Isolated, crime-haunted, and remorseless, at the same time fierce and timorous, the despot not unfrequently made of vice a fine art for his amus.e.m.e.nt, and openly defied humanity. His pleasures tended to extravagance. Inordinate l.u.s.t and refined cruelty sated his irritable and jaded appet.i.tes. He destroyed pity in his soul, and fed his dogs with living men, or spent his brains upon the invention of new tortures.
From the game of politics again he won a feverish pleasure, playing for states and cities as a man plays chess, and endeavoring to extract the utmost excitement from the varying turns of skill and chance. It would be an exaggeration to a.s.sert that all the princes of Italy were of this sort. The saner, better, and n.o.bler among them--men of the stamp of Gian Galeazzo Visconti, Can Grande della Scala, Francesco and Lodovico Sforza, found a more humane enjoyment in the consolidation of their empire, the cementing of their alliances, the society of learned men, the friendship of great artists, the foundation of libraries, the building of palaces and churches, the execution of vast schemes of conquest. Others, like Galeazzo Visconti, indulged a comparatively innocent taste for magnificence. Some, like Sigismondo Pandolfo Malatesta, combined the vices of a barbarian with the enthusiasm of a scholar. Others again, like Lorenzo de" Medici and Frederick of Urbino, exhibited the model of moderation in statecraft and a n.o.ble width of culture. But the tendency to degenerate was fatal in all the despotic houses. The strain of tyranny proved too strong. Crime, illegality, and the sense of peril, descending from father to son, produced monsters in the shape of men. The last Visconti, the last La Scalas, the last Sforzas, the last Malatestas, the last Farnesi, the last Medici are among the worst specimens of human nature.
Macaulay"s brilliant description of the Italian tyrant in his essay on Machiavelli deserves careful study. It may, however, be remarked that the picture is too favorable. Macaulay omits the darker crimes of the despots, and draws his portrait almost exclusively from such men as Gian Galeazzo Visconti, Francesco and Lodovico Sforza, Frederick of Urbino, and Lorenzo de" Medici. The point he is seeking to establish--that political immorality in Italy was the national correlative to Northern brutality--leads him to idealize the polite refinement, the disciplined pa.s.sions, the firm and astute policy, the power over men, and the excellent government which distinguished the n.o.blest Italian princes.
When he says "Wanton cruelty was not in his nature: on the contrary, where no political object was at stake, his disposition was soft and humane"; he seems to have forgotten Gian Maria Visconti, Corrado Trinci, Sigismondo Pandolfo Malatesta, and Cesare Borgia. When he writes, "His pa.s.sions, like well-trained troops, are impetuous by rule, and in their most headstrong fury never forget the discipline to which they have been accustomed," he leaves Francesco Maria della Rovere, Galeazzo Maria Sforza, Pier Luigi Farnese, Alexander VI., out of the reckoning. If all the despots had been what Macaulay describes, the revolutions and conspiracies of the fourteenth and fifteenth centuries would not have taken place. It is, however, to be remarked that in the sixteenth century the conduct of the tyrant toward his subjects a.s.sumed an external form of mildness. As Italy mixed with the European nations, and as tyranny came to be legalized in the Italian states, the despots developed a policy not of terrorism but of enervation (Lorenzo de"
Medici is the great example), and aspired to be paternal governors.
What I have said about Italian despotism is no mere fancy picture. The actual details of Milanese history, the innumerable tragedies of Lombardy, Romagna, and the Marches of Ancona, during the ascendency of despotic families, are far more terrible than any fiction; nor would it be easy for the imagination to invent so perplexing a mixture of savage barbarism with modern refinement. Savonarola"s denunciations[1] and Villani"s descriptions of a despot read like pa.s.sages from Plato"s Republic, like the most pregnant of Aristotle"s criticisms upon tyranny.
The prologue to the sixth book of Matteo Villani"s Chronicle may be cited as a fair specimen of the judgment pa.s.sed by contemporary Italian thinkers upon their princes (Libro Sesto, cap. i.): "The crimes of despots always hinder and often neutralize the virtues of good men.
Their pleasures are at variance with morality. By them the riches of their subjects are swallowed up. They are foes to men who grow in wisdom and in greatness of soul in their dominions. They diminish by their imposts the wealth of the peoples ruled by them. Their unbridled l.u.s.t is never satiated, but their subjects have to suffer such outrages and insults as their fancy may from time to time suggest. But inasmuch as the violence of tyranny is manifested to all eyes by these and many other atrocities, we need not enumerate them afresh. It is enough to select one feature, strange in appearance but familiar in fact; for what can be more extraordinary than to see princes of ancient and ill.u.s.trious lineage bowing to the service of despots, men of high descent and time-honored n.o.bility frequenting their tables and accepting their bounties? Yet if we consider the end of all this, the glory of tyrants often turns to misery and ruin. Who can exaggerate their wretchedness?
