They have done too much harm!... They would be the ruin of the family!...
JALLINE
(_Going to_ THE GREAT MENDICANT _and clasping his knees_.) Perhaps I"m the one.... I love him so!
MILETTE
(_Going to_ THE GREAT PEASANT _and clasping his knees_.) If you want to know how much I love him, look at me and see.
AIMETTE
(_Going to_ THE GREAT ANCESTOR _and clasping his knees_.) Can"t you see that I have loved him longer than the others? I have loved him since I first set eyes on him. I never dared say so; but I feel that I shall die if you choose another.
THE GREAT ANCESTOR
My poor children, it is very sad, but my hands are tied. You will perhaps cry for a few hours; but, if we chose one of you, she would spend her whole life crying, for I do not see among you the one for whom we are waiting.... Tyltyl!
TYLTYL
Yes?
THE GREAT ANCESTOR
Have you brought us no one else, besides those we see here?
TYLTYL
No, no one else.
THE GREAT MENDICANT
I see a tall white figure over there, against a tree; who is it?
TYLTYL
I really don"t know. She follows us all the time, squeezes in wherever we go, n.o.body knows her; and we can"t get rid of her.
THE GREAT ANCESTOR
Go and fetch her.
(TYLTYL _fetches_ THE WHITE PHANTOM _and brings her back, holding her by the hand_.)
THE GREAT ANCESTOR
Who are you?
TYLTYL
It"s no use asking her. She never answers; she can"t talk.
THE GREAT ANCESTOR
(_To_ THE PHANTOM.) Come nearer, child, and let me lift the veil that covers your face.... (_He removes the veil. The statue"s face appears, absolutely white, featureless and devoid of human expression_.) She has no face.... (_To the other_ ANCESTORS _standing around them_.) Do you know her?
THE GREAT PEASANT
She has no expression.
THE GREAT MENDICANT
She has no features.... She is like an unfinished statue.
THE GREAT ANCESTOR
What are we to do? It must be she. But who is she? She is not dead, or we should know it.... Come, Tyltyl, make an effort, for everything depends on you. You must remember....
TYLTYL
I have tried my utmost.... Do what I will, I can"t remember at all.
THE GREAT ANCESTOR
Listen, it is a serious matter. If we do not succeed in recognizing her, all your life, all your happiness on earth will be nothing more than a phantom like herself.... There is one last resource, one last hope, which is that the children who are to be born of you may discover who she is and that she is to be their mother. They see much farther and deeper than we. But there is no time to lose; for this waiting and this living in suspense are very dangerous for her. We must be quick therefore; we must not waste a moment ... go, my little Tyltyl. You have been very good and patient, very obedient and faithful to your race throughout this ordeal. Take this kiss and farewell.... You too, my dears, let me give you the parting kiss. Do not be too sad; another happiness awaits you. There is more than one kind on that poor misguided earth of yours. You have deserved every happiness that it can give....
Good-bye, my dear daughters; good-bye, good-bye, my son. And we will meet again whenever you wish: you know where to find us and we shall be waiting for you....
(_The Scene grows dark and disappears from view; the Curtain of Rocks closes; and_ TYLTYL, THE GIRLS, LIGHT _and_ DESTINY _are once more alone among the boulders_.)
DESTINY
(_Seizing_ TYLTYL"S _hand_.) This way, this way!... Thanks to me, it went off very well!... I said nothing about it; but it was I who foresaw everything and planned everything; and all that has been done was ordained by me....
(_They all go out_.)
CURTAIN
ACT IV
SCENE VIII
_Before the Curtain representing the Milky Way_
(_Enter_ TYLTYL _and_ LIGHT.)