Without being constantly fed upon the novel, the child may yet avoid monotony by having a measure of variety within a reasonable number of interests. It is in this way, in fact, that permanent centres of interest can best be established. To keep a child"s attention continually upon one line of experiences would destroy both curiosity and interest. To keep him ever attending to the novel would prevent the building up of any centres of interest. By variety within a reasonable number of subjects, both depth of interest and reasonable variety in interests will be obtained. This is, therefore, another reason why the school curriculum should show a reasonable number of subjects and reasonable variety in the presentation of these subjects.
IMITATION
=Nature of Imitation.=--In our study of the nervous system, attention was called to the close connection existing between sensory impulse and action. It may be noted further that, whenever the young child gains an idea of an action, he tends at once to express that idea in action. On account of this immediate connection between thought and expression, due to an inability to inhibit the motor discharge, a child, as soon as he is able to form ideas of the acts of others, must necessarily show a tendency to repeat, or reproduce, such acts. Granting that this immediate connection between sensory impulse and motor response is an inherited capacity, the tendency of the young child to imitate the acts of others may be cla.s.sified as an instinct.
=Imitation a Complex.=--On closer examination, however, it will be found that imitation is really a complex of several tendencies. The nervous organism of the healthy young child is usually supercharged with nervous energy. This energy, like a swollen stream, seems ever striving to sweep away any resistance to the motor discharge of sensory impulses, and must necessarily reinforce the natural tendency to give immediate expression to ideas of action. Moreover, the social instincts of the child, his sympathy, etc., give him a special interest in human beings and in their acts. These tendencies, therefore, focus his attention upon human action, and cause his ideas of such acts to become more vivid and interesting. For this reason, observation of human acts is more likely to lead to motor expression. That the social instincts of the child reinforce the tendency to imitate is indicated by the fact that his early imitations are of human acts especially, as yawning, smiling, crying, etc. The same is further evidenced in that, at a later stage, when ordinary objects enter into his imitative acts, the imitation is largely symbolic, and objects are endowed with living attributes. Here blocks become men; sticks, horses, etc.
=Kinds of. A. Spontaneous Imitation.=--In its simplest form, imitation seems to follow directly upon the perception of a given act. As the child attends, now to the nod of the head, now to the shaking of the rattle, now to an uttered sound, he spontaneously reproduces these perceived acts. Because in such cases the imitative act follows directly upon the perception of the copy, without the intervention of any determination to imitate, it is termed spontaneous, or unconscious, imitation. It is by spontaneous imitation that the child gains so much knowledge of the world about him, and so much power over the movements of his own body. The occupations and language of the home, the operations of the workman, the movements and gestures of the older children in their games, all these are spontaneously reproduced through imitation. This enables the child to partic.i.p.ate largely in the social life about him. It is for this reason that he should observe only good models of language and conduct during his early years.
=B. Symbolic Imitation.=--If we note the imitative acts of a child of from four to six years of age, we may find that a new factor is often entering into the process. At this stage the child, instead of merely copying the acts of others, further clothes objects and persons with fancied attributes through a process of imagination. By this means, the little child becomes a mother and the doll a baby; one boy becomes a teacher or captain, the others become pupils or soldiers. This form has already been referred to as symbolic imitation. Frequent use is made of this type of imitation in education, especially in the kindergarten.
Through the gifts, plays, etc., of the kindergarten, the child in imagination exemplifies numberless relations and processes of the home and community life. The educative value of this type consists in the fact that the child, by acting out in a symbolic, or make-believe, way valuable social processes, though doing them only in an imaginative way, comes to know them better by the doing.
=C. Voluntary Imitation.=--As the child"s increasing power of attention gives him larger control of his experiences, he becomes able, not only to distinguish between the idea of an action and its reproduction by imitation, but also to a.s.sociate some further end, or purpose, with the imitative process. The little child imitates the language of his fellows spontaneously; the mimic, for the purpose of bringing out certain peculiarities in their speech. When first imitating his elder painting with a brush, the child imitates merely in a spontaneous or unconscious way the act of brushing. When later, however, he tries to secure the delicate touch of his art teacher, he will imitate the teacher"s movements for the definite purpose of adding to his own skill. Because in this type the imitator first conceives in idea the particular act to be imitated, and then consciously strives to reproduce the act in like manner, it is cla.s.sified as conscious, or voluntary, imitation.