They know not where to place their confidence; and their courtiers are always on the lookout for the despot"s fall, gladly lending their influence and best endeavors to undo him in spite of previous servility.
This does not happen to hereditary kings, because their conduct toward their subjects, as well as their good qualities and all their circ.u.mstances, are of a nature contrary to that of tyrants. Therefore the very causes which produce and fortify and augment tyrannies, conceal and nourish in themselves the sources of their overthrow and ruin. This indeed is the greatest wretchedness of tyrants."
[1] See the pa.s.sage condensed from his Sermons in Villari"s Life of Savonarola (Eng. Tr. vol. ii. p. 62). The most thorough-going a.n.a.lysis of despotic criminality is contained in Savonarola"s _Tractato circa el Reggimento e Governo della Citta di Firenze_, Trattato ii. cap. 2. _Della Malitia e pessime Conditioni del Tyranno_.
It may be objected that this sweeping criticism, from the pen of a Florentine citizen at war with Milan, partakes of the nature of an invective. Yet abundant proofs can be furnished from the chronicles of burghs which owed material splendor to their despots, confirming the censure of Villani. Matarazzo, for example, whose sympathy with the house of Baglioni is so striking, and who exults in the distinction they conferred upon Perugia, writes no less bitterly concerning the pernicious effects of their misgovernment.[1] It is to be noticed that Villani and Matarazzo agree about the special evils brought upon the populations by their tyrants. l.u.s.t and violence take the first place.
Next comes extortion; then the protection of the lawless and the criminal against the better sort of citizens. But the Florentine, with intellectual ac.u.men, lays his finger on one of the chief vices of their rule. They r.e.t.a.r.d the development of mental greatness in their states, and check the growth of men of genius. Ariosto, in the comparative calm of the sixteenth century, when tyrannies had yielded to the protectorate of Spain, sums up the records of the past in the following memorable pa.s.sage:[2] "Happy the kingdoms where an open-hearted and blameless man gives law! Wretched indeed and pitiable are those where injustice and cruelty hold sway, where burdens ever greater and more grievous are laid upon the people by tyrants like those who now abound in Italy, whose infamy will be recorded through years to come as no less black than Caligula"s or Nero"s." Guicciardini, with pregnant brevity, observes:[3]
"The mortar with which the states of the tyrants are cemented is the blood of the citizens."
[1] Arch. Stor. xvi. 102. See my _Sketches in Italy and Greece_, p.
84.
[2] Cinque Canti, ii. 5.
[3] Ricordi Politici, ccxlii.
In the history of Italian despotism two points of first-rate importance will demand attention. The first is the process by which the greater tyrannies absorbed the smaller during the fourteenth century. The second is the relation of the chief Condottieri to the tyrants of the fifteenth century. The evolution of these two phenomena cannot be traced more clearly than by a study of the history of Milan, which at the same time presents a detailed picture of the policy and character of the Italian despot during this period. The dynasties of Visconti and Sforza from 1300 to 1500 bridged over the years that intervened between the Middle Age and the Renaissance, between the period of the free burghs and the period during which Italy was destined to become the theater of the action of more powerful nations. Their alliances and diplomatic relations prepared the way for the interference of foreigners in Italian affairs. Their pedigree ill.u.s.trates the power acquired by military adventurers in the peninsula. The magnitude of their political schemes displays the most soaring ambition which it was ever granted to Italian princes to indulge. The splendor of their court and the intelligence of their culture bear witness to the high state of civilization which the Italians had reached.
The power of the Visconti in Milan was founded upon that of the Della Torre family, who preceded them as Captains General of the people at the end of the thirteenth century. Otho, Archbishop of Milan, first laid a substantial basis for the dominion of his house by imprisoning Napoleone Della Torre and five of his relatives in three iron cages in 1277, and by causing his nephew Matteo Visconti to be nominated both by the Emperor and by the people of Milan as imperial Vicar. Matteo, who headed the Ghibelline party in Lombardy, was the model of a prudent Italian despot. From the date 1311, when he finally succeeded in his attempts upon the sovereignty of Milan, to 1322, when he abdicated in favor of his son Galeazzo, he ruled his states by force of character, craft, and insight, more than by violence or cruelty. Excellent as a general, he was still better as a diplomatist, winning more cities by money than by the sword. All through his life, as became a Ghibelline chief at that time, he persisted in fierce enmity against the Church. But just before his death a change came over him. He showed signs of superst.i.tious terror, and began to fear the ban of excommunication which lay upon him.
