"At the time I intended to give you my blood. But I was afraid to pull out the stake. I thought it would kill you." I shrug. "So I left it in."
He is breathing hard. "You"re not answering my questions."
I stand and step to his side and put a hand on his shoulder, "You lost too much blood. Even I couldn"t save you." I pause. "You died that night on that beach."
He forces a smile. "Yeah, right. I"m Lazarus, back from the dead."
"There was a vial of the child"s blood. I stole it from the nurse who was caring for the baby at the hospital. I had that vial with me when I took you up to the mountains."
"Why did you take me up there? You never explained that."
"To cremate your body. You must remember that when you woke up you were lying on a huge pile of wood." I squeeze his shoulder. "Seymour."He jumps back and trembles. "That"s not possible. You"re making this story up. I couldn"t have been dead. When you"re dead you"re dead. G.o.d d.a.m.n it, Sita, don"t lie to me this way. You"re scaring me and I don"t like it."
I am patient. "Just before I lit the wood, a strange feeling swept over me. I was looking down at you and I was holding this burning lighter and I couldn"t stop staring at your face and thinking how you shouldn"t be dead. Then I remembered the vial of blood, and I took it out of my pocket and poured some over your wounds and some down your throat. Then I walked away and stood behind a tree and prayed to G.o.d that everything would be all right." I move to his side again and put my arm over his shoulder.
Both our eyes are damp. "And you were all right, Seymour. It was a miracle. You were sitting there and everything was perfectly all right." I kiss the side of his face and whisper in his ear. "I wouldn"t lie to you about this, you know. I don"t lie to those I love."
He is still shaking. "But I don"t remember any of this."
"Maybe that is part of the miracle. Maybe it is for the best."
He looks at me with a sad little boy"s face. "She really killed me?"
"Yes."
"And that baby"s blood brought me back?"
"Yes."
He is awed as well as shocked. "That must mean ..." He can"t finish.
"Yes." I bury my face against his chest and dry my eyes on his robe. "I can"t let my daughter get to him or to Paula. I just can"t. I have to stop her and the only way I can do that is to kill her."
Seymour strokes my hair. Now he comforts me. We make a fine pair.
"Can she be killed?" he asks.
I raise my head. "I think so. Even Yaksha could be killed."
"But she is more powerful than Yaksha. You said so yourself."
I turn away and look at the ocean out the window.
"She must drink blood to survive," I say. "She has needs that only mortal flesh can fulfill. A portion of her must be mortal. She must be vulnerable."
"To the fire of automatic weapons?" He is recovering from the shock. His inner strength never ceases to amaze me. But he is a believer now, even if he won"t admit it. Perhaps Lazarus argued that he had never been dead. For G.o.d"s sake, Jesus, it was just a bad cold. Yeah, well, why do you smell so bad, Laz?
I continue to stand with my back to Seymour.
"I have thought of enlisting their aid," I say. "But to do so I would have to tell them an awful lot, maybe even what I am. I might have to give them a demonstration."
"You don"t want to do that. They"d kill you after they killed Kalika, just to be on the safe side."
Seymour considers. "Kalika is described in their scripture?"
"That"s a perceptive question. Yes. But they haven"t let me read that portion of the scripture. I only know of their knowledge of Kalika because I eavesdropped on their conversation."
"Did they call her Kalika?"
"The Dark Mother. It is the same difference." I grimace. "They have a horrible opinion of her."
"No doubt. Especially if Suzama was as accurate as you say." Seymour scratches his head. "You can"t tell them that you"re a vampire and knew Suzama personally. You would have to drink some blood in front of them to get them to listen to you after that, and then they would go running for their guns. But if you"re able to describe Kalika in clear enough terms, they might believe you enough to check her out.
How many of them are there?"
"Two dozen, which is a small army if they have the guns I think they do."
"You can give them some of your high-tech weapons."
"I"ve thought of that as well," I say.
"The only problem is that you don"t know where your daughter is."
"That may not be true." I explain how Kalika spoke of her wonderful view, and the large pool below her. Yet this tip only seems to disturb Seymour.
"She mentioned the view," he says. "She went to the trouble to stand out on a balcony when she spoke to you. She knows all about your phenomenal hearing. And she probably knows how few places fit the description of her current residence. Does this add up to something in your mind?"
"A trap, of course. She might be lying in wait for us."
"She might be lying in wait for the entire Suzama Society. If she was watching you last night, she might suspect you will turn to them for help."
"I don"t know if she takes them seriously. She called last night"s lecture boring." I pause. "Plus she promised she wouldn"t kill unless it was necessary."
"Oh, that"s a relief. I feel a whole lot better now. The Mother of Darkness promises her vampire mother she"s not going to get rough unless she gets pushed around. If I understand you correctly, the Suzama Society thinks it is their destiny to kill Kalika. Well, your daughter"s not going to stand around and let them fill her full of lead."
I shake my head. "Kalika is many things, but I don"t think she would have said such a thing to me unless it was true."
"By that reasoning you should believe she has no intention of harming the child."
"No. Obviously she intends to kill the child. She has killed to try to get to him. She is not some star-struck devotee who wants to gaze upon him in wonder. But her promise to me was something else. In fact, she asked if there was anything she could do for me."
"Still, the Suzama gang will have to hit her hard and quick if they"re to survive."
"Agreed. But should we go to them for help? Should we risk their lives? Do we have the right?"
He shrugs. "It"s their decision."
"Don"t be so flip. No matter what you or I tell them, they won"t understand how deadly Kalika is until they come face to face with her."
"I meant what I said. Their decision would not be flip. This is something these people believe in.
They have dedicated their lives to it. Also, if all this is true, look at what"s at stake? If this baby is the Big Guy then the world needs him. Kalika must be stopped, and I have to say no price is too high to stop her."
