"Madre doesn"t answer."
Artois got up.
"What ought we to do?"
Vere was whispering.
"Did you hear anything?"
"No."
Gaspare moved, took his hands violently out of his pockets, then thrust them in again.
Artois stood in silence. His face, generally so strong, so authoritative, showed his irresolution, and Vere, looking to him like a frightened child for guidance, felt her terror increase.
"Shall I go up again. I didn"t knock. You told me not to. Shall I go and knock? Or shall Gaspare go again?"
She did not suggest that Artois should go himself. He noticed that, even in this moment of the confusion of his will.
"I think we had better leave her for a time," he said, at last.
As he spoke he made an effort, and recovered himself.
"We had better do nothing more. What can we do?"
He was looking at Gaspare.
Gaspare went out into the pa.s.sage and called down the stairs.
"Giulia! Come up! The Signorina is going to dinner."
His defiant voice sounded startling in the silent house.
"We are to eat!"
"Yes, Vere. I shall stay. Presently our mother may come down. She feels that she must be alone. We have no right to try to force ourselves upon her."
"Do you think it is that? Are you telling me the truth? Are you?"
"If she does not come down presently I will go up. Don"t be afraid. I will not leave you till she comes down."
Giulia returned, wiping her eyes. When he saw her Gaspare disappeared.
They knew he had gone to wait outside his Padrona"s door.
The dinner pa.s.sed almost in silence. Artois ate, and made Vere eat. Vere sat in her mother"s place, with her back to the door. Artois was facing her. Often his eyes travelled to the door. Often, too, Vere turned her head. And in the silence both were listening for a step that did not come: Vere with a feverish eagerness, Artois with a mingling of longing and of dread. For he knew he dreaded to see Hermione that night. He knew that it would be terrible to him to meet her eyes, to speak to her, to touch her hand. And yet he longed for her to come. For he was companioned by a great and growing fear, which he must hide. And that act of secrecy, undertaken for Vere"s sake, seemed to increase the thing he hid, till the shadow it had been began to take form, to grow in stature, to become dominating, imperious.
Giulia put some fruit on the table. The meal was over, and there had been no sound outside upon the stairs.
"Monsieur Emile, what are you going to do?"
"Go to the drawing-room, Vere. I will go out and see whether there is any light in your mother"s window."
She obeyed him silently and went away. Then he took his hat and went out upon the terrace.
Gaspare had said that Hermione"s room was dark. Perhaps he had been mistaken. The key might have been so placed in the lock that he had been deceived. As Artois walked to a point from which he could see one of the windows of Hermione"s bedroom, he knew that he longed to see a light there. If the window was dark the form of his fear would be more distinct. He reached the point and looked up. There was no light.
He stood there for some time gazing at that darkness. He thought of the bent photograph frame, of the photograph that had been so loved torn into fragments, of the sound that was--hardly crying, and of the face he had seen for an instant as he drew near to the island. He ought to come to some decision, to take some action. Vere was depending upon him. But he felt as if he could do nothing. In answer to Vere"s appeal he had hastened to the island. And now he was paralyzed, he was utterly useless.
He felt as if he dared not do anything. Hermione in her grief, had suddenly pa.s.sed from him into a darkness that was sacred. What right had he to try to share it?
And yet--if that great shape of fear were not the body of a lie, but of the truth?
Never had he felt so impotent, so utterly unworthy of his manhood.
He moved away, turned, came back and stood once more beneath the window.
Ought he to go up to Hermione"s door, to knock, to speak, to insist on admittance? And if there was no reply?--what ought he to do then? Break down the door?
He went into the house. Vere was sitting in the drawing-room looking at the door. She sprang up.
"Is there a light in Madre"s room?"
"No."
He saw, as he answered, that she caught his fear, that hers now had the same shape as his.
"Monsieur Emile, you--you don"t think--?"
Her voice faltered, her bright eyes became changed, dim, seemed to sink into her head.
"You must go to her room. Go to Madre, Monsieur Emile, Go! Speak to her!
Make her answer! Make her! make her!"
She put her hands on him. She pushed him frantically.
He took her hands and held them tightly.
"I am going, Vere. Don"t be frightened!"
"But you are frightened! You are frightened!"
"I will speak to your mother. I will beg her to answer."
"And if she doesn"t answer?"
"I will get into the room."
He let go her hands and went towards the door. Just as he reached it there came from below in the house a loud, shrill cry. It was followed by an instant of silence, then by another cry, louder, nearer than before. And this time they could hear the words:
"_La fattura della morte_! _La fattura della morte_!"