This weakness alarmed the suspicions of his sons, terrible and wolf-like men, whom Matteo had hitherto controlled with bit and bridle. They therefore induced him to abdicate in 1322, and when in the same year he died, they buried his body in a secret place, lest it should be exhumed, and scattered to the winds in accordance with the Papal edict against him.[1] Galeazzo, his son, was less fortunate than Matteo, surnamed Il Grande by the Lombards. The Emperor Louis of Bavaria threw him into prison on the occasion of his visit to Milan in 1327, and only released him at the intercession of his friend Castruccio Castracane. To such an extent was the growing tyranny of the Visconti still dependent upon their office delegated from the Empire. This Galeazzo married Beatrice d" Este, the widow of Nino di Gallura, of whom Dante speaks in the eighth canto of the Purgatory, and had by her a son named Azzo. Azzo bought the city, together with the t.i.tle of Imperial Vicar, from the same Louis who had imprisoned his father.[2] When he was thus seated in the tyranny of his grandfather, he proceeded to fortify it further by the addition of ten Lombard towns, which he reduced beneath the supremacy of Milan. At the same time he consolidated his own power by the murder of his uncle Marco in 1329, who had grown too mighty as a general. Giovio describes him as fair of complexion, blue-eyed, curly-haired, and subject to the hereditary disease of gout.[3] Azzo died in 1339, and was succeeded by his uncle Lucchino. In Lucchino the darker side of the Visconti character appears for the first time. Cruel, moody, and jealous, he pa.s.sed his life in perpetual terror. His nephews, Galeazzo and Barnabas, conspired against him, and were exiled to Flanders. His wife, Isabella Fieschi, intrigued with Galeazzo and disgraced him by her amours with Ugolino Gonzaga and Dandolo the Doge of Venice. Finally suspicion rose to such a pitch between this ill-a.s.sorted couple, that, while Lucchino was plotting how to murder Isabella, she succeeded in poisoning him in 1349. In spite of these domestic calamities, Lucchino was potent as a general and governor. He bought Parma from Obizzo d" Este, and made the town of Pisa dependent upon Milan. Already in his policy we can trace the encroachment which characterized the schemes of the Milanese despots, who were always plotting to advance their foot beyond the Apennines as a prelude to the complete subjugation of Italy. Lucchino left sons, but none of proved legitimacy.[4] Consequently he was succeeded by his brother Giovanni, son of old Matteo il Grande, and Archbishop of Milan. This man, the friend of Petrarch, was one of the most notable characters of the fourteenth century. Finding himself at the head of sixteen cities, he added Bologna to the tyranny of the Visconti in 1350, and made himself strong enough to defy the Pope. Clement VI., resenting his encroachments on Papal territory, summoned him to Avignon. Giovanni Visconti replied that he would march thither at the head of 12,000 cavalry and 6,000 infantry. In the Duomo of Milan he ascended his throne with the crosier in his left hand and a drawn sword in his right; and thus he is always represented in pictures. The story of Giovanni"s answer to the Papal Legate is well told by Corio:[5] "After Ma.s.s in the Cathedral the great-hearted Archbishop unsheathed a flashing sword, which he had girded on his thigh, and with his left hand seized the cross, saying, "This is my spiritual scepter, and I will wield the sword as my temporal, in defense of all my empire."" Afterwards he sent couriers to engage lodgings for his soldiers and his train for six months. Visitors to Avignon found no room in the city, and the Pope was fain to decline so terrible a guest. In 1353 Giovanni annexed Genoa to the Milanese princ.i.p.ality, and died in 1354, having established the rule of the Visconti over the whole of the North of Italy, with the exception of Piedmont, Verona, Mantua, Ferrara and Venice.
[1] We may compare what Dante puts into the mouth of Manfred in the "Purgatory" (canto iii.). The great Ghibelline poet here protests against the use of excommunication as a political weapon. His sense of justice will not allow him to believe that G.o.d can regard the sentence of priests and pontiffs, actuated by the spite of partisans; yet the examples of Frederick II. and of this Matteo Visconti prove how terrifying, even to the boldest, those sentences continued to be. Few had the resolute will of Galeazzo Pico di Mirandola, who expired in 1499 under the ban of the Church, which he had borne for sixteen years.