I nod sadly. "You said something similar when she was just a baby."
"Yes. And you wanted to give her a chance to see who she turned out to be." He pats me on the shoulder. "I"m sorry I have to put it that way. I just think we have to get a hold of all the firepower we can.
Let"s try to track down Kalika today. If we find her, and we live, then we"ll go talk to Dr. Seter. h.e.l.l listen.
It"s just a question of how far you have to go to persuade him."
"Is there anything I can do for you, Mother?" There is pain in my voice as I speak next. "This child is special, there can be no question about that. But to me, Kalika, even if she is evil, is special as well." My head hangs heavy. "I don"t know whether to pray for success or failure."
7.
A local realtor informs me that there are only a dozen places in Los Angeles that fit my description of a tall apartment building with a large pool. The one with the largest pool is in Century City, at Century City Park East. Seymour and I decide to go there first. The place is exclusive, with twin towers that rise twenty stories into the sky. There is valet parking, a gym, and a tennis court beside the wonderful pool. I let the valet take the car, but I don"t immediately head for the woman at the reception area.
"I appreciate what you said about this being a trap," I say to Seymour, who insisted on coming so that he could serve as lookout. "But the chances are she doesn"t know we"re here. I don"t want to walk in and request her by name."
"Chances are she"s working under a different name. Did you bring a picture of her?"
"Yes. I have several of her token when she was fully grown. But I don"t want to tip our hand. If we quiz the woman at the desk, and show her Kalika"s picture, she may tell Kalika someone was looking for her. These people are trained to do that. I would rather check out the underground garage first If Kalika has a car, it will probably be new and I should be able to smell her on it."
"She could be out," Seymour says.
"It is a possibility. But I want to do this first."
So we head underground. We"re dressed properly, like rich sophisticates, so no one pays any attention to us. On the second garage level a new white Mercedes catches my eye. From where I am standing, forty feet away, I don"t smell my daughter. Yet there is something about the car that draws my attention. I wonder if the vehicle is emitting vibrations. Certainly my daughter has a very powerful aura.
A moment later we have our hands on the car.
"If this is hers," Seymour says, "she has good taste."
"I need to smell the interior," I say.
Seymour points to a tiny flashing red light inside. "Don"t set off the alarm."
"I see it," I mutter as I flex my palms over the driver"s side window. Very slowly I begin to push the window down. A crack appears and I let go and stick my nose dose to it. There is a faint musky odor, which, according to the Vedas, is Kali"s smell. But I don"t need my knowledge of the Vedas to remember what my own daughter smells like. The odor fills me with nostalgia for her, but I don"t know why. Ray and my darling daughter never allowed us to have a normal family life. He was a ghost and she was a demon. I glance at Seymour. "This belongs to her."
He is not as happy as he was a moment ago. He may not remember the stake through his back, but he was there when Kalika opened Eric"s throat. I carefully push the window back up and wipe away the faint impressions my palms have made on the gla.s.s.
"We"d better get out of here," he says.
I study the number at the front of the parking spot. "Eighteen twenty-one. It must be her suite number. We need to stake out this building."
"Not down here," he says quickly.
"No. We"ll cross the street to the high-rise office building and find an empty office that has a view of the valet parking area. When she leaves, I"ll break into her condo and search it."
He swallows. "Do we have to do that?"
"You don"t have to do anything. I"ll do it."
"But then you"ll think I"m a coward."
"I know you"re a coward," I lie.
He is insulted. "Is that why you won"t sleep with me?"
"No. It"s because you"re still a nerd. Let"s get across the street."
Back outside we cross Olympic Boulevard and enter one of the triangular towers that overlooks the condo towers. This commercial building has forty floors, twice what the condo towers have. A glance at the office listings in the main lobby tells me that 3450 and 3670 and 3810 and 2520 are empty. I steer Seymour toward the elevator. We are alone as we rise up to the thirty-sixth floor.
"Maybe she never goes out," he says. "We could wait all day for her to leave."
"You"re free to go to a movie if you like."
"That"s not fair. You"re a vampire. You don"t have to fear her the way I do."
"You will recall that last time I tried to attack her on the Santa Monica Pier, she grabbed my foot before I could touch her and snapped my ankle." I shake my head. "She can kill me as easily as she can kill you, if she chooses."
"But you do think a bullet in the head or in the heart will stop her?"
"Who really knows?"
Suite 3670 appears empty. I listen at the door for a moment before breaking the lock, stepping inside, and closing the door behind us. Suite 3670 directly overlooks the condo towers. We have a clear view of the valet area. If Kalika comes down and asks for her car, or simply gets it herself, we will know.
Briefly I scan the portion of the eighteenth floor that faces us. It is possible I can see 1821, but I can"t tell without examining the interior of the building or seeing a floor plan. Yet all of the condos on that floor have closed vertical blinds, so even if I was staring directly at her place, it would do me little good.
Seymour and I sit down on the floor and take up the watch. Actually, it is only my eyes that are of any use. This high up, Seymour wouldn"t recognize his own mother if she came out of the building across the street.
An hour goes by. Seymour gets hungry and goes for a sandwich. While he is gone I see a beautiful young woman with long dark hair come out of the condo tower. She hands the parking valet a dollar after he brings up her shiny white Mercedes. I am staring at the Dark Mother, the scourge of Suzama"s prophecies, my own daughter.
"Kalika," I whisper to the gla.s.s. "What do you want?"
She climbs into her car and drives away. I am out the door in a flash. I run into Seymour on his way back with a sandwich for me. One look at my face and he is a ma.s.s of nerves. I raise my hand.
"I want you to stay here," I say. "I"m going into her condo, and you"ll just get in my way."
"But you"ll need a lookout," he protests.