=Use of Voluntary Imitation.=--Teachers differ widely concerning the educational value of voluntary imitation. It is evident, however, that in certain cases, as learning correct forms of speech, in physical and manual exercises, in conduct and manners, etc., good models for imitation count for more than rules and precepts. On the other hand, to endeavour to teach a child by imitation to read intelligently could only result in failure. In such a case, the pupil, by attempting to a.n.a.lyse out and set up as models the different features of the teachers reading, would have his attention directed from the thought of the sentence. But without grasping the meaning, the pupil cannot make his reading intelligent. In like manner, to have a child learn a rule in arithmetic by merely imitating the process from type examples worked by the teacher, would be worse than useless, since it would prevent independent thinking on the child"s part. The purpose here is not to gain skill in a mechanical process, but to gain knowledge of an intelligent principle.
PLAY
=Nature of Play Impulse.=--Another tendency of early childhood utilized by the modern educator is the so-called instinct of play. According to some, the impulse to play represents merely the tendency of the surplus energy stored up within the nervous organism to express itself in physical action. According to this view, play would represent, not any inherited tendency, but a condition of the nervous organism. It is to be noted, however, that this activity spends itself largely in what seems instinctive tendencies. The boy, in playing hide-and-seek, in chasing, and the like, seems to express the hunting and fleeing instincts of his ancestors. Playing with the doll is evidently suggested and influenced by the parental instinct, while in all games, the activity is evidently determined largely by social instincts. Like imitation, therefore, play seems a complex, involving a number of instinctive tendencies.
=Play versus Work.=--An essential characteristic of the play impulse is its freedom. By this is meant that the acts are performed, not to gain some further end, but merely for the sake of the activity itself. The impulse to play, therefore, must find its initiative within the child, and must give expression merely to some inner tendency. So long, for example, as the boy shovels the sand or piles the stones merely to exercise his physical powers, or to satisfy an inner tendency to imitate the actions of others, the operation is one of play. When, on the other hand, these acts are performed in order to clean up the yard, or because they have been ordered to be done by a parent, the process is one of work, for the impulse to act now lies in something outside the act itself. To compel a child to play, therefore, would be to compel him to work.
=Value of Play: A. Physical.=--Play is one of the most effective means for promoting the physical development of the child. This result follows naturally from the free character of the play activity. Since the impulse to act is found in the activity itself, the child always has a strong motive for carrying on the activity. On the other hand, when somewhat similar activities are carried on as a task set by others, the end is too remote from the child"s present interests and tendencies to supply him with an immediate motive for the activity. Play, therefore, causes the young child to express himself physically to a degree that tasks set by others can never do, and thus aids him largely in securing control of bodily movements.
=B. Intellectual and Moral.=--In play, however, the child not only secures physical development and a control of bodily movements, but also exercises and develops other tendencies and powers. Many plays and games, for instance, involve the use of the senses. Whether the young child is shaking his rattle, rolling the ball, pounding with the spoon, piling up blocks and knocking them over, or playing his regular guessing games in the kindergarten, he is constantly stimulating his senses, and giving his sensory nerves their needed development. As imitation and imagination, by their co-operation, later enable the child to symbolize his play, such games as keeping store, playing carpenter, farmer, baker, etc., both enlarge the child"s knowledge of his surroundings, and also awaken his interest and sympathy toward these occupations. Other games, such as beans-in-the-bag, involve counting, and thus furnish the child incidental lessons in number under most interesting conditions. In games involving co-operation and compet.i.tion, as the bowing game, the windmill, fill the gap, chase ball in ring, etc., the social tendencies of the child are developed, and such individual instincts as rivalry, emulation, and combativeness are brought under proper control.