[2] This was in 1328. Azzo agreed to pay 25,000 florins. The vast wealth of the Visconti ama.s.sed during their years of peaceful occupation always stood them in good stead when bad times came, and when the Emperor was short of cash. Azzo deserves special commendation from the student of art for the exquisite octagonal tower of S. Gottardo, which he built of terra cotta with marble pilasters, in Milan. It is quite one of the loveliest monuments of mediaeval Italian architecture.
[3] Lucchino and Galeazzo Visconti were both afflicted with gout, the latter to such an extent as to be almost crippled.
[4] This would not have been by itself a bar to succession in an Italian tyranny. But Lucchino"s b.a.s.t.a.r.ds were not of the proper stuff to continue their father"s government, while their fiery uncle was precisely the man to sustain the honor and extend the power of the Visconti.
[5] Storia di Milano, 1554, p. 223.
The reign of the archbishop Giovanni marks a new epoch in the despotism of the Visconti. They are now no longer the successful rivals of the Della Torre family or dependents on imperial caprice, but self-made sovereigns, with a well-established power in Milan and a wide extent of subject territory. Their dynasty, though based on force and maintained by violence, has come to be acknowledged; and we shall soon see them allying themselves with the royal houses of Europe. After the death of Giovanni, Matteo"s sons were extinct. But Stefano, the last of his family, had left three children, who now succeeded to the lands and cities of the house. They were named Matteo, Bernabo, and Galeazzo.
Between these three princes a part.i.tion of the heritage of Giovanni Visconti was effected. Matteo took Bologna, Lodi, Piacenza, Parma, Bobbio, and some other towns of less importance. Bernabo received Cremona, Crema, Brescia, and Bergamo. Galeazzo held Como, Novara, Vercelli, Asti, Tortona, and Alessandria. Milan and Genoa were to be ruled by the three in common. It may here be noticed that the dismemberment of Italian despotisms among joint-heirs was a not unfrequent source of disturbance and a cause of weakness to their dynasties. At the same time the practice followed naturally upon the illegal nature of the tyrant"s t.i.tle. He dealt with his cities as so many pieces of personal property, which he could distribute as he chose, not as a coherent whole to be bequeathed to one ruler for the common benefit of all his subjects. In consequence of such part.i.tion, it became the interest of brother to murder brother, so as to effect a reconsolidation of the family estates. Something of the sort happened on this occasion. Matteo abandoned himself to b.e.s.t.i.a.l sensuality; and his two brothers, finding him both feeble and likely to bring discredit on their rule, caused him to be a.s.sa.s.sinated in 1355.[1] They then jointly swayed the Milanese, with unanimity remarkable in despots. Galeazzo was distinguished as the handsomest man of his age. He was tall and graceful, with golden hair, which he wore in long plaits, or tied up in a net, or else loose and crowned with flowers. Fond of display and magnificence, he spent much of his vast wealth in shows and festivals, and in the building of palaces and churches. The same taste for splendor led him to seek royal marriages for his children. His daughter Violante was wedded to the Duke of Clarence, son of Edward III. of England, who received with her for dowry the sum of 200,000 golden florins, as well as five cities bordering on Piedmont.[2] It must have been a strange experience for this brother of the Black Prince, leaving London, where the streets were still unpaved, the houses thatched, the beds laid on straw, and where wine was sold as medicine, to pa.s.s into the luxurious palaces of Lombardy, walled with marble, and raised high above smooth streets of stone. Of his marriage with Violante Giovio gives some curious details. He says that Galeazzo on this occasion made splendid presents to more than 200 Englishmen, so that he was reckoned to have outdone the greatest kings in generosity. At the banquet Gian Galeazzo, the bride"s brother, leading a choice company of well-born youths, brought to the table with each course fresh gifts.[3] "At one time it was a matter of sixty most beautiful horses with trappings of silk and silver; at another, plate, hawks, hounds, horse-gear, fine cuira.s.ses, suits of armor fashioned of wrought steel, helmets adorned with crests, surcoats embroidered with pearls, belts, precious jewels set in gold, and great quant.i.ties of cloth of gold and crimson stuff for making raiment. Such was the profusion of this banquet that the remnants taken from the table were enough and to spare for 10,000 men." Petrarch, we may remember, a.s.sisted at this festival and sat among the princes. It was thus that Galeazzo displayed his wealth before the feudal n.o.bles of the North, and at the same time stretched the hand of friendly patronage to the greatest literary man of Europe. Meanwhile he also married his son Gian Galeazzo to Isabella, daughter of King John of France, spending on this occasion, it is said, a similar sum of money for the honor of a royal alliance.[4]
[1] M. Villani, v. 81. Compare Corio, p. 230. Corio gives the date 1356.
