if he can but depend upon the materials he is forced to employ. At such a loss he can cross that bridge; in such a time he can reduce that fort. Still more accurately, for he depends less on material causes than ideas at his command, can the commander of the purer science or diviner art, if he once perceive the truths that are in him and around, foretell what he can achieve, and in what he is condemned to fail. But this perception of truths is disturbed by many causes,--vanity, pa.s.sion, fear, indolence in himself, ignorance of the fitting means without to accomplish what he designs. He may miscalculate his own forces; he may have no chart of the country he would invade. It is only in a peculiar state of the mind that it is capable of perceiving truth; and that state is profound serenity. Your mind is fevered by a desire for truth: you would compel it to your embraces; you would ask me to impart to you, without ordeal or preparation, the grandest secrets that exist in Nature. But truth can no more be seen by the mind unprepared for it, than the sun can dawn upon the midst of night. Such a mind receives truth only to pollute it: to use the simile of one who has wandered near to the secret of the sublime Goetia (or the magic that lies within Nature, as electricity within the cloud), "He who pours water into the muddy well, does but disturb the mud."" ("Iamb. de Vit. Pythag.")
"What do you tend to?"
"This: that you have faculties that may attain to surpa.s.sing power, that may rank you among those enchanters who, greater than the magian, leave behind them an enduring influence, worshipped wherever beauty is comprehended, wherever the soul is sensible of a higher world than that in which matter struggles for crude and incomplete existence.
"But to make available those faculties, need I be a prophet to tell you that you must learn to concentre upon great objects all your desires?
The heart must rest, that the mind may be active. At present you wander from aim to aim. As the ballast to the ship, so to the spirit are faith and love. With your whole heart, affections, humanity, centred in one object, your mind and aspirations will become equally steadfast and in earnest. Viola is a child as yet; you do not perceive the high nature the trials of life will develop. Pardon me, if I say that her soul, purer and loftier than your own, will bear it upward, as a secret hymn carries aloft the spirits of the world. Your nature wants the harmony, the music which, as the Pythagoreans wisely taught, at once elevates and soothes. I offer you that music in her love."
"But am I sure that she does love me?"
"Artist, no; she loves you not at present; her affections are full of another. But if I could transfer to you, as the loadstone transfers its attraction to the magnet, the love that she has now for me,--if I could cause her to see in you the ideal of her dreams--"
"Is such a gift in the power of man?"
"I offer it to you, if your love be lawful, if your faith in virtue and yourself be deep and loyal; if not, think you that I would disenchant her with truth to make her adore a falsehood?"
"But if," persisted Glyndon,--"if she be all that you tell me, and if she love you, how can you rob yourself of so priceless a treasure?"
"Oh, shallow and mean heart of man!" exclaimed Zanoni, with unaccustomed pa.s.sion and vehemence, "dost thou conceive so little of love as not to know that it sacrifices all--love itself--for the happiness of the thing it loves? Hear me!" And Zanoni"s face grew pale. "Hear me! I press this upon you, because I love her, and because I fear that with me her fate will be less fair than with yourself. Why,--ask not, for I will not tell you. Enough! Time presses now for your answer; it cannot long be delayed. Before the night of the third day from this, all choice will be forbid you!"
"But," said Glyndon, still doubting and suspicious,--"but why this haste?"
"Man, you are not worthy of her when you ask me. All I can tell you here, you should have known yourself. This ravisher, this man of will, this son of the old Visconti, unlike you,--steadfast, resolute, earnest even in his crimes,--never relinquishes an object. But one pa.s.sion controls his l.u.s.t,--it is his avarice. The day after his attempt on Viola, his uncle, the Cardinal --, from whom he has large expectations of land and gold, sent for him, and forbade him, on pain of forfeiting all the possessions which his schemes already had parcelled out, to pursue with dishonourable designs one whom the Cardinal had heeded and loved from childhood. This is the cause of his present pause from his pursuit. While we speak, the cause expires. Before the hand of the clock reaches the hour of noon, the Cardinal -- will be no more. At this very moment thy friend, Jean Nicot, is with the Prince di --."
"He! wherefore?"