PLAY IN EDUCATION
=a.s.signing Play.=--In adapting play to the formal education of the child, a difficulty seems at once to present itself. If the teacher endeavours to provide the child with games that possess an educative value, physical, intellectual, or moral, how can she give such games to the children, and at the same time avoid setting the game as a task?
That such a result might follow is evident from our ordinary observation of young children. To the boy interested in a game of ball, the request to come and join his sister in playing housekeeping would, more than likely, be positive drudgery. May it not follow therefore, that a trade or guessing game given by the kindergarten director will fail to call forth the free activity of the child? One of the arguments of the advocates of the Montessori Method in favour of that system is, that the specially prepared apparatus of that system is itself suggestive of play exercises; and that, by having access to the apparatus, the child may choose the particular exercise which appeals to his free activity at the moment. This supposed superiority of the Montessori apparatus over the kindergarten games is, however, more apparent than real. What the skilful kindergarten teacher does is, through her knowledge of the interests and tendencies of the children, to suggest games that will be likely to appeal to their free activity, and at the same time have educative value along physical, intellectual, and moral lines. In this way, she does no more than children do among themselves, when one suggests a suitable game to his companions. In such a case, no one would argue, surely, that the leader is the only child to show free activity in the play.
=Stages in Play.=--In the selecting of games, plays, etc., it is to be noted that these may be divided into at least three cla.s.ses, according as they appeal to children at different ages. The very young child prefers merely to play with somewhat simple objects that can make an appeal to his senses, as the rattle, the doll, the pail and shovel, hammer, crayon, etc. This preference depends, on the one hand, upon his early individualistic nature, which would object to share the play with another; and, on the other hand, upon the natural hunger of his senses for varied stimulations. At about five years of age, owing to the growth of the child"s imagination, symbolism begins to enter largely into his games. At this age the children love to play church, school, soldier, scavenger man, hen and chickens, keeping store, etc. At from ten to twelve years of age, co-operative and compet.i.tive games are preferred; and with boys, those games especially which demand an amount of strength and skill. This preference is to be accounted for through the marked development of the social instincts at this age and, in the case of boys, through increase in strength and will power.
=Limitations of Play.=--Notwithstanding the value of play as an agent in education, it is evident that its application in the school-room is limited. Social efficiency demands that the child shall learn to appreciate the joy of work even more than the joy of play. Moreover, as noted in the early part of our work, the acquisition of race experience demands that its problems be presented to the child in definite and logical order. This can be accomplished only by having them presented to the pupil by an educative agent and therefore set as a problem or a task to be mastered. This, of course, does not deny that the teacher should strive to have the pupil express himself as freely as possible as he works at his school problem. It does necessitate, however, that the child should find in his lesson some conscious end, or aim, to be reached beyond the mere activity of the learning process. This in itself stamps the ordinary learning process of the school as more than mere play.
CHAPTER XXII
HABIT
=Nature of Habit.=--When an action, whether performed under the full direction, or control, of attention and with a sense of effort, or merely as an instinctive or impulsive act, comes by repet.i.tion to be performed with such ease that consciousness may be largely diverted from the act itself and given to other matters, the action is said to have become habitual. For example, if a person attempts a new manner of putting on a tie, it is first necessary for him to stand before a gla.s.s and follow attentively every movement. In a short time, however, he finds himself able to perform the act easily and skilfully both without the use of a gla.s.s and almost without conscious direction. Moreover if the person should chance in his first efforts to hold his arms and head in a certain way in order to watch the process more easily in the gla.s.s, it is found that when later he does the act even without the use of a gla.s.s, he must still hold his arms and head in this manner.
=Basis of Habits.=--The ability of the organism to habituate an action, or make it a reflex is found to depend upon certain properties of nervous matter which have already been considered.
These facts are:
1. Nervous matter is composed of countless numbers of individual cells brought into relation with one another through their outgoing fibres.
2. This tissue is so plastic that whenever it reacts upon an impression a permanent modification is made in its structure.
3. Not only are such modifications retained permanently, but they give a tendency to repeat the act in the same way; while every such repet.i.tion makes the structural modification stronger, and this renders further repet.i.tion of the act both easier and more effective.