[2] Namely, Alba, Cuneo, Carastro, Mondovico, Braida. See Corio, p.
238, who adds sententiously, "il che quasi fu l" ultima roina del suo stato."
[3] Corio (pp. 239, 240) gives the bill of fare of the banquet.
[4] Sismondi says he gave 600,000 florins to Charles, the brother of Isabella, but authorities differ about the actual amount.
Galeazzo held his court at Pavia. His brother reigned at Milan. Bernabo displayed all the worst vices of the Visconti. His system of taxation was most oppressive, and at the same time so lucrative that he was able, according to Giovio"s estimate, to settle nine of his daughters at an expense of something like two millions of gold pieces. A curious instance of his tyranny relates to his hunting establishment. Having saddled his subjects with the keep of 5,000 boar-hounds, he appointed officers to go round and see whether these brutes were either too lean or too well-fed to be in good condition for the chase. If anything appeared defective in their management, the peasants on whom they were quartered had to suffer in their persons and their property.[1] This Bernabo was also remarkable for his cold-blooded cruelty. Together with his brother, he devised and caused to be publicly announced by edict that State criminals would be subjected to a series of tortures extending over the s.p.a.ce of forty days. In this infernal programme every variety of torment found a place, and days of respite were so calculated as to prolong the lives of the victims for further suffering, till at last there was little left of them that had not been hacked and hewed and flayed away.[2] To such extremities of terrorism were the despots driven in the maintenance of their illegal power.
[1] "Per cagione di questa caccia continoamente teneva cinque mila cani; e la maggior parte di quelle distribuiva alla custodia de i cittadini, e anche a i contadini, i quali niun altro cane che quelli potevano tenere. Questi due volte il mese erano tenuti a far la mostra. Onde trovandoli macri in gran somma di danari erano condannati, e se grossi erano, incolpandoli del troppo, erano multati; se morivano, li pigliava il tutto.--Corio, p. 247.
Read M. Villani, vii. 48, for the story of a peasant who was given to Bernabo"s dogs to be devoured for having killed a hare. Corio (p.
247) describes the punishments which he inflicted on his subjects who were convicted of poaching--eyes put out, houses burned, etc. A young man who dreamed of killing a boar had an eye put out and a hand cut off because he imprudently recounted his vision of sport in sleep. On one occasion he burned two friars who ventured to remonstrate. We may compare Ponta.n.u.s, "De Immanitate," vol. i. pp.
318, 320, for similar cruelty in Ferdinand, King of Naples.
[2] This programme may be read in Sismondi, iv. 282.
Galeazzo died in 1378, and was succeeded in his own portion of the Visconti domain by his son Gian Galleazzo. Now began one of those long, slow, internecine struggles which were so common between the members of the ruling families in Italy. Bernabo and his sons schemed to get possession of the young prince"s estate. He, on the other hand, determined to supplant his uncle, and to reunite the whole Visconti princ.i.p.ality beneath his own sway. Craft was the weapon which he chose in this encounter. Shutting himself up in Pavia, he made no disguise of his physical cowardice, which was real, while he simulated a timidity of spirit wholly alien to his temperament. He pretended to be absorbed in religious observances, and gradually induced his uncle and cousins to despise him as a poor creature whom they could make short work of when occasion served. In 1385, having thus prepared the way for treason, he avowed his intention of proceeding on a pilgrimage to Our Lady of Varese. Starting from Pavia with a body guard of Germans, he pa.s.sed near Milan, where his uncle and cousins came forth to meet him. Gian Galeazzo feigned a courteous greeting; but when he saw his relatives within his grasp, he gave a watchword in German to his troops, who surrounded Bernabo and took him prisoner with his sons. Gian Galeazzo marched immediately into Milan, poisoned his uncle in a dungeon, and proclaimed himself sole lord of the Visconti heirship.[1]
[1] The narrative of this coup-de-main may be read with advantage in Corio, p. 258.
