TEKLA. [Prattling as if to a baby] Has he got ants in his head again? Does he want me to take them away, does he? [Kisses him on the forehead] There now! Is it all right now?
ADOLPH. Now it"s all right. [Pause]
TEKLA. Well, tell me now what you have been doing to make the time go? Have you painted anything?
ADOLPH. No, I am done with painting.
TEKLA. What? Done with painting?
ADOLPH. Yes, but don"t scold me for it. How can I help it that I can"t paint any longer!
TEKLA. What do you mean to do then?
ADOLPH. I"ll become a sculptor.
TEKLA. What a lot of brand new ideas again!
ADOLPH. Yes, but please don"t scold! Look at that figure over there.
TEKLA. [Uncovering the wax figure] Well, I declare!--Who is that meant for?
ADOLPH. Guess!
TEKLA. Is it p.u.s.s.y? Has he got no shame at all?
ADOLPH. Is it like?
TEKLA. How can I tell when there is no face?
ADOLPH. Yes, but there is so much else--that"s beautiful!
TEKLA. [Taps him playfully on the cheek] Now he must keep still or I"ll have to kiss him.
ADOLPH. [Holding her back] Now, now!--Somebody might come!
TEKLA. Well, what do I care? Can"t I kiss my own husband, perhaps?
Oh yes, that"s my lawful right.
ADOLPH. Yes, but don"t you know--in the hotel here, they don"t believe we are married, because we are kissing each other such a lot. And it makes no difference that we quarrel now and then, for lovers are said to do that also.
TEKLA. Well, but what"s the use of quarrelling? Why can"t he always be as nice as he is now? Tell me now? Can"t he try? Doesn"t he want us to be happy?
ADOLPH. Do I want it? Yes, but--
TEKLA. There we are again! Who has put it into his head that he is not to paint any longer?
ADOLPH. Who? You are always looking for somebody else behind me and my thoughts. Are you jealous?
TEKLA. Yes, I am. I"m afraid somebody might take him away from me.
ADOLPH. Are you really afraid of that? You who know that no other woman can take your place, and that I cannot live without you!
TEKLA. Well, I am not afraid of the women--it"s your friends that fill your head with all sorts of notions.
ADOLPH. [Watching her] You are afraid then? Of what are you afraid?
TEKLA. [Getting up] Somebody has been here. Who has been here?
ADOLPH. Don"t you wish me to look at you?
TEKLA. Not in that way: it"s not the way you are accustomed to look at me.
ADOLPH. How was I looking at you then?
TEKLA. Way up under my eyelids.
ADOLPH. Under your eyelids--yes, I wanted to see what is behind them.
TEKLA. See all you can! There is nothing that needs to be hidden.
But--you talk differently, too--you use expressions--[studying him] you philosophise--that"s what you do! [Approaches him threateningly] Who has been here?
ADOLPH. n.o.body but my physician.
TEKLA. Your physician? Who is he?
ADOLPH. That doctor from Stromstad.
TEKLA. What"s his name?
ADOLPH. Sjoberg.
TEKLA. What did he have to say?
ADOLPH. He said--well--among other things he said--that I am on the verge of epilepsy--
TEKLA. Among other things? What more did he say?
ADOLPH. Something very unpleasant.
TEKLA. Tell me!
ADOLPH. He forbade us to live as man and wife for a while.
TEKLA. Oh, that"s it! Didn"t I just guess it! They want to separate us! That"s what I have understood a long time!
ADOLPH. You can"t have understood, because there was nothing to understand.
TEKLA. Oh yes, I have!