4. The connections between the various nervous centres thus become so permanent that the action may run its course with a minimum of resistance within the nervous system.
5. In time the movements are so fixed within the system that connections are formed between sensory and motor centres at points lower than the cortex--that is, the stimulus and response become reflex.
=An Example.=--When a child strives to acquire the movements necessary in making a new capital letter, his eye receives an impression of the letter which pa.s.ses along the sensory system to the cortex and, usually with much effort, finds an outlet in a motor attempt to form the letter.
Thus a permanent trace, or course, is established in the nervous system, which will be somewhat more easily taken on a future occasion. After a number of repet.i.tions, the child, by giving his attention fully to the act, is able to form the letter with relative ease. As these movements are repeated, however, the nervous system, as already noted, may shorten the circuit between the point of sensory impression and motor discharge by establishing a.s.sociations in centres lower than those situated in the cortex. Whenever any act is repeated a great number of times, therefore, these lower a.s.sociations are established with a resulting diminution of the impression upward through the cortex of the brain. This results also in a lessening of the amount of attention given the movement, until finally the act can be performed in a perfectly regular way with practically no conscious, or attentive, effort.
=Habit and Consciousness.=--While saying that such habitual action may be performed with facility in the absence of conscious direction, it must not be understood that conscious attention is necessarily entirely absent during the performance of an habitual act. In many of these acts, as for instance, lacing and tieing a shoe, signing one"s name, etc., conscious effort usually gives the first impulse to perform the act.
There may be cases, however, in which one finds himself engaged in some customary act without any seeming initial conscious suggestion. This would be noted, for instance, where a person starts for the customary clothes closet, perhaps to obtain something from a pocket, and suddenly finds himself hanging on a hook the coat he has unconsciously removed from his shoulders. Here the initial movement for removing the coat may have been suggested by the sight of the customary closet, or by the movement involved in opening the closet door, these impressions being closely co-ordinated through past experiences with those of removing the coat. When, also, a woman is sewing or kneading bread, although she seems to be able to give her attention fully to the conversation in which she may be engaged, yet no doubt a slight trace of conscious control is still exercised over the other movements. This is seen in the fact that, whenever the conversation becomes so absorbing that it takes a very strong hold on the attention, the habitual movements may cease without the person being at first aware that she has ceased working.
=Habit and Nervous Action.=--The general flow of the nervous energy during such processes as the above, in which there is an interchange between conscious and habitual control, may be ill.u.s.trated by the following figures. In these figures the heavy lines indicate the process actually going on, while the broken lines indicate that although such nerve courses are established, they are not being brought into active operation in the particular case.
[Ill.u.s.tration: FIG. 1, FIG. 2, FIG. 3
A. Sensory Stimulus B. Lower Sensory Centre C. Higher Sensory Centre
A" Higher Motor Centre B" Lower Motor Centre C" Motor Response]
The arrows in Figure 1 indicate the course of sensory stimulation and motor response during the first efforts to acquire skill in any movement. No connections are yet set up between lower centres and the acts are under conscious control.
The arrows in Figure 2 indicate the course of sensory stimulus and motor response in an ordinary habitual act, as when an expert fingers the piano keys or controls a bicycle while his mind is occupied with other matters.
The arrows in Figure 3 indicate how, even in performing what is ordinarily an habitual act, the mind may at any time a.s.sume control of the movement. This is ill.u.s.trated in the case of a person who, when unconsciously directing his bicycle along the road, comes to a narrow plank over a culvert. Hereupon full attention may be given to the movements, that is, the acts may come under conscious control.
FORMATION OF HABITS
It is evident from the nature of the structure and properties of the nervous system, that man cannot possibly avoid the formation of habits.
Any act once performed will not only leave an indelible trace within the nervous system, but will also set up in the system a tendency to repeat the act. It is this fact that always makes the first false step exceedingly dangerous. Moreover, every repet.i.tion further breaks down the present resistance and, therefore, in a sense further enslaves the individual to that mode of action. The word poorly articulated for the first time, the letter incorrectly formed, the impatient shrug of the shoulder--these set up their various tracks, create a tendency, and soon, through the establishment of lower connections, become unconscious habits. Thus it is that every one soon becomes a bundle of habits.