The reign of Gian Galeazzo, which began with this coup-de-main (1385-1402), forms a very important chapter in Italian history. We may first see what sort of man he was, and then proceed to trace his aims and achievements. Giovio describes him as having been a remarkably sedate and thoughtful boy, so wise beyond his years that his friends feared he would not grow to man"s estate. No pleasures in after-life drew him away from business. Hunting, hawking, women, had alike no charms for him. He took moderate exercise for the preservation of his health, read and meditated much, and relaxed himself in conversation with men of letters. Pure intellect, in fact, had reached to perfect independence in this prince, who was far above the boisterous pleasures and violent activities of the age in which he lived. In the erection of public buildings he was magnificent. The Certosa of Pavia and the Duomo of Milan owed their foundation to his sense of splendor. At the same time he completed the palace of Pavia, which his father had begun, and which he made the n.o.blest dwelling-house in Europe. The University of Pavia was raised by him from a state of decadence to one of great prosperity, partly by munificent endowments and partly by a wise choice of professors. In his military undertakings he displayed a kindred taste for vast engineering projects. He contemplated and partly carried out a scheme for turning the Mincio and the Brenta from their channels, and for drying up the lagoons of Venice. In this way he purposed to attack his last great enemy, the Republic of S. Mark, upon her strongest point.
Yet in the midst of these huge designs he was able to attend to the most trifling details of economy. His love of order was so precise that he may be said to have applied the method of a banker"s office to the conduct of a state. It was he who invented Bureaucracy by creating a special cla.s.s of paid clerks and secretaries of departments. Their duty consisted in committing to books and ledgers the minutest items of his private expenditure and the outgoings of his public purse; in noting the details of the several taxes, so as to be able to present a survey of the whole state revenue; and in recording the names and qualities and claims of his generals, captains, and officials. A separate office was devoted to his correspondence, of all of which he kept accurate copies.[1] By applying this mercantile machinery to the management of his vast dominions, at a time when public economy was but little understood in Europe, Gian Galeazzo raised his wealth enormously above that of his neighbors. His income in a single year is said to have amounted to 1,200,000 golden florins, with the addition of 800,000 golden florins levied by extraordinary calls.[2] The personal timidity of this formidable prince prevented him from leading his armies in the field. He therefore found it necessary to employ paid generals, and took into his service all the chief Condottieri of the day, thus giving an impulse to the custom which was destined to corrupt the whole military system of Italy. Of these men, whom he well knew how to choose, he was himself the brain and moving principle. He might have boasted that he never took a step without calculating the cost, carefully considering the object, and proportioning the means to his end. How mad to such a man must have seemed the Crusaders of previous centuries, or the chivalrous Princes of Northern Germany and Burgundy, who expended their force upon such unprofitable and impossible undertakings as the subjugation, for instance, of Switzerland! Not a single trait in his character reminds us of the Middle Ages, unless it be that he was said to care for reliques with a superst.i.tious pa.s.sion worthy of Louis XI.
Sismondi sums up the description of this extraordinary despot in the following sentences, which may be quoted for their graphic brevity: "False and pitiless, he joined to immeasurable ambition a genius for enterprise, and to immovable constancy a personal timidity which he did not endeavor to conceal. The least unexpected motion near him threw him into a paroxysm of nervous terror. No prince employed so many soldiers to guard his palace, or took such multiplied precautions of distrust. He seemed to acknowledge himself the enemy of the whole world. But the vices of tyranny had not weakened his ability. He employed his immense wealth without prodigality; his finances were always flourishing; his cities well garrisoned and victualed; his army well paid; all the captains of adventure scattered throughout Italy received pensions from him, and were ready to return to his service whenever called upon. He encouraged the warriors of the new Italian school; he knew well how to distinguish, reward, and win their attachment."[3] Such was the tyrant who aimed at nothing less than the reduction of the whole of Italy beneath the sway of the Visconti, and who might have achieved his purpose had not his career of conquest been checked by the Republic of Florence, and afterwards cut short by a premature death.
[1] Giovio is particular upon these points: "Ho veduto io ne gli armari de" suoi Archivi maravigliosi libri in carta pecora, i quali contenevano d" anno in anno i nomi de" capitani, condottieri, e soldati vecchi, e le paghe di ogn" uno, e "l rotulo delle cavallerie, et delle fanterie: v" erano anco registrate le copie delle lettere le quali negli importantissimi maneggi di far guerra o pace, o egli haveva scritto ai principi o haveva ricevuto da loro."
[2] The description given by Corio (pp. 260, 266-68) of the dower in money, plate, and jewels brought by Valentina Visconti to Louis d"Orleans is a good proof of Gian Galeazzo"s wealth. Besides the town of Asti, she took with her in money 400,000 golden florins. Her gems were estimated at 68,858 florins, and her plate at 1,667 marks of Paris. The inventory is curious.
[3] "History of the Italian Republics" (1 vol. Longmans), p. 190.
At the time of his accession the Visconti had already rooted out the Correggi and Rossi of Parma, the Scotti of Piacenza, the Pelavicini of San Donnino, the Tornielli of Novara, the Ponzoni and Cavalcab of Cremona, the Beccaria and Languschi of Pavia, the Fisiraghi of Lodi, the Brusati of Brescia. Their viper had swallowed all these lesser snakes.[1] But the Carrara family still ruled at Padua, the Gonzaga at Mantua, the Este at Ferrara, while the great house of Scala was in possession of Verona. Gian Galeazzo"s schemes were first directed against the Scala dynasty. Founded, like that of the Visconti, upon the imperial authority, it rose to its greatest height under the Ghibelline general Can Grande and his nephew Mastino, in the first half of the fourteenth century (1312-51). Mastino had himself cherished the project of an Italian Kingdom; but he died before approaching its accomplishment. The degeneracy of his house began with his three sons.
The two younger killed the eldest; of the survivors the stronger slew the weaker and then died in 1374, leaving his domains to two of his b.a.s.t.a.r.ds. One of these, named Antonio, killed the other in 1381,[2] and afterwards fell a prey to the Visconti in 1387. In his subjugation of Verona Gian Galeazzo contrived to make use of the Carrara family, although these princes were allied by marriage to the Scaligers, and had everything to lose by their downfall. He next proceeded to attack Padua, and gained the co-operation of Venice. In 1388 Francesco da Carrara had to cede his territory to Visconti"s generals, who in the same year possessed themselves for him of the Trevisan Marches. It was then that the Venetians saw too late the error they had committed in suffering Verona and Padua to be annexed by the Visconti, when they ought to have been fortified as defenses interposed between his growing power and themselves. Having now made himself master of the North of Italy,[3]
with the exception of Mantua, Ferrara, and Bologna, Gian Galeazzo turned his attention to these cities. Alberto d" Este was ruling in Ferrara; Francesco da Gonzaga in Mantua. It was the Visconti"s policy to enfeeble these two princes by causing them to appear odious in the eyes of their subjects.[4] Accordingly he roused the jealousy of the Marquis of Ferrara against his nephew Obizzo to such a pitch that Alberto beheaded him together with his mother, burned his wife, and hung a third member of his family, besides torturing to death all the supposed accomplices of the unfortunate young man. Against the Marquis of Mantua Gian Galeazzo devised a still more diabolical plot. By forged letters and subtly contrived incidents he caused Francesco da Gonzaga to suspect his wife of infidelity with his secretary.[5] In a fit of jealous fury Francesco ordered the execution of his wife, the mother of several of his children, together with the secretary. Then he discovered the Visconti"s treason. But it was too late for anything but impotent hatred. The infernal device had been successful; the Marquis of Mantua was no less discredited than the Marquis of Ferrara by his crime. It would seem that these men were not of the stamp and caliber to be successful villans, and that Gian Galeazzo had reckoned upon this defect in their character. Their violence caused them to be rather loathed than feared. The whole of Lombardy was now prostrate before the Milanese tyrant. His next move was to set foot in Tuscany. For this purpose Pisa had to be acquired; and here again he resorted to his devilish policy of inciting other men to crimes by which he alone would profit in the long-run. Pisa was ruled at that time by the Gambacorta family, with an old merchant named Pietro at their head. This man had a friend and secretary called Jacopo Appiano, whom the Visconti persuaded to turn Judas, and to entrap and murder his benefactor and his children. The a.s.sa.s.sination took place in 1392. In 1399 Gherardo, son of Jacopo Appiano, who held Pisa at the disposal of Gian Galeazzo, sold him this city for 200,000 florins.[6] Perugia was next attacked. Here Pandolfo, chief of the Baglioni family, held a semi-const.i.tutional authority, which the Visconti first helped him to trans.m.u.te into a tyranny, and then, upon Pandolfo"s a.s.sa.s.sination, seized as his own.[7] All Italy and even Germany had now begun to regard the usurpations of the Milanese despot with alarm. But the sluggish Emperor Wenceslaus refused to take action against him; nay, in 1395 he granted to the Visconti the invest.i.ture of the Duchy of Milan for 100,000 florins, reserving only Pavia for himself. In 1399 the Duke laid hands on Siena; and in the next two years the plague came to his a.s.sistance by enfeebling the ruling families of Lucca and Bologna, the Guinizzi and the Bentivogli, so that he was now able to take possession of those cities.