=Precautions to be Taken.=--A most important problem in relation to the life of the young child is that he should at the outset form right habits. This includes not only doing the right thing, but also doing it in the right way. For this he must have the right impression, make the right response, and continue this response until the proper paths are established in the nervous system, or, in other words, until practically all resistance within the system is overcome. It is here that teachers are often very lax in dealing with the pupil in his various forms of expressive work. They may indeed give the child the proper impression, for example, the correct form of the letter, the correct p.r.o.nunciation of the new word, the correct position for the pen and the body, but too often they do not exercise the vigilance necessary to have the first responses develop into well-fixed habits. But it must be remembered that the child"s first response is necessarily crude; for as already seen, there is always at first a certain resistance to the co-ordinated movements, on account of the tracks within the nervous system not yet being surely established. The result is that during the time this resistance is being overcome, there is constant danger of variations creeping into the child"s responses. Unless, therefore, he is constantly watched during this practice period, his response may fall much below the model, or standard, set by the teacher. Take, for instance, the child"s mode of forming a letter. At the outset he is given the correct forms for _g_ and _m_, but on account of the resistance met in performing these movements he may, if left without proper supervision, soon fall into such movements as [symbol] and [symbol]. The chief value of the Montessori sandpaper letters consists in the fact that they enable the child to continue a correct movement without variation until all resistance within the nervous organism has been overcome. Two facts should, therefore, be kept prominently in view by the teacher concerning the child"s efforts to secure skill. First, the learner"s early attempts must be necessarily crude, both through the resistance at first offered by the nervous system on account of the proper paths not being laid in the system, and also through the image of the movement not being clearly conceived. Secondly, there is constant danger of variations from the proper standard establishing themselves during this period of resistance.
VALUE OF HABITS
=Habits Promote Efficiency.=--But notwithstanding the dangers which seem to attend the formation of habits, it is only through this inevitable reduction of his more customary acts to unconscious habit that man attains to proficiency. Only by relieving conscious attention from the ordinary mechanical processes in any occupation, is the artist able to attend to the special features of the work. Unless, for instance, the scholar possesses as an unconscious habit the ability to hold the pen and form and join the various letters, he could never devote his attention to evolving the thoughts composing his essay. In like manner, without an habitual control of the chisel, the carver could not possibly give an absorbing attention to the delicate outlines of the particular model. It is only because the rider has habituated himself to the control of the handles, etc., that he can give his attention to the street traffic before him and guide the bicycle or automobile through the ever varying pa.s.sages. The first condition of efficiency, therefore, in any pursuit, is to reduce any general movements involved in the process to unconscious habits, and thus leave the conscious judgment free to deal with the changeable features of the work.
=Habit Conserves Energy.=--Another advantage of habit is that it adds to the individual"s capacity for work. When any movements are novel and require our full attention, a greater nervous resistance is met on account of the laying down of new paths in the nerve centres. Moreover longer nervous currents are produced through the cortex of the brain, because conscious attention is being called into play. These conditions necessarily consume a greater amount of nerve energy. The result is that man is able to continue for a longer time with less nervous exhaustion any series of activities after they have developed into habits. This can be seen by noting the ease with which one can perform any physical exercise after habituating himself to the movements, compared with the evident strain experienced when the exercise is first undertaken.
=Makes the Disagreeable Easy.=--Another, though more incidental, advantage of the formation of habits, is that occupations in themselves uninteresting or even distasteful may, through habit, be performed at least without mental revulsion. This results largely from the fact that the growth of habit decreases the resistance, and thus lessens or destroys the disagreeable feeling. Moreover, when such acts are reduced to mechanical habits, the mind is largely free to consider other things.
In this way the individual, even in the midst of his drudgery, may enjoy the pleasures of memory or imagination. Although, therefore, in going through some customary act, one may still dislike the occupation, the fact that he can do much of it habitually, leaves him free to enjoy a certain amount of mental pleasure in other ways.