[1] Il Biscione, or the Great Serpent, was the name commonly given to the tyranny of the Visconti (see M. Villani, vi. 8), in allusion to their ensign of a naked child issuing from a snake"s mouth.
[2] Corio, p. 255, tells how the murder was accomplished. Antonio tried to make it appear that his brother Bartolommeo had met his death in the prosecution of infamous amours.
[3] Savoy was not in his hands, however, and the Marquisate of Montferrat remained nominally independent, though he held its heir in a kind of honorable confinement. Venice, too, remained in formidable neutrality, the spectator of the Visconti"s conquests.
[4] The policy adopted by the Visconti against the Estensi and the Gonzaghi was that recommended by Machiavelli (Disc. iii. 32): "quando alcuno vuole o che un popolo o un principe levi al tutto l"
animo ad uno accordo, non ci e altro modo piu vero, ne piu stabile, che fargli usare qualche grave scelleratezza contro a colui con il qual tu non vuoi che l" accordo si faccia."
[5] This lady was a first cousin as well as sister-in-law of Gian Galeazzo Visconti, who in second marriage had taken Caterina, daughter of Bernabo Visconti, to wife. This fact makes his perfidy the more disgraceful.
[6] The Appiani retired to Piombino, where they founded a petty despotism. Appiano"s crime, which gave a tyranny to his children, is similar to that of Tremacoldo, who murdered his masters, the Vistarini of Lodi, and to that of Luigi Gonzaga, who founded the Ducal house of Mantua by the murder of his patron, Pa.s.serino Buonacolsi.
[7] Pandolfo was murdered in 1393. Gian Galeazzo possessed himself of Perugia in 1400, having paved his way for the usurpation by causing Biordo Michelotti, the successor of the Baglioni to be a.s.sa.s.sinated by his friend Francesco Guidalotti. It will be noticed that he proceeded slowly and surely in the case of each annexation, licking over his prey after he had throttled it and before he swallowed it, like a boa-constrictor.
There remained no power in Italy, except the Republic of Florence and the exiled but invincible Francesco da Carrara, to withstand his further progress. Florence delayed his conquests in Tuscany. Francesco managed to return to Padua. Still the peril which threatened the whole of Italy was imminent. The Duke of Milan was in the plenitude of manhood--rich, prosperous, and full of mental force. His acquisitions were well cemented; his armies in good condition; his treasury brim full; his generals highly paid. All his lieutenants in city and in camp respected the iron will and the deep policy of the despot who swayed their action from his arm-chair in Milan. He alone knew how to use the brains and hands that did him service, to keep them mutually in check, and by their regulated action to make himself not one but a score of men. At last, when all other hope of independence for Italy had failed, the plague broke out with fury in Lombardy. Gian Galeazzo retired to his isolated fortress of Marignano in order to escape infection. Yet there in 1402 he sickened. A comet appeared in the sky, to which he pointed as a sign of his approaching death--"G.o.d could not but signalize the end of so supreme a ruler," he told his attendants. He died aged 55. Italy drew a deep breath. The danger was pa.s.sed.
The systematic plan conceived by Gian Galeazzo for the enslavement of Italy, the ability and force of intellect which sustained him in its execution, and the power with which he bent men to his will, are scarcely more extraordinary than the sudden dissolution of his dukedom at his death. Too timid to take the field himself, he had trained in his service a band of great commanders, among whom Alberico da Barbino, Facino Cane, Pandolfo Malatesta, Jacopo dal Verme, Gabrino Fondulo, and Ottobon Terzo were the most distinguished. As long as he lived and held them in leading strings, all went well. But at his death his two sons were still mere boys. He had to intrust their persons, together with the conduct of his hardly won dominions, to these captains in conjunction with the d.u.c.h.ess Catherine and a certain Frances...o...b..rbavara. This man had been the Duke"s body-servant, and was now the paramour of the d.u.c.h.ess. The generals refused to act with them; and each seized upon such portions of the Visconti inheritance as he could most easily acquire. The vast tyranny of the first Duke of Milan fell to pieces in a day. The whole being based on no legal right, but held together artificially by force and skill, its const.i.tuent parts either rea.s.serted their independence or became the prey of adventurers.[1] Many scions of the old ejected families recovered their authority in the